Agnes Browne

For the 2014 film, see Mrs. Brown's Boys D'Movie.
For other uses, see Agnes Brown (disambiguation).
Agnes Browne
Directed by Anjelica Huston
Produced by Anjelica Huston
Jim Sheridan
Written by Brendan O'Carroll (book)
John Goldsmith
Starring Anjelica Huston
Marion O'Dwyer
Ray Winstone
Music by Paddy Moloney
Cinematography Anthony B. Richmond
Edited by Eva Gardos
Production
company
Distributed by USA Films
Release dates
 December 3, 1999 (Limited)
March 3, 2000
Running time
 92 minutes
Country United States
Ireland
Language English
French
Box office $148,853[1]

Agnes Browne is a 1999 American/Irish romantic comedy-drama film directed, produced by, and starring Anjelica Huston, based on the book The Mammy by Brendan O'Carroll.[2]

Plot

In 1967 in Dublin, the unexpected death of Agnes Browne's husband sends her family, consisting of seven children aged between two and fourteen, into emotional turmoil and financial crisis. She is forced to borrow money from a ruthless loan shark named Mr. Billy to make ends meet. She faces her dismal existence by selling fruits and vegetables at an open air market based in Dublin's Moore Street where she spends time with her best friend Marion, who proves to be a great source of encouragement in her difficulties.

Wishing to escape her troubles, if only for a short time, Agnes dreams of finding enough money to attend an upcoming Tom Jones concert. Agnes' dream is realized when Marion secretly buys two tickets and gives them to her. Agnes also accepts the offer of a date with a French baker named Pierre. Her children pool their money together and buy her a new dress to wear on the date. Marion soon discovers an ominous lump in her breast, which proves fatal.

Eventually the family has to face the loan shark. Mr. Billy warns Agnes that she has until Christmas to pay him back or he will strip her house of her furniture. On Christmas Day, Agnes receives a letter stating she can collect the money from the hotel where her husband worked. She holds off Mr. Billy and sends her children to the hotel, where they meet Tom Jones and tell him their story. Tom then visits Agnes in her home, helps her pay off Mr. Billy, and carries off her and the children to the concert in his cab. At the concert, Tom Jones dedicates his song "She's a Lady" to Agnes.

Cast

Reception

Agnes Browne was not well received in the United States.[3] Franz Lidz, writing in the New York Times, called it a "flimsy whimsy" and chided Roger Ebert for liking it.[4] William Arnold felt that the ending trivialized the story, leaving the audience "with the uncomfortable feeling that we've just viewed some episode of a TV sitcom of the era."[5] New York Times reviewer Stephen Holden found it "nothing more than a series of homey skits loosely woven into a portrait of a working-class saint."[6]

The film had a better reception in Europe, winning the Youth Jury Award at the 1999 San Sebastián International Film Festival. It also received a Grand Prix nomination at the Ghent International Film Festival the same year.[7]

Author

The Mammy was followed by two additional books: The Chiselers and The Granny. However, these were not made into films. Brendan O'Carroll has had his own success with the Browne family in Mrs. Brown's Boys, both on the theater stage and on television.

References

  1. ↑ "Agnes Browne". Box Office Mojo.
  2. ↑ Levy, Emanuel (31 May 1999). "Agnes Browne (period drama)". Variety.
  3. ↑ Dequina, Michael (17 December 1999). "Agnes Browne (R)". The Movie Report.
  4. ↑ Lidz, Franz (16 April 2000). "Film - A Shot at Thumb-Wrestling With Roger". The New York Times. section 2, page 9, column 2.
  5. ↑ Arnold, William (3 March 2000). "'Agnes Browne' dances to a lighter beat than 'Angela's Ashes'". Seattle Post-Intelligencer.
  6. ↑ Holden, Steven (3 December 1999). "Widowed Mom of 7 vs. a Loan Shark". The New York Times. section E, part I (page 25), column 1.
  7. ↑ Awards for Agnes Browne at the Internet Movie Database

External links

This article is issued from Wikipedia - version of the Wednesday, March 16, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.