101 Vagina
Author | Philip Werner |
---|---|
Country | Australia |
Language | English |
Subject | Female body image/sexuality |
Genre | Photography |
Published | 2013 |
Pages | 216 |
ISBN | 9780987409003 |
101 Vagina is a black-and-white coffee table photo-book by Philip Werner, with a foreword by Toni Childs. It was self-published in March 2013 in Melbourne, Australia. The book contains 101 close-up nude photos shot in a non-provocative way, along with an accompanying story or message written by each woman about her vagina.
The book's photos and stories were exhibited five times in Australia in 2013, with a US and Canadian tour in 2014 taking in six locations.
Publication
101 Vagina was funded by crowd sourcing and took some two years to create.[1][2] Werner was initially inspired by The Vagina Monologues and subjects were found via social media after Werner publicised his objective to create a book that had both an educational and celebratory goal.[1][3] Models, ranging in age from 18 to 65, remain anonymous. Singer-songwriter Toni Childs, who wrote the foreword, made contact with Werner after he initiated a peace march in honour of murdered ABC employee Jill Meagher in his Brunswick neighbourhood.[4]
Speaking to The Sydney Morning Herald about the book, Werner commented that: "I hope it finds its way to a few young women and girls...So they see that [these pictures are] normal rather than pictures in magazines."[5] Stories accompanying the photos discuss various themes, including ageing, pregnancy, Brazilian waxing, first sexual encounter and poor body image.[6]
Reception
On publication101 Vagina received broad media coverage, including write-ups in The Age,[1] The Sydney Morning Herald[5] and La Presse in Montreal.[7] It was also discussed on ABC Radio National,[8] and 2SER.[9]
Exhibitions
101 Vagina was presented as an exhibition on several occasions in Australia in 2013. This included being part of The Sydney Fringe.[10] and Melbourne Fringe Festival.[11] In 2014, it was officially launched in the US and Canada with a series of exhibitions. The tour included Los Angeles[12] and Laguna Beach.[2]
Controversy and censorship
In Sydney the exhibition was visited by police responding to a complaint that the images were visible from the street.[13][14] Images were required to be censored as part of a group exhibition at The Sydney Fringe.[15]
References
- 1 2 3 Carbone, Suzanne (14 March 2013). "Here's a lesson on vaginas 101". The Age. Retrieved 29 June 2014.
- 1 2 Hansen, David (24 April 2014). "Hansen: The Shame and Joy of 101 Vaginas". Laguna Beach Coastline Pilot. Retrieved 29 June 2014.
- ↑ Price, Jenna (November 20, 2012). "Bodybits 101: the personal side of Selfies". Canberra Times (Fairfax Media).
- ↑ Robson, Suzanne (18 March 2013). "Private parts go public for a cause in coffee table book". Herald Sun. Retrieved 29 June 2014.
- 1 2 Berry, Sarah (20 March 2013). "Private parts go public". Sydney Morning Herald. Retrieved 29 June 2014.
- ↑ Bielski, Zosia (June 12, 2014). "Controversial exhibit unveils natural beauty of 101 women". Globe and Mail (Globe and Mail).
- ↑ Bernier, Marie (31 May 2014). "Portraits Intimes" (in French). La Presse. Retrieved 29 June 2014.
- ↑ Smith, Amanda (14 April 2013). "What lies below". Australian Broadcasting Corporation.
- ↑ "A Vagina Festival in the Studio". www.2ser.com. Archived from the original on February 9, 2015.
- ↑ Rosenberg, Jess (20 September 2013). "101 Vaginas on Display". Broadsheet. Retrieved 29 June 2014.
- ↑ listing. "101 Vagina book – exhibition". melbournefringe.com. Retrieved 29 June 2014.
- ↑ Gonzales, Nanette (April 8, 2014). "101 Vagina Art Show @ Think Tank Gallery (NSFW)". LA Weekly (LA Weekly).
- ↑ Stubbs, Vanessa (28 June 2013). "Hide the vagina". MX - Sydney (News Ltd).
- ↑ Sano, Melanie (1 July 2013). "Police Monitor Vagina Exhibition". Visual Arts Hub. Retrieved 29 June 2014.
- ↑ Hunt, Adam (September 19, 2013). "Vagina censorship offensive". City Hub (Altmedia).
External links
- Taboo Books page on 101 Vagina
- US and Canada tour dates
- Salon review by Tracy Clark-Flory
- Le Nouvel Observateur review by Lucile Sourdès