Aorist (Ancient Greek)

For other uses, see Aorist.

In the grammar of Ancient Greek, including Koine, the aorist (pronounced /ˈ.ərst/ or /ˈɛərst/) is a class of verb forms that generally portray a situation as simple or undefined, that is, as having perfective aspect. In the grammatical terminology of classical Greek, it is a tense, one of the seven divisions of the conjugation of a verb, found in all moods and voices.

Terminology

In traditional grammatical terminology, the aorist is a "tense", a section of the verb paradigm formed with the same stem across all moods. By contrast, in theoretical linguistics, tense refers to a form that specifies a point in time (past, present, or future), so the aorist is a tense-aspect combination.

The literary Greek of Athens in the fifth and fourth centuries BC, Attic Greek, was the standard school-room form of Greek for centuries. This article therefore chiefly describes the Attic aorist, describing the variants at other times and in other dialects as needed. The poems of Homer were studied in Athens, and may have been compiled there; they are in Epic or Homeric Greek, an artificial blend of several dialects, not including Attic. The Homeric aorist differs in morphology from Attic, but the educated Athenians imitated Homeric syntax.

Conversely, Hellenistic or Koine Greek was a blend of several dialects after the conquests of Alexander; most of the written texts that survive in Koine imitate the Attic taught in schools to a greater or lesser extent, but the spoken language of the writers appears to have simplified and regularized the formation of the aorist, and some of the features of Attic syntax are much less frequently attested.

Morphology

A verb may have either a first aorist or a second aorist: the distinction is like that between weak (try, tried) and strong verbs (write, wrote) in English. A very few verbs have both types of aorist, sometimes with a distinction of meaning: for example ἵστημι (to set up or cause to stand) has both ἕστησα and ἕστην as aorists, but the first has a transitive meaning ("I set up") and the second an intransitive meaning ("I stood").

First

The stem of the first aorist is marked by -σα- in the active and middle voice,[1] and -θη- in the passive voice.[2] Because of the σ (sigma), it is also called sigmatic aorist.

Compensatory lengthening

Compensatory lengthening affects first aorist forms whose verbal root ends in a sonorant (nasal or liquid: ν, μ, ρ, λ).[1]

In Attic and Ionic Greek (also in Doric, with some differences), the σ in the first aorist suffix causes compensatory lengthening of the vowel before the sonorant, producing a long vowel (α → η or ᾱ, ε → ει, ι → ῑ, ο → ου, υ → ῡ).

In Aeolic Greek (which contributes some forms to Homeric), the σ causes compensatory lengthening of the sonorant instead of the vowel, producing a double consonant (ν → νν, λ → λλ).

The present stem sometimes undergoes sound changes caused by a suffix — for instance, -ι̯- (IPA: /j/, English consonantal y). In this case, the aorist is formed from the verbal root without the present-stem sound changes.

present aorist meaning
original form Attic original form Attic Aeolic
μέν-ω[3] μεν-σα ἔ-μεινα *ἔ-μεννα stay, wait for
στέλ-ι̯ω στέλλω[4] στελ-σα ἔ-στειλα ἔ-στελλα prepare, send
φάν-ι̯ω φαίνω[5] φαν-σα ἔ-φηνα *ἔ-φαννα show

Kiparsky analyzes the process as debuccalization of s (σ) to h in Proto-Greek, metathesis of h and the sonorant so that h comes before the sonorant, and assimilation of h to the vowel (Attic-Ionic-Doric) or to the consonant (Aeolic).[6]

First aorist endings

Most of the active and middle forms of the first aorist are similar to the forms of the present and imperfect, except with an α in the endings instead of an ο or ε. The first person singular indicative active, second person singular imperfect middle, the second person singular imperatives, active infinitive, and masculine nominative singular of the participle (bolded), however, differ, and the subjunctive active and middle of the first aorist have endings identical to the present ones.

Most of the passive forms of the first aorist have endings similar to those of the root aorist.

