Özkan Manav

Ali Özkan Manav (born May 20, 1967) is a Turkish composer of contemporary classical music.

His music communicates with vernacular idioms through a diversified sound plane.[1] His earlier works reveal influences of Saygun, Usmanbaş and Ligeti (in rhythmic and contrapuntal design), at times progressing through aleatoric sections (in orchestral works). Later works combine newer timbral concerns with maqamic pitch content, microtones and elements of folk music (ornamentations, vocal and instrumental practices, etc.).

Biography

Born in Mersin, a Mediterranean city in Southern Turkey. His family moved to Istanbul in 1971. He was introduced to music by his mother who was a ballet dancer before her marriage. He started private piano lessons with Hülya Saydam in 1980, his first compositions appeared in 1981. He entered at the Mimar Sinan University State Conservatory’s composition department in 1984. Became a student of Erçivan Saydam (harmony and counterpoint), Adnan Saygun (composition, modal music and fugue) and Afşar Timuçin (history of thinking, literature and aesthetics). After his graduation in 1991, he was appointed as an instructor in the same institution. Between 1991-96 he was a student in the composition class of İlhan Usmanbaş; earned his master’s degree in 1994, pursued qualification in arts studies until 1996. From 1996 to 1999 he studied at Boston University with Lukas Foss and Marjorie Merryman. Upon finishing his doctoral studies at Boston University, he returned to Turkey and began to teach composition at his native institution, Mimar Sinan Fine Arts University State Conservatory in Istanbul. At present he is a faculty member in the same institution.[2][3]

Works

orchestra

Symposium (1991)

Andante Lugubre (1993)

Sforzati (1997–98)

Carian Diary (2001)

Portamento lento (2002)

Four Turkish Folk Songs (2010)

chamber ensemble

Sinfonietta, wind instruments, timpani and xylophone (1989–90)

Symphonic Dances, 7 percussionists (1999-2000)

Reflections, piano and nine performers (2006)

Countryside Landscapes: Winter, fourteen string instruments (2007)

Uzun Hava, eight winds and two string instruments (2011)

chamber music

Artvin Dance, brass quintet (1991, rev. 2002)

Sonata, violin and piano (1992)

Poems with Music, six musicians and narrator (1995–96)

Wanderings, two oboes, two clarinets and alto saxophone (1996−97, rev. 1998, 2004)

Laçin, arrangement for piano trio (2003)

Four Pieces for Five Clarinets (2003–04)

Reflections, accordion and piano (2004–05)

Three Turkish Folk Songs, violoncello and piano (2008–09)

The Land of Beautiful Horses, string quartet (2010)

String Quartet (2012)

solo instrument

Partita, viola (1991−92, rev. 2003)

Face-to-Face with Saygun: Proliferations on Five Pieces from Modal Music, violin (2005)

Taqsim, clarinet (2005)

Pigeons, harp (2010)

Horon!, violin (2011)

piano

Movement 1 (1994)

Movement 2 (1998)

Movement 3 (2001)

Movement 4 (2001)

Movement 5 (2006)

Movement 6 (2009)

voice and piano

Nazım Hikmet Songs, baritone and piano (1997–98)

choir

Spoon Dance Air (1990)

Dök zülfünü meydâna gel, polyphonic arrangement (1991)

Allam alam, polyphonic arrangement for choir and percussions (1994)

Kız sen geldin Çerkeş’ten, polyphonic arrangement (2001)

Book

Müzikte Alımlama (Reception in Music), Pan Yayıncılık, Istanbul, 2012. [with Mehmet Nemutlu]

External links

References

  1. ↑ Hartmann, Bernhard. “Gleißende Klänge türkischer Moderne”, General-Anzeiger, 17 September 2002.
  2. ↑ İlyasoğlu, Evin. 71 Türk Bestecisi / 71 Turkish Composers [bilingual], Pan Yayıncılık, Istanbul, 2007.
  3. ↑ Say, Ahmet. Müzik Ansiklopedisi [Encyclopedia of Music], vol. 2, Müzik Ansiklopedisi Yayınları, Ankara, 2005. ISBN 975-7436-31-3
This article is issued from Wikipedia - version of the Saturday, April 30, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.