Arlo and Janis

Arlo and Janis

Arlo and Janis
Author(s) Jimmy Johnson
Current status / schedule Running
Launch date July 29, 1985
Syndicate(s) NEA
Genre(s) Humor, Gag-a-day

Arlo and Janis is an American gag-a-day comic strip written and drawn by Jimmy Johnson. It is a leisurely paced domestic situation comedy. It was first published in newspapers on July 29, 1985.

Cast

The focus of the strip is tightly on its two title characters, a middle-aged, middle-class baby boomer couple with an easygoing approach to life. The family surname is Day, but it's only rarely used in the strip. Johnson confessed, "When I first sold the strip, the family had no name. The strip itself had no name! Preparing to launch, the syndicate brain trust decided, 'Let's make their name Day and call the strip Day by Day. ' However, it turned out there was an old, semi-defunct newspaper column called Day by Day, and legally timid heads prevailed. The strip was named Arlo and Janis. I subsequently kept the name ‘Day.’ Why not?"[1]

The first on-panel appearance of Ludwig, then referred to only as "the cat".

Content

Arlo and Janis strips are most often Gag-a-day daily gags based on recurring themes, with only rarely any advancement of continuity. Readers may see themselves in Johnson's observations, and have written to his blog jokingly accusing Johnson of looking in their windows.[14]

Sometimes, Johnson strings together a few daily gags that, taken together, amount to an exploration of a topic. Only rarely does he create arcs of daily strips that together take on all the traditional elements of a story.

Johnson wrote, "I’ve always enjoyed serial strips, but they change the nature of the product. Ultimately, I think I prefer the gag-a-day format, done well. The 'done well' part is crucial. Of course, they can’t be hilarious every day."[15]

Johnson wrote that early on he experimented with short poems "when I wanted to do something a bit different or when I was stuck for a better idea." In time it occurred to him that the limerick format was inherently comical and "fit the four-panel format" of the comic strip. Since the time of that realization, the limerick has been an occasionally recurring structure in the daily strip.[16]

Some of his recurring themes for jokes and storylines are touched on below:

Physical attraction

An example of the frequently suggestive content that the strip features.

Many of the most notable jokes are based on sexual attraction, especially Arlo's desire for Janis. Despite having been a couple since meeting in college in 1973 (a backstory revealed in a series of strips that also functioned as a parody of the book and film Gone with the Wind), Arlo and Janis are still besotted with each other. The libidinous content of the strip can be surprisingly overt to readers accustomed to more sanitized newspaper comics. And in a medium where long marriages are often presented as either sexless or antagonistic (The Lockhorns, Andy Capp, etc.), these strips that show the couple's love and ongoing attraction to each other offer an alternative.

"There has always been knowledge of sex in Arlo and Janis, and the fact that married people have sex," Johnson said. "I think it's silly to ignore that humans have sex. It's like ignoring eating and sleeping."[17] Johnson also wrote, "I'd be willing to bet you five dollars I was the first cartoonist to depict a couple exchanging sexual fantasies in bed."[18]

On the "Comics I Don't Understand" website, "The Arlo Award" is given to a cartoonist who slips something past the syndicate censors.[19]

Janis's negative body image has been a popular topic over the years. She sees herself as at least a little overweight, and unworthy of wearing a two-piece swimsuit. Arlo, on the other hand, persistently tries to convince her to put on the bikini again, and he once realized that based on this schism, one of them must be insane.

Battle of the sexes and species, and generations

Stereotypical gender differences between Arlo and Janis provide a lot of the strip's content. For example, Janis often accuses Arlo of not listening to her, and he pretends that he does.[20] Arlo watches football and Janis complains about it.