λύω "release",
aor. λυσ(α)-
indicative subjunctive optative imperative infinitive participle
active ἔλυσα
ἔλυσας
ἔλυσε
ἐλύσαμεν
ἐλύσατε
ἔλυσαν
λύσω
λύσῃς
λύσῃ
λύσωμεν
λύσητε
λύσωσι
λύσαιμι
λύσαις
λύσαι
λύσαιμεν
λύσαιτε
λύσαιεν

λῦσον
λυσάτω

λύσατε
λυσάντων/λυσάτωσαν
λῦσαι λύσας
λύσασα
λῦσαν
middle ἐλυσάμην
ἐλύσω
ἐλύσατο
ἐλυσάμεθα
ἐλύσασθε
ἐλύσαντο
λύσωμαι
λύσῃ
λύσηται
λυσώμεθα
λύσησθε
λύσωνται
λυσαίμην
λύσαιο
λύσαιτο
λυσαίμεθα
λύσαισθε
λύσαιντο

λῦσαι
λυσάσθω

λύσασθε
λυσάσθων/λυσάσθωσαν
λύσασθαι λυσάμενος
λυσαμένη
λυσάμενον
passive ἐλύθην
ἐλύθης
ἐλύθη
ἐλύθημεν
ἐλύθητε
ἐλύθησαν
λυθῶ
λυθῇς
λυθῇ
λυθῶμεν
λυθῆτε
λυθῶσι
λυθείην
λυθείης
λυθείη
λυθείημεν/λυθεῖμεν
λυθείητε/λυθεῖτε
λυθείησαν/λυθεῖεν

λύθητι
λυθήτω

λύθητε
λυθέντων/λυθήτωσαν
λυθῆναι λυθείς
λυθεῖσα
λυθέν

Second

The stem of the second aorist is the bare root of the verb,[7] or a reduplicated version of the root.[8] In these verbs, the present stem often has e-grade of ablaut and adds a nasal infix or suffix to the basic verb root, but the aorist has zero-grade (no e) and no infix or suffix.

Zero-grade

When the present has a diphthong (e.g., ει), the second aorist has the offglide of the diphthong (ι).

When there is no vowel in the present stem besides the e of ablaut, the aorist has no vowel, or has an α from a vocalic ρ or λ.

Reduplication

Present stems of verbs with a reduplicated aorist often do not have e-grade or an infix or suffix.

Second aorist endings

The endings include an ο or ε (thematic vowel). In the indicative, endings are identical to those of the imperfect; in non-indicative moods, they are identical to those of the present.

λείπω "leave",
aor. λιπ(οε)-
indicative subjunctive optative imperative infinitive participle
active ἔλιπον
ἔλιπες
ἔλιπεν
ἐλίπομεν
ἐλίπετε
ἔλιπον
λίπω
λίπῃς
λίπῃ
λίπωμεν
λίπητε
λίπωσιν
λίποιμι
λίποις
λίποι
λίποιμεν
λίποιτε
λίποιεν

λίπε
λιπέτω

λίπετε
λιπόντων
λιπεῖν λιπών
λιποῦσα
λιπόν
middle ἐλιπόμην
ἐλίπου
ἐλίπετο
ἐλιπόμεθα
ἐλίπεσθε
ἐλίποντο
λίπωμαι
λίπῃ/ει
λίπηται
λιπώμεθα
λίπησθε
λίπωνται
λιποίμην
λίποιο
λίποιτο
λιποίμεθα
λιποίεσθε
λίποιντο

λιποῦ
λιπέσθω

λίπεσθε
λιπέσθων
λιπέσθαι λιπόμενος
λιπομένη
λιπόμενον
passive ἐβλάβην
ἐβλάβης
ἐβλάβη
ἐβλάβημεν
ἐβλάβητε
ἐβλάβησαν
βλαβῶ
βλαβῇς
βλαβῇ
βλαβῶμεν
βλαβῆτε
βλαβῶσι
βλαβείην
βλαβείης
βλαβείη
βλαβείημεν/βλαβεῖμεν
βλαβείητε/βλαβεῖτε
βλαβείησαν/βλαβεῖεν

βλάβητι
βλαβήτω

βλάβητε
βλαβέντων/βλαβήτωσαν
βλαβῆναι βλαβείς
βλαβεῖσα
βλαβέν

Second aorist passive

A second aorist passive is distinguished from a first aorist passive only by the absence of θ. A few verbs have passive aorists in both forms, with no distinction in meaning.

There is no correlation between the first/second aorist distinction in the active and the passive: a verb with an active second aorist may have a passive first aorist or vice versa.

