Alphonse Legros

Photograph of Legros by David Wilkie Wynfield

Alphonse Legros (8 May 1837 8 December 1911) was a French painter, etcher, sculptor, and medallist.[1]

Life

Legros was born in Dijon; his father was an accountant, and came from the neighbouring village of Véronnes. While young, Legros visited the farms of his relatives, and the peasants and landscapes of that part of France are the subjects of many of his works. He was sent to the art school at Dijon with a view to qualifying for a trade, and was apprenticed to Maître Nicolardo, house decorator and painter of images. In 1851 Legros left for Paris to take another situation; but passing through Lyon he worked for six months as journeyman wall-painter under the decorator Beuchot, who was painting the chapel of Cardinal Bonald in the cathedral.

In Paris Legros studied with Cambon, scene-painter and decorator of theatres. He attended also the drawing-school of Lecoq de Boisbaudran (the "Petite école") where he found himself in sympathy with Jules Dalou and Auguste Rodin. In 1855 he attended the evening classes of the École des Beaux Arts.

self portrait etching by Alphonse Legros

Legros sent two portraits to the Paris Salon of 1857: one was rejected, and formed part of the exhibition of protest organized by François Bonvin in his studio; the other, which was accepted, was a profile portrait of his father. This work was presented to the museum at Tours by the artist when his friend Jean Charles Cazin was curator. Champfleury saw the work in the Salon, and sought out the artist to enlist him in the "Realists," a group round Gustave Courbet.

In 1859 Legros's L'Angelus was exhibited, the first of the church interiors for which he was best known. Ex Voto (1861), went the museum at Dijon, but only obtained a mention at the Salon. He moved to England in 1863 and in 1864 married Rrances Rosetta Hodgson. At first he lived by his etching and teaching. He then became teacher of etching at the South Kensington School of Art, and in 1876 Slade Professor at University College, London in succession to Edward Poynter.[2]

portrait etching of Dalou by Legros

Legros was naturalized as a British citizen in 1881, and remained at University College 17 years. He would draw or paint a torso or a head for the students in an hour or less; in the painting school he insisted on a good outline, preserved by a thin rub in of umber, and then the work was to be finished in a single painting.

portrait etching of Rodin by Legros

Legros picked up the art of etching by watching a college in Paris working at a commercial engraving, and taught himself the making of medals. He considered the traditional journey to Italy an important part of artistic training, he gave part of his salary to augment the income available for a travelling studentship. He died in Watford.

Works

Later works, after Legros resigned his professorship in 1892, returned to the manner of his early days—imaginative landscapes, castles in Spain, and farms in Burgundy, etchings such the series of The Triumph of Death, and the sculptured fountains for the gardens of the Duke of Portland at Welbeck Abbey. Pictures, drawings and etchings by Legros, went to the following galleries and museums:

A. Legros - The Calvary, Orsay

References

  1. Legros, Alphonse in: L. Forrer: Biographical Dictionary of Medallists, Volume III, London 1907, p. 375-378.
  2. "Legros, Alphonse". Who's Who. 1911. p. 1193.

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