Ann Mary Newton

Ann Mary Newton , née Severn, (29 June 1832—2 January 1866) was an English painter. She specialized in portraits of children and worked in crayon, chalk, pastel and watercolour. Newton studied in England under George Richmond and in Paris under Ary Scheffer. Her works were exhibited at the Royal Academy of Art between 1852 and 1865.[1]

Biography

Ann Mary Newton was born in Rome, where her father Joseph Severn was the English Consul. Joseph Severn was an artist and a friend of Keats.[1] Newton was taught to draw by her father, and then on the Severn family's return to England in 1841, studied with George Richmond, who employed her to produce copies of portraits he had painted.[1] In 1857 she received lessons from Ary Scheffer in Paris. In Paris she painted a portrait of the Countess of Elgin which was well reviewed and led to further society commissions in Britain.[1] She specialized in portraits of children and worked in crayon, chalk, pastel and watercolour. In the mid-1850s she supported her family with a number of commissions, traveling to the homes of wealthy patrons. Her first picture to be exhibited at the Royal Academy was The Twins in 1852, a portrait of her younger brother and sister. During this time she also painted portraits of Queen Victoria's nephew and children.

In 1861 she married the archaeologist Charles Thomas Newton, who became Keeper of Greek and Roman Antiquities at the British Museum. She made drawings of Greek sculpture for his public lectures and also designed illustrations for his History of the Discoveries at Helicarnassus, Cnidus, and Branchidae (2 vols, 1862–63) and Travels and Discoveries in the Levant (2 vols, 1865). A number of her important sketchbooks, which make up an important picture-diary of her travels in the eastern Mediterranean and contain witty caricatures of the family, are in the possession of Severn descendants.

In the 1860s she began to work in oils and exhibited a number of pictures in the Royal Academy exhibitions, most notably a self-portrait (National Portrait Gallery, London) and an Arthurian subject from Tennyson, Elaine (exh. 1863). She died of measles in 1866 at her marital residence, 74 Gower Street, Bloomsbury.[2] at the age of thirty-three, having had no children.

See also

English women painters from the early 19th century who exhibited at the Royal Academy of Art

References

  1. 1 2 3 4 Brian Stewart & Mervyn Cutten (1997). The Dictionary of Portrait Painters in Britain up to 1920. Antique Collectors' Club. ISBN 1 85149 173 2.
  2. ↑ Smith 1901.

Sources

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