Arlo's envy of the cat Ludwig's idyllic lifestyle, sometimes veiled as criticism, fuels many strips. "I make it a rule to draw one cat cartoon a week," Johnson writes. "I draw a cat cartoon every fifth or sixth Sunday. Other than that, I don't plan it. Sometimes, a cat cartoon will run late in the week, then on Sunday, then again early the next week. Inevitably, I will get mail of the ilk, 'I hate your stupid cat cartoons! That's all you do anymore! Why don't you throw yourself under a bus, you loser!' If I were a cat, I'd steer clear of those types." Johnson's readers submit many stories of cute cats to his blog.[21]

Johnson also treats Arlo's envy of Gene's youth and freedom, and Arlo's ironic and sympathetic observation of Gene's unawareness of how much lies ahead. Janis is shown worrying that Gene is growing up—and away—before she is ready and she struggles to hold onto him.

Politics and history

The strip often includes political viewpoints. In particular, Arlo regularly rants about the damaging influence of large corporations on American society. One lengthy storyline examined American and Cuban relations. Another related the World War II experience of Arlo's father.

Modern life

Arlo and Janis humorously criticizes the pace, direction, and quality of modern American life. Arlo feels trapped on a "treadmill" and has questioned the wisdom of the entire disposable consumer economy on multiple occasions. In the strip on Sunday, November 30, 2008, this idea was reiterated by Janis: "You said we buy things we don't need with money we don't have." Arlo counters with, "But the people who sell us the things we don't need depend on the money we don't have."[22] In August 2009, Arlo has gone up a tree to escape "the absurdity of modern living," but he soon pines for a Kindle.[23]

So-called conveniences like cable television and cellular phones are examined. For example, the miniaturization of data storage devices is both trumpeted and lampooned in the November 3, 2007, daily, with Janis unable to find the tiny disk that conveniently holds all her photographs. The loss of privacy that has come with the internet is also mourned: "I still think it's creepy to go to a book or music web site and have it make suggestions of 'other titles you might enjoy,'" admits Johnson.[24]

Surrealism, fantasy and metaphor

There are regular detours from "reality". In one case, Arlo "called in sick" to the strip and was replaced by a large, realistically drawn alligator for a week. Janis imagined a large dust-bunny named Harvey in another sequence, representing her feelings of house-keeping inadequacy. Janis has shared her fantasy of being a torch singer and Arlo has periodically "sailed away" from his mundane existence in extended daydreams. The courtship of a mermaid by a fisherman and a fable of the grasshopper and the ant were both played out by the Arlo and Janis characters.[25] The fourth wall is sometimes broken, and readers sometimes are shown behind the scenes, with the "actors" preparing for the strip. For example, as Daylight Saving Time ended on November 4, 2012, nothing is happening, and Arlo implies that the reader has come in too early due to the time change, and that the "comic strip doesn't begin for another hour."[26]

Self-reference

There have been many meta-joke strips about the process of creating a daily comic strip, particularly about writer's block, with the character admitting (for the cartoonist) the absence of a joke or the reuse of a joke used before. Arlo's fondness for and the inclusion in the strip of the Mississippi-born singer/songwriter Jimmy Buffett reveal Johnson's musical taste, and his love of sailing mirrors Johnson's. Within the Sunday strip for January 1, 2012, Arlo affixes that same strip onto his freezer door, creating the infinity effect sometimes used on comic book covers, and also referencing that habit of comic strip readers to clip and post favorites.[27]

Setting

Though it's unclear exactly where Arlo and Janis live, Johnson's southern upbringing regularly influences the strip, and it might be assumed that they live in or near a southern city such as Jackson, Mississippi, Birmingham, Alabama or Atlanta, Georgia. On the other hand, it snows quite a bit in their area.

Johnson wrote in his blog on January 2, 2014, "I remember not long after I started drawing Arlo & Janis , I made a reference to eating peas on New Year’s Day, and my editor in New York City expressed concern that might be a 'southern' tradition, and we didn’t want to give newspaper editors the idea A&J was a 'southern' strip. I guess she was afraid I’d start doing jokes about fatback and kissin’ cousins."