Root

The root aorist is characteristic of athematic verbs (those with a present active in -μι). Like the second aorist, the stem is the bare root, and endings are similar to the imperfect in the indicative, and identical to the present in non-indicative moods. It is sometimes included as a subcategory of the second aorist[9] because of these similarities, but unlike the second aorist of thematic verbs, it has no thematic οε.

The singular aorist indicative active of some athematic verbs (τίθημι, ἔθηκα; δίδωμι, ἔδωκα) uses a stem formed by the suffix -κα and takes first aorist rather than root aorist endings.[10]

Syntax

The aorist generally presents a situation as an undivided whole, also known as the perfective aspect.[11]

Indicative mood

The aorist usually implies a past event in the indicative, but it does not assert pastness, and can be used of present or future events.

I am undone if you will leave me, wife.
Euripides, Alcestis 386

Narrative

The aorist and the imperfect are the standard tenses for telling a story. The ordinary distinction between them is between an action considered as a single undivided event and the action as a continuous event. Thus, for example, a process as a whole can be described in the imperfect, while the individual steps in that process will be aorist.

Here the imperfect ἔπαιζε "was playing" is the whole process of the game (which continues past these extracts); the aorists the individual steps.[12]

The narrative aorist has the same force, of an undivided or single action, when used by itself:

Were wont to do him homage is the imperfect, made their obeisance the aorist, of προσκύνω "kowtow".

Complexive

On the other hand, if the entire action is expressed, not as a continuous action, but as a single undivided event, the aorist is used:[12]

Herodotus introduces his story of Cyrus playing with:

The aorist is also used when something is described as happening for some definite interval of time; this particular function can be more precisely called the temporal aorist:

Past-in-the-past

The other chief narrative use of the aorist is to express events before the time of the story:[13]

It thus often translates an English or Latin pluperfect: the Greek pluperfect has the narrower function of expressing a state of affairs existing at the time of the story as the result of events before the time of the story.

Ingressive

In verbs denoting a state or continuing action, the aorist may express the beginning of the action or the entrance into the state. This is called ingressive aorist (also inceptive or inchoative).[14]

Resultative

The resultative aorist expresses the result of an action.[15] Whether this is truly distinguishable from the normal force of the narrative aorist is disputable.

Gnomic

The gnomic aorist expresses the way things generally happen, as in proverbs.[16] The empiric aorist states a fact of experience (ἐμπειρίᾱ empeiríā), and is modified by the adverbs often, always, sometimes, already, not yet, never, etc.[17] (English tends to express similar timeless assertions with the simple present.)

The gnomic aorist is regarded as a primary tense in determining the mood of verbs in subordinate clauses.[18] That is to say, subordinate clauses take the subjunctive instead of the optative.

Demosthenes 20.15

Dramatic

In dialogues within tragedy and comedy, the first person singular aorist or present expresses an action performed by the act of speaking, like thanking someone (see performative utterance), or, according to another analysis, a state of mind.[19] This is called tragic or dramatic aorist. The aorist is used when the action is complete in the single statement; the present when the speaker goes on to explain how or why he is acting.

Aristophanes, The Knights 696697: translated by William James Hickie[20]

Indicative mood with particle

Unattainable wish

A wish about the past that cannot be fulfilled is expressed by the aorist indicative with the particles εἴθε or εἰ γάρ "if only" (eíthe, ei gár). This is called the aorist of unattainable wish.[21]

Xenophon, Memorabilia 1.2.46

An unattainable wish about the present uses the imperfect.[21] A wish about the future uses the optative with or without a particle;[22] an optative of wish may be unattainable.[23]

Past potential

The aorist indicative (less commonly the imperfect) with the modal particle ἄν án, Homeric κέ(ν) ké(n), may express past potentiality, probability, or necessity.[24]

Demosthenes 9.68

Iterative

The aorist indicative[25] (also the imperfect, or past iterative in Herodotus) with ἄν án may express repeated or customary past action. This is called the iterative indicative. It is similar to the past potential, since it denotes what could have happened at a given point, but unlike the past potential, it is a statement of fact.[26]

Unreal

The aorist or imperfect indicative with ἄν may express past unreality or counterfactuality. This is called the unreal indicative. This construction is used in the consequence of past counterfactual conditional sentences.[27]

Participles

Outside of indirect discourse, an aorist participle may express any time (past, present, or rarely future) relative to the main verb.[28]

Non-indicative moods

Outside of the indicative mood, sometimes the aorist determines time (often past time), and sometimes the function of the mood determines it. When the aorist does not determine time, it determines aspect instead.[29]

Aorist in indirect discourse refers to past time relative to the main verb, since it replaces an aorist indicative.

