Alleluia! The Devil's Carnival
Alleluia! The Devil's Carnival | |
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Theatrical poster | |
Directed by | Darren Lynn Bousman |
Produced by |
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Written by | Terrance Zdunich |
Starring | |
Music by |
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Cinematography | Joseph White |
Edited by | Brian J. Smith |
Production companies |
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Release dates |
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Running time | 98 minutes |
Country | United States |
Language | English |
Budget | $500,000 |
Alleluia! The Devil's Carnival [1] is an American musical horror film directed by Darren Lynn Bousman and written by Terrance Zdunich. It is a sequel to Bousman's 2012 short film The Devil's Carnival. Unlike the previous film, Alleluia is a feature-length project. Production started in August 2014.[2]
Plot
The film opens on a train conducted by Lucifer carrying condemned souls back to Heaven. As they near, the damned begin to involuntarily sing hymns and Ms. Merrywood finds a horseshoe-shaped pendant (Shovel and Bone). In Heaven, God discusses the crisis with his favorite angel, The Agent, as Ms. Merrywood is interrogated by the sadistic Translators about her presence and the pendant. In Hell, Ticket Keeper comes to Lucifer with his misgivings about the carnies' lack of discipline and Lucifer's reticence to discuss his plans, but Lucifer dismisses him on the entrance of a cloaked figure. He opens a book entitled "The Filly and the Lapdog" (patterned on Aesop's fable "The Ass and the Lapdog") and begins to read.
The story begins with a new crop of "applicants" being introduced to Heaven (All Aboard (Everybody's Doing the Ark)), including best friends rebellious June and reserved Cora. On a tour of Heaven, June defies The Librarian by asking about banned books, then (dragging Cora with her) shys away from the licentious Designer (Only by Design), leading to Cora and June's arrest and torture by The Translators (Good Little Dictation Machines). This is interrupted by The Agent due to his attraction to June, which gets him negative press from The Watchword. When God hears about this, he instructs The Agent to seduce June to expose her heresy while testing his loyalty, and he takes her to a bar, where his favor with God leads to him being invited on stage to perform (Down at the Midnight Rectory). God interrupts the performance, frightening the patrons, only to put them at ease with a performance of his own (Cloud Serenade). The relationship between June and The Agent continues, surreptitiously monitored by The Watchword (The Watchword's Hour).
The Agent gives June the horseshoe pendant Ms. Merrywood will later find, telling her the story of a blacksmith coercing the Devil into avoiding homes with horseshoes. This reignites June's curiosity on the contents of the banned books, and, confident The Agent's clout will save her despite his objections, she runs to the library to steal one, setting off an alarm. She pleads for The Agent's help, but he refuses. The alarm wakes Cora, who tries to come to June's side, but is scared away by The Watchword warning her that her lesbian attraction to June is illegal. June is beaten bloody by The Translators and thrown onto an elevator to Hell, as the Librarian leads Cora and the other applicants in denouncing her (Hitting on All Sevens). The Librarian informs Cora that she will go very far in Heaven.
Lucifer pauses to attack God's and God's followers' tendency to only tell the parts of a story that serve their purpose, and continues. June arrives in a weaker Carnival, with a younger Lucifer and Ticket Keeper. She encounters the shapeshifting Twin and asks to drink from his flask; he agrees provided that she play a shell game for her pendant. As the game goes on, the Twin transforms into Cora, The Agent, and a copy of June (Fair Game). Upon losing, she runs to Lucifer, who helps her transform into The Painted Doll, inspiring him to remake the Carnival into something capable of challenging Heaven (After the Fall). In the present, the cloaked figure reveals herself as The Painted Doll, and is sent to play her role in Lucifer's plan. The Ticket Keeper reenters and restates his concerns, offering to sacrifice himself for Lucifer if necessary. Lucifer rebukes him, and they decide to face defeat together if the war turns against them. Lucifer finally offers to tell Ticket Keeper his plan.
In Heaven, God sends The Agent to Hell with a package to be opened on the elevator, dismissing his concerns for his safety, but inspired by those concerns to claim falsely to be purposefully allowing Lucifer's trains; he then puts on a show mocking Lucifer in a parable drawn from the Dust Bowl and Aesop's fable "The Swallow and the Other Birds" (Bells of the Black Sunday). During the song, it is revealed that Cora is no longer an applicant, and is now the lead singer of His Ladies of Virtue, a musical trio that sings with God (she took the position from Geraldine, who was kicked out and had her face mutilated after not acting happy enough when she was "promoted" to being God's sex slave). The Agent sees on the elevator that the package contains a copy of "The Filly and the Lapdog" and realizes that God knew he won't be safe in Hell because of his past treatment of June, but chose to send him down anyway. He arrives in Hell to be greeted first by The Smith, who nails a horseshoe to the roof of his shed, then by The Painted Doll, with whom he attempts to reconcile. She leads him on in order to give the carnies a chance to capture and poison him (Hoof and Lap/The Devil's Carnival). In Heaven, Ms. Merrywood is revealed to be The Twin, now posing as The Agent returning from his mission. As the credits roll, "The Agent" serenades God (Songs of Old).
