Akkana Basadi, Shravanabelagola

Akkana Basadi
Jain temple (Hoysala style)

Akkana Basadi (1181 A.D.) at Shravanabelagola town
Country  India
State Karnataka
District Hassan District
Languages
 • Official Kannada
Time zone IST (UTC+5:30)
PIN 573135

Akkana Basadi (lit, temple of the "elder sister", basadi is also pronounced basti) is a Jain temple built in 1181 A.D., during the rule of Hoysala empire King Veera Ballala II. The basadi was constructed by the devout Jain lady Achiyakka (also called Achala Devi), wife of Chandramouli, a Brahmin minister in the court of the Hoysala king. The main deity of the temple is the twenty-third Jain Tirthankar (saint) Parshwanath.[1][2][3] The temple is protected as a monument of national importance by the Archaeological Survey of India.[4]

Temple plan

Rear view of Akkana Basadi at Shravanabelagola
Ornate closed mantapa whose ceiling is supported by lathe turned bell shaped pillars in Akkana Basadi at Shravanabelagola
Decorative bay ceiling in Akkana Basadi at Shravanabelagola
Kirtimukha relief on vesara shikhara (tower over shrine) at Akkana Basadi in Shravanabelagola

According to art historian Adam Hardy, the basadi is a simple single shrine with superstructure (ekakuta vimana[5]) construction with a closed hall (mantapa). The material used is Soap stone.[6] The sanctum (garbhagriha) that houses the standing image of saint Parshwanath (under a seven headed snake canopy) connects to the hall via an antechamber (vestibule or sukanasi). From the outside, the entrance to the hall is through a porch whose awning is supported by lathe turned half pillars. According to art historians Percy Brown and Gerard Foekema, all these features are commonly found in Hoysala temples.[7][8] According to historian Kamath, the use of Soap stone as basic building material was a technique the Hoysalas adopted from the predecessors, the Western Chalukyas.[9] The temple which faces east is enclosed with in a bounding wall (prakara), while the entrance is from the south. Typical of a Jain basadi, the outer walls of the temple are plain, giving it an austere outlook. The temple stands on a base (adhisthana) that comprises five moldings.[2]

The tower over the shrine (shikhara) is plain. However, on a projection on the east side is a panel sculpture in relief that depicts a saint with his attendants (yaksha, the benevolent spirits) on either side and a Kirtimukha (imaginary beast) over his head. This is a work of merit. The tower comprises three tiers, each ascending tier diminishing in height. Above the third tier is a dome like structure. This is the largest sculptural piece in the temple with a ground surface area of about 2x2 meters (amalaka, "helmet" like structure). The shape of the dome usually follows that of the shrine (square or star shape).[10] The vestibule also has a short tower which looks like an extension of the main tower over the shrine. Gerard Foekema calls it the "nose" of the main tower.[11] The vestibule contains two free sculptures of the yakshas, Dharnendra and Padmavati. The door lintel and jamb of vestibule and the sanctum are decorative and have perforated screens on either side. The hall ceiling is supported by four centrally placed large lathe turned, bell shaped and polished pillars that divide the ceiling into nine "bays". The bay ceilings are rich in relief.[2][11]

Gallery

Notes

  1. ↑ Jain and Jain (1953), p.37
  2. 1 2 3 "Akkana Basti". Archaeological Survey of India, Bengaluru Circle. ASI Bengaluru Circle. Retrieved 3 April 2013.
  3. ↑ B.L. Rice (1889), p.57 (Chapter:Introduction)
  4. ↑ "Alphabetical List of Monuments - Karnataka -Bangalore, Bangalore Circle, Karnataka". Archaeological Survey of India, Government of India. Indira Gandhi National Center for the Arts. Retrieved 5 April 2013.
  5. ↑ Foekema (1996), p.25
  6. ↑ Hardy (1996), p.343
  7. ↑ Brown in Kamath (2001), pp.134-135
  8. ↑ Foekema (1996), pp.21-25
  9. ↑ Kamath (2001), p.136
  10. ↑ Foekema (1996), p.27
  11. 1 2 Foekema (1996), p.22

References

External links

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