An imperative, subjunctive or optative in an independent clause usually refers to future time, because the imperative express a command, the subjunctive expresses urging, prohibition, or deliberation, and the optative expresses a wish or possibility.

In dependent clauses (temporal, conditional, etc.), the time (past, present, or future) of an aorist subjunctive, optative, or imperative is based on the function of the mood.[29] The subjunctive is used with main verbs in the present and future tenses (primary sequence), and the optative is used with main verbs in the past tenses (secondary sequence) and to express potentiality in the future.

Optative mood

Potential

In the potential optative, the aorist expresses aspect, and the potential optative implies future time.[30]

See also

References

Notes

  1. 1 2 Smyth. p. 172, sect. 542-545: first (sigmatic) aorist active and middle.
  2. Smyth, p. 182, sect. 585: first passive (first aorist and first future passive).
  3. μένω. Liddell, Henry George; Scott, Robert; A Greek–English Lexicon at the Perseus Project
  4. στέλλω in Liddell and Scott
  5. φαίνω in Liddell and Scott
  6. Paul Kiparsky, "Sonorant Clusters in Greek", Language, Vol. 43, No. 3, Part 1, pp. 619-635: Sep. 1967
  7. Smyth. p. 174, sect. 546, 547: second aorist; in o-verbs.
  8. Smyth. p. 174, sect. 549: aorist of verbs with simple presents.
  9. Smyth. p. 174, sect. 550: first aorist active and middle.
  10. Smyth. p. 208, sect. 755: first aorist active and middle in -μι verbs.
  11. Bernard Comrie, 1976, Aspect: An introduction to the study of verbal aspect and related problems, Cambridge University Press.
    Stanley Porter, 1992, Idioms of the Greek New Testament, Continuum International.
    Östen Dahl & Eva Hedin, 2000, "Current relevance and event reference", in Dahl, ed., Tense and Aspect in the Languages of Europe, Walter de Gruyter.
    Gary Alan Long, 2006, Grammatical Concepts 101 for Biblical Greek, Hendrickson.
    Maria Napoli, 2006, Aspect and Actionality in Homeric Greek: A contrastive analysis, FrancoAngeli.
  12. 1 2 Rijksbaron, §6.1
  13. Rijksbaron, §6.3.1; last clause trans. following Rijksbaron
  14. Smyth. p. 430, sect. 1924: ingressive aorist.
  15. Smyth. p. 430, sect. 1926: resultative aorist.
  16. Smyth. p. 431, sect. 1931: gnomic aorist.
  17. Smyth. p. 431, sect. 1930: empiric aorist.
  18. Smyth. p. 414, sect. 1858: primary and secondary tenses.
  19. Smyth. p. 432, sect. 1937: dramatic aorist.
  20. Aristophanes, W. J. Hickie. The Comedies of Aristophanes, Volume 1. H. G. Bohn, 1853. p. 83.
  21. 1 2 Smyth. p. 402, sect. 1780: unattainable wish.
  22. Smyth. p. 406, sect. 1814: optative of wish.
  23. Smyth. p. 406, sect. 1818: unattainable future wish.
  24. Smyth. p. 402, sect. 1784: past potential.
  25. Smyth. p. 432, sect. 1933: iterative aorist.
  26. Smyth. p. 408, sect. 1790: iterative indicative;
    sect. 1791: comparison with past potential;
    sect. 1792: modal particle with iterative in Herodotus.
  27. Smyth. p. 402, sect. 1786: unreal indicative;
    sect. 1787: connection with past potential, use in unreal conditions;
    sect. 1788: different tenses in this construction.
  28. Smyth. p. 420, sect. 1872.c: aorist participle not in indirect discourse.
  29. 1 2 Smyth. p. 413, sect. 1852.d: tense in subjunctive, optative, and imperative.
  30. Smyth. p. 407, sect. 1824: potential optative.
This article is issued from Wikipedia - version of the Wednesday, January 06, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.