Cast
- Paul Sorvino as God
- Terrance Zdunich as Lucifer
- Emilie Autumn as June/The Painted Doll
- Marc Senter as The Scorpion
- Adam Pascal as The Agent
- Dayton Callie as The Ticket Keeper
- David Hasselhoff as The Designer
- Tech N9ne as The Librarian
- Briana Evigan as Ms. Merrywood
- Bill Moseley as The Magician
- Nivek Ogre as The Twin
- Barry Bostwick as The Watchword
- Ted Neeley as The Publicist
- Lyndon Smith as Cora
- J. LaRose as The Major
- Heidi Shepherd as Twist / The Rosy Bayonettes
- Brea Grant as Click / The Rosy Bayonettes
- Carla Harvey as Lock / The Rosy Bayonettes
- Kristina Klebe as Geraldine / His Lady of Virtue
- Alisa Burket as Virginia / His Lady of Virtue
- Francesca Vannucci as Pearl / His Lady of Virtue
- Jimmy Urine as Translator Bentz
- Chantal Claret as Translator Batez
- Danny Worsnop as The Smith[3]
Musical numbers
- "Shovel and Bone" - Lucifer, The Twin (as Ms. Merrywood), and Lost Souls
- "All Aboard (Everybody's Doing the Ark)" - The Publicist and His Ladies of Virtue
- "Only by Design" - The Designer and Fillies
- "Good Little Dictation Machines" - Translator Bentz and Translator Batez
- "Down at the Midnight Rectory" † - The Agent, The Publicist, and His Ladies of Virtue
- "Cloud Serenade" † - God
- "The Watchword's Hour" - The Watchword
- "Hitting on All Sevens" - The Librarian, Cora and Applicants
- "Fair Game" - The Twin (As himself, Cora, The Agent, and June)
- "After the Fall" - Lucifer
- "Bells of the Black Sunday" - God, Cora, and His Ladies of Virtue (except Geraldine)
- "Hoof and Lap / The Devil's Carnival" - The Painted Doll, The Agent, and The Rosy Bayonettes
- "Songs of Old" ‡ - The Twin (As The Agent)
- "Alleluia" § - Heaven
† Order is swapped on film and soundtrack (film order is listed here)
‡ Performed during a mid-credits scene
§ Snippets are heard throughout the film, but it's only played in full over the end credits
Production
Most of the original cast from the first film are returning, with Zdunich and Sorvino reprising their roles of Lucifer and God. New cast members include Barry Bostwick, Ted Neeley, Adam Pascal, Tech N9ne and David Hasselhoff.[2]
Whereas The Devil's Carnival took place in Hell, Alleluia focuses on Heaven. In describing it, writer Zdunich stated that "Heaven in particular is a very different aesthetic than hell...think Golden Age of Hollywood. You have fancy suits and everything is tailored, an air that everything is perfect and glamorous, but meanwhile in the backdrop of that era you also have the Great Depression." Zdunich went on to say that the style would be "Clark Gable on acid." [4]
Bousman described the film as "[pulling] back the curtain on Heaven... and in 'The Devil's Carnival,' God and his angels are a whole lot darker than Lucifer and his carnies." [5]
Filming
A fifteen-day shoot was planned, but due to financial constraints this was reduced to fourteen days, concluding on September 2, 2014.[6]
Release
The official teaser trailer for Alleluia! came out on November 6, 2014, with the film due for a Summer 2015 release.
As with its predecessor, Alleluia! was screened via a 'Road Tour' across the US. The film premiered in Los Angeles on August 11, 2015 and the road tour kicked off two weeks later on August 26th, 2015 in Tucson, Arizona. The tour is set to run until October 18th, ending with an encore screening in Los Angeles.
The film's soundtrack was made available for purchase digitally from iTunes and physically from Cleopatra Records on August 7th, 2015. According to the director at a road tour Q&A, the film is scheduled for a Blu-ray release on Christmas Day, with preorders available on Black Friday.
Reception
Critical reception for Alleluia! The Devil's Carnival has been positive.[7][8]
References
- ↑ http://www.imdb.com/title/tt3892618/?ref_=nv_sr_2
- 1 2 Yamato, Jen. "‘Saw’ Helmer Cuts Out Moviehouses On ‘Devil’s Carnival’ Sequel". Deadline.
- ↑ "Danny Worsnop talks starring in musical horror film ‘Devil’s Carnival,’ solo album, more - Features - Alternative Press". Alternative Press. Retrieved 2015-11-07.
- ↑ Lealos, Shawn S. "Terrance Zdunich Interview: Devil’s Carnival 2". Renegade Cinema.
- ↑ Fernandez, Jay A. "Darren Lynn Bousman Reveals 7 Keys to Making Your Own 'Devil's Carnival' -- Plus the Plot to the Series' Next Installment". Indie Wire.
- ↑ http://www.terrancezdunich.com/blog/the-fable-of-the-cockroach-the-grasshopper-the-devil/
- ↑ Corrigan, Kalyn. "[Recap/Review] World Premiere of ‘Alleluia! The Devil’s Carnival’!". Bloody Disgusting. Retrieved 11 November 2015.
- ↑ "THE DEVIL'S CARNIVAL: ALLELUIA! (2015)". Rotten Tomatoes. Retrieved 11 November 2015.
External links
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