Agathe Backer-Grøndahl

Agathe Backer-Grøndahl, ca. 1870.

Agathe Ursula Backer-Grøndahl (1 December 1847 – 4 June 1907) was a Norwegian pianist and composer. She married the conductor and singing teacher Olaus Andreas Grøndahl in 1875, and was generally known thereafter as Agathe Backer-Grøndahl. Her son Fridtjof Backer-Grøndahl (1885-1959) was also a pianist and composer, who promoted his mother's compositions in his concerts.

Biography

Agathe Backer was born in Holmestrand in 1847,[1] in a wealthy and art-loving home, as the second youngest of four sisters, all gifted in drawing and music. In 1857 she moved with her family to Christiania, where she studied with Otto Winther-Hjelm, Halfdan Kjerulf and Ludvig Mathias Lindeman.[1] Between 1865-1867 she became a pupil of Theodor Kullak and studied composition under Richard Wuerst at the Akademie der Tonkunst in Berlin,[1] where she lived together with her sister Harriet Backer.[2] She won fame there with her interpretation of Beethoven's "Emperor" Concerto.

In 1868 she debuted with Edvard Grieg, then 26 years old, as conductor of the Philharmonic Society.[2] A recommendation from Ole Bull led to further studies with Hans von Bülow in Florence in 1871.[1][n 1] Later the same year she played at the Gewandhaus in Leipzig, becoming a pupil of Franz Liszt in Weimar in 1873.[1] In 1875 she was married to the celebrated singing teacher Herr Grondahl of Christiania,[1] and during the second half of the 1870s she built up an outstanding pianist career with a series of concerts in the Nordic countries, also playing with very great success in London and Paris.

In 1889 and 1890 she gave concerts in London and Birmingham with a wide-ranging program, including Grieg's piano concerto.[2] After that she was proclaimed one of the century's greatest piano artists by George Bernard Shaw, who also remarked on the sensitiveness, symmetry and artistic economy of her compositions.[3] At the World Exhibition in Paris in 1889, she repeated her success with her brilliant interpretation of Grieg's piano concerto.[2] It was then that she began suffering from nerve problems, although she eventually resumed her artistic career as a pianist. Later in the 1890s she became almost completely deaf. She gave her last concerts in Sweden and Finland in the autumn of 1901. Then she retired to teaching.

Teaching style

As a teacher she was markedly successful and influential. Her children studied under her and are counted with her gifted pupils. She was the author of many songs and a great deal of music for the piano, and both as pianist and composer stands at the head of modern music in Norway.[4] Agathe Backer-Grøndahl died at her home in Ormøya, outside Christiania, at the age of 59.[2] She is today chiefly remembered for her piano pieces and songs.

Compositional style

Agathe Backer Grondahl played a major role in the period often called the golden age of Norwegian music history. She composed in total some 400 pieces spanning seventy opus numbers, and was a prominent character on the Norwegian musical scene; being a close friend of Edvard Grieg. Her earlier compositions synthesized the predominant pianistic and stylistic ideas of 1850s Europe. In her later years however, her style transformed and anticipated some of the early twentieth century impressionistic ideas, which ultimately led the composer Pauline Hall to call her the first true Norwegian impressionist.

List of works

Songs

Piano solo

Discography

Notes

  1. ↑ Her songs from this early period are in the German Romantic tradition of Felix Mendelssohn and Robert Schumann, but also reflect her own ability to shape a melody and use the piano in a rich manner.

References

  1. 1 2 3 4 5 6 Backer, Theodore (1905). A Biographical Dictionary of Musicians (PDF). New York: G. Schirmer. p. 33.
  2. 1 2 3 4 5 Dahm, Cecilie. "Agathe Backer Grøndahl". Store Norske Leksikon (in Norwegian). SNL. Retrieved 23 June 2012.
  3. ↑ Shaw, G B. Shaw's Music. ed D. Laurence. The Bodley Head. Vol 1, pp 654-710
  4. ↑ Hubbard, W. L. (1908). The American history and encyclopedia of music - Vol. 5. Toledo, New York. pp. 33–34.

External links


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