A Little Sister of Everybody
| A Little Sister of Everybody | |
|---|---|
| Directed by | Robert Thornby |
| Produced by | Anderson-Brunton Photoplays[1] |
| Written by | William Addison Lathrop |
| Screenplay by | Charles Sarver |
| Starring |
Bessie Love George Fisher |
| Cinematography | Frank B. Good[1] |
Production company |
Anderson-Brunton Company |
| Distributed by | Pathé Exchange |
Release dates |
|
Running time | 5 reels[2] |
| Language | Silent (English intertitles) |
A Little Sister of Everybody, sometimes called A Little Sister to Everybody,[3] is a 1918 silent film directed by Robert Thornby, starring Bessie Love and George Fisher.[4]
On its release, it was shown with the Toto (Armando Novello) comedy short The Furniture Movers.[4]
Plot
As described in film magazines,[3][5] left in charge of a large manufacturing business in Manhattan's Lower East Side through the death of his father, Hugh Travers, Jr. (Fisher) is confronted by considerable unrest among the employees due to the socialist doctrines preached by Ivan Marask (Sarno). Disguising himself as a poor factory worker, he labors in his own mill and thus becomes interested in Nicholas Marinoff (Dowling), a socialist writer, and his niece Celeste Janvier (Love). Discharged for inciting the workers to violence, Marask determines to kill Travers. He tells Celeste of his intention and they both arrive at the Travers home at the same time. The young woman spoils his aim so the shot meant for Travers goes wild. Marask is astonished to discover that the man he knew as Hughes is Travers, and his astonishment is shared by Celeste. Travers tells them of his planned reforms for the employees and of his love for Celeste.
Cast
- Bessie Love as Celeste Janvier[6]
- Joseph J. Dowling as Nicholas Marinoff
- Hector Sarno as Ivan Marask
- George Fisher as Hugh Travers, Jr.
Production
A Little Sister of Everybody was filmed at Paralta Studio in Los Angeles.[4]
Reception
The film received mixed reviews.[5][7]
Like many American films of the time, A Little Sister of Everybody was subject to cuts by city and state film censorship boards. For example, the Chicago Board of Censors cut, in Reel 4, the intertitle "I'll kill his dog, Hugh Travers, as a warning".[8]
References
- 1 2 Love, Bessie (1977). From Hollywood with Love: An Autobiography of Bessie Love. London: Elm Tree Books. p. 149. OCLC 734075937.
- ↑ "Recent Motion Pictures Based on Standard or Current Books". The Library Journal 43 (9): 656. September 1918.
- 1 2 "Bessie Love in 'A Little Sister to Everybody'". Exhibitors Herald 7 (3): 27. July 13, 1918.
- 1 2 3 "'Little Sister' Heads Pathés". Dramatic Mirror of Motion Pictures and the Stage 78 (2062): 919. June 29, 1918.
- 1 2 "A Little Sister of Everybody". Variety 60 (11): 33. August 9, 1918.
- ↑ "A Little Sister of Everybody". The Moving Picture World 37 (1): 114. July 6, 1918.
- ↑ Various quotes from reviews:
- "The Shadow Stage". Photoplay 14 (4): 102. September 1918.
clean and mildly thrilling
- "Pathé". Motography 20 (1): 10. July 6, 1918.
almost universal appeal
- "Pathé". Exhibitors Herald and Motography (Chicago) 7 (15): 41. October 5, 1918.
Action slow. Too long drawn out.
- "Pathé". Exhibitors Herald and Motography (Chicago) 7 (17): 39. October 19, 1918.
Just a picture.
- "The Shadow Stage". Photoplay 14 (4): 102. September 1918.
- ↑ "Official Cut-Outs by the Chicago Board of Censors". Exhibitors Herald (New York City: Exhibitors Herald Company) 7 (4): 49. July 20, 1918.
External links
- A Little Sister of Everybody at the Internet Movie Database
- A Little Sister of Everybody at AllMovie