Aldo Ferraresi

Aldo Ferraresi

Aldo Ferraresi's native home - Ferrara, Vicolo della gatta marcia n.21
Background information
Birth name Aldo Ferraresi
Born (1902-05-14)May 14, 1902
Ferrara
Died June 29, 1978(1978-06-29) (aged 76)
Sanremo
Genres Classical
Occupation(s) violinist, pedagogue
Instruments Violin
Years active 1923 to 1977
Notable instruments
- Camillo Camilli
- Alessandro Gagliano

Aldo Ferraresi (Ferrara, 14 May 1902 – San Remo, 29 June 1978) was a celebrated Italian concert violinist and violin pedagogue.

Life and career

Ferraresi was born in Ferrara, the son of Augusto Ferraresi, an artillery marshal and mandolin player, and Marcella Jesi. His mother was "of Jewish origin".[1]

At the age of five he began his studies at the Frescobaldi Institute of Music in Ferrara with Federico Barera and Umberto Supino. When he was 12, he was admitted to the Parma Conservatory. His teacher there, Mario Corti, also accompanied him to Rome where he received a degree in violin from the Accademia di Santa Cecilia three years later. Upon suggestions from Jan Kubelik, he went to Eugène Ysaÿe, who considered him one of his best pupils.

Starting from 1923 he was leader of "Aldo Ferraresi Chamber Orchestra" where, together with Marcello Cortopassi and professors of the "Rome Augusteo Orchestra", he played at Gran Caffé Margherita in Viareggio (Lucca).

He went on to perform in concert halls throughout Europe and the United States including La Scala in Milan, the Royal Festival Hall in London. In addition to his solo concert work, he was also first violin in the Quartet of San Remo and concertmaster at the Symphonic Orchestra of San Remo, as well at the Teatro San Carlo in Naples.

“Why do you ask me to play in Italy, when you already have Aldo Ferraresi?“ - David Oistrakh -

As teacher, he held the violin class at Music Conservatory "N.Piccinni" in Bari from October 1967 till 1973, when Nino Rota was the director.

Aldo Ferraresi died in Sanremo on June 29, 1978. In May 2002, the 100th anniversary of his birth was marked by an exhibition and seminars in Ferrara and concerts in his honour in Ferrara at the Teatro Comunale.

Ferraresi played on many precious violins, among of them are the "King George" Stradivarius and the "Cannone" Guarneri of Paganini. His favourire instruments were a Camillo Camilli and an Alessandro Gagliano.


Family

Aldo had three brothers. Prospero Ferraresi, pianist and his accompanist from the 1920s to the 1940s, Sesto Ferraresi (he called him "Sexten"), dealer in musical instruments that lived in Berlin, and the younger, that was also his pupil, Cesare Ferraresi (Ferrara, 12 October 1918 – Milano, 9 January 1981) who was a renowned soloist, concertmaster at RAI Orchestra in Milano and member of "Trio di Milano" (with pianist Bruno Canino and cellist Rocco Filippini). From his marriage with Italia (Ione) Pecori, Aldo Ferraresi had two sons, both musicians, Marcello Ferraresi (San Remo, 20 April 1942 – Naples, 25 December 2006) an appreciated tenor, pupil of Mario del Monaco and the pianist Augusto Ferraresi, that we can see in a RAI video accompanying his father in Paganini recital ("Nel cor più non mi sento"; "Adagio e Tamburino"; "Le Streghe"; "Sonatina in E minor" (recording: 4 January 1966; broadcast: 28 October 1966 RAI TV1).[2]

Notable performances

INSPIRED BY PAGANINI
«In 1950, during the fifth birth centenary of Cristoforo Colombo, the community of Genova selected me among the numerous Italian violinists to perform during the celebrations to jointly commemorate also their great citizen Niccolò Paganini. On that occasion at Palazzo Ducale in Genova, I played Paganini Concerto in D major with the Guarnieri del Gesù, same violin that belonged to Paganini, which he nicknamed “the cannon”. Out of my experience, I would say that the spirit of Paganini lingers with a sensible artist. In fact, just a month before the date of my selection, when I was still unaware of the choice, I was feeling uneasy and agitated even though at the time I did not have any reason for concern. During the concert, at Palazzo Ducale, playing the Adagio, I felt like floating in the air. It could be just a mere coincidence or very likely it was the spirit of the great Maestro that did not want to separate from his instrument. This instrument, when you listen to, or hold it, gives always the same emotions, and especially when it has neither audience nor the orchestra, it reopens the dialog with the Genius. In the deep concentration during the performance my hands and mind were in harmony and inspired, being aware that I was rendering the spirit and art of Paganini not mechanically but with my deep soul.» (Aldo Ferraresi, 1963)

CD Recordings

Further reading

References

External links

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