Anthony Lane bibliography

A list of works by or about Anthony Lane, British journalist and film critic.

This list is incomplete; you can help by expanding it.

Essays and reporting

2000–2009

• Lane, Anthony (November 3, 2008). "Let's put on a show!". The Critics. The Current Cinema. The New Yorker 84 (35): 122–123. Reviews Synecdoche, New York and High School Musical 3.
• — (November 24, 2008). "Hard times". The Critics. The Current Cinema. The New Yorker 84 (38): 130–131. Retrieved 16 April 2009. Reviews Slumdog Millionaire and A Christmas Tale.

2010–

• Lane, Anthony (March 15, 2010). "Under the gun". The Critics. The Current Cinema. The New Yorker 86 (4): 82–83. Retrieved 16 January 2011. Reviews Green Zone and Mother.
• — (November 15, 2010). "Long roads". The Critics. The Current Cinema. The New Yorker 86 (36). Reviews Due Date and Four Lions.
• — (March 14, 2011). "And the Oscar will go to ...". Shouts and Murmurs. The New Yorker 87 (4): 28.
• — (April 4, 2011). "Time bomb". The Critics. The Current Cinema. The New Yorker 87 (4): 82–83. Retrieved 10 October 2014. Reviews Susanne Bier's In a Better World and James Gunn's Super.
• — (November 7, 2011). "Home movies". The Critics. The Current Cinema. The New Yorker 87 (35): 90–91. Retrieved 2014-12-19. Reviews Brett Ratner's Tower Heist and Lars von Trier's Melancholia.
• — (November 19–26, 2011). "Theatre on film". The Critics. The Current Cinema. The New Yorker 87 (41). Retrieved 13 September 2013. Reviews Pina and Carnage.
• — (January 2, 2012). "Stings of Desire". Goings on About Town. Critic's Notebook. The New Yorker 87 (42): 14. Retrieved 25 September 2013. Otto Preminger's Laura (1944).
• — (February 13–20, 2012). "Fright Nights". The Critics. Books. The New Yorker 88 (1): 105–108. Retrieved 2014-11-13. 'The horror of M. R. James.'
• — (April 16, 2012). "They, the People". Goings on About Town. Critic's Notebook. The New Yorker 88 (9): 9. Boris Barnet's Outskirts (1933).
• — (November 19, 2012). "The War at Home". Goings on About Town. Critic's Notebook. The New Yorker 88 (36): 9. The films of Keisuke Kinoshita.
• — (November 19, 2012). "House Divided". The Critics. The Current Cinema. The New Yorker 88 (36): 82–84. Retrieved 2014-11-03. Reviews Steven Spielberg's Lincoln.
• — (December 3, 2012). "Tough times". The Critics. The Current Cinema. The New Yorker 88 (38): 112–113. Retrieved 2014-12-31. Andrew Dominik's Killing Them Softly and Jacques Audiard's Rust and Bone.
• — (January 7, 2013). "Love Hurts". The Critics. The Current Cinema. The New Yorker 88 (42): 80–81. Retrieved 2014-10-26. Reviews Tom Hooper's Les Misérables, Quentin Tarantino's Django Unchained and Michael Haneke's Amour.
• — (February 4, 2013). "The evil that men do". The Critics. The Current Cinema. The New Yorker 88 (46): 78–79. Retrieved 2015-02-06. Reviews Paolo and Vittorio Taviani's Caesar Must Die and Kim Jee-Woon's The Last Stand.
• — (February 25, 2013). "Ways to win". The Critics. The Current Cinema. The New Yorker 89 (2): 84–85. Retrieved 2015-05-04. John Moore's A Good Day to Die Hard and Gael Garcia Bernal's NO.
• — (March 18, 2013). "Red shift". Goings on About Town. Critic's Notebook. The New Yorker 89 (5): 12. Andrjez Wajda's Ashes and Diamonds.
• — (March 25, 2013). "Fun in the sun". The Critics. The Current Cinema. The New Yorker 89 (6): 108–109. Retrieved 2015-09-11. Harmony Korine's Spring Breakers and Matteo Garrone's Reality.
• — (April 8, 2013). "Mind games". The Critics. The Current Cinema. The New Yorker 89 (8): 88–89. Retrieved 2015-12-23. Reviews Danny Boyle's Trance and Pablo Berger's Blancanieves.
• — (April 22, 2013). "Criminal elements". Goings on About Town. Critic's Notebook. The New Yorker 89 (10): 26. Jean-Pierre Melville's Un Flic.
• — (July 22, 2013). "Grim Tidings". The Critics. The Current Cinema. The New Yorker 89 (21): 80–81. Retrieved 2014-10-30. Reviews Pacific Rim, Only God Forgives and The Act of Killing.
• — (September 30, 2013). "Fast moves". The Critics. The Current Cinema. The New Yorker 89 (30): 84–85. Retrieved 2015-03-03. Reviews Ron Howard's Rush and Stuart Blumberg's Thanks for Sharing.
• — (December 23–30, 2013). "Only Make Believe". The Critics. The Current Cinema. The New Yorker 89 (42): 130–131. Retrieved 2014-10-15. Reviews Her, The Secret Life of Walter Mitty (2013) and Saving Mr. Banks.
• — (March 24, 2014). "Her again : the unstoppable Scarlett Johansson". Onward and Upward with the Arts. The New Yorker 90 (5): 56–63. Retrieved 2015-02-25.
• — (October 20, 2014). "High fliers". The Critics. The Current Cinema. The New Yorker 90 (32): 106–107. Retrieved 2014-12-24. Reviews Alejandro González Iñárritu's Birdman and Damien Chazelle's Whiplash.
• — (February 16, 2015). "Society of men". The Critics. The Current Cinema. The New Yorker 91 (1): 64–66. Retrieved 2015-06-08. Matthew Vaughn's Kingsman: The Secret Service and Taika Waititi and Jemaine Clement's What We Do in the Shadows.
• — (April 13, 2015). "Feelings". The Critics. The Current Cinema. The New Yorker 91 (8): 82–83. Retrieved 2015-06-22. Alex Garland's Ex Machina and Asghar Farhadi's About Elly.
• — (May 4, 2015). "Fighting on". The Critics. The Current Cinema. The New Yorker 91 (11): 62–64. Retrieved 2015-07-02. Joss Whedon's Avengers : Age of Ultron and Thomas Vinterberg's Far from the Madding Crowd.
• — (May 18, 2015). "Distant emotions". The Critics. The Current Cinema. The New Yorker 91 (13): 102–103. Retrieved 2015-08-18. Andrew Niccol's Good Kill and John Maclean's Slow West.
• — (July 27, 2015). "Small victories". The Critics. The Current Cinema. The New Yorker 91 (21): 74–75. Retrieved 2015-12-15. Reviews Peyton Reed's Ant-Man and Joshua Oppenheimer's The Look of Silence.