Most of the action takes place in the home and the yard, both of which are portrayed with an economy of ink. There are occasional forays into the neighborhood, but there are few if any discernible landmarks there. The seashore is the favored vacation destination.

Origins of the characters' names

According to Johnson's ex-wife, the newspaper columnist Rheta Grimsley Johnson, the lead characters are named after 1960s music icons Arlo Guthrie and Janis Joplin, and their son after Eugene McCarthy.[28] Jimmy Johnson has said that Arlo was inspired by a friend with curly hair who resembles Guthrie, and the name Janis was "a marketing device used to attract the baby boom generation."[17] Some readers have suggested that the strip is autobiographical, because Janis and Rheta Grimsley Johnson are lookalikes, as are Johnson and Arlo. Rheta Grimsley Johnson confirms the physical resemblances, but states that the strip is not autobiographical, noting that they did not have any children, and that there is not a contrast between her personality and that of Johnson, unlike the personality differences in the strip between Arlo and Janis.[28]

Jimmy Johnson

Jimmy Johnson lives in the coastal city of Pass Christian, Mississippi. Although his own house was largely undamaged by Hurricane Katrina in August 2005, the devastation of his adopted hometown affected Johnson greatly; his blog at ArloAndJanis.com focused on little else for months afterward, and references to the hurricane appeared in the strip in the last third of 2005.

Reprint volumes

There has been one paperback reprint volume titled Arlo and Janis: Bop 'Till You Drop. It was published by Pharos Books in February 1989. The ISBN numbers assigned to it are: ISBN 0-88687-413-0; and ISBN 978-0-88687-413-1. When offered for sale on Amazon.com, it is usually priced as a prized collectable.[29] Johnson made mention in his blog of wanting to publish a twentieth anniversary volume for 2005. In 2008, after repeated inquiries by posters to his blog, the idea was revived on April 1, but on March 3, 2011, Johnson announced in his blog that the book deal had fallen through.[30]

In November 2011, Johnson published Beaucoup Arlo & Janis, a 256-page, hard-bound collection of over 900 carefully selected A&J comic strips with several introductory essays by Johnson.[31]

References

  1. "Murder, he wrote 09/05/08". Arloandjanis.com. September 5, 2008. Retrieved 2009-09-16.
  2. 1 2 3 "Arlo & Janis – Meet the Characters". Comics.com. Retrieved 2009-09-16.
  3. 1 2 That could take forever! http://arloandjanis.com/?p=642#comments
  4. e.g., Caught Red-Handed http://arloandjanis.com/?p=780
  5. Johnson, Jimmy (September 20, 2012). "Arlo and Janis". Retrieved September 20, 2012.
  6. Johnson, Jimmy (September 21, 2012). "Arlo and Janis". Retrieved September 21, 2012.
  7. http://www.gocomics.com/arloandjanis/2013/04/09
  8. http://arloandjanis.com/?p=573 That darn cat 11/17/08
  9. "A smattering of strips from 1993". Arloandjanis.com. June 1, 2009. Retrieved 2009-09-16.
  10. "The Backstory of Mary Lou 8/18/08". Arloandjanis.com. August 18, 2008. Retrieved 2009-09-16.
  11. "June 2009". Arloandjanis.com. Retrieved 2009-09-16.
  12. "Arlo & Janis free online comic strip library at". Comics.com. Retrieved 2009-09-16.
  13. Arlo & Janis Comics.com 6-18-10 ff
  14. "A Rhetorical Question 8/20/08". Arloandjanis.com. August 20, 2008. Retrieved 2009-09-16.
  15. "Goodbye to all that 9/11/08". Arloandjanis.com. September 10, 2008. Retrieved 2009-09-16.
  16. "Sheer Poetry". Arloandjanis.com. Retrieved 2013-03-26.
  17. 1 2 "Birmingham Post-Herald, Published on: 7/5/2001". Retrieved 2007-06-21.
  18. "Fantasies 2". Arloandjanis.com. Retrieved 2009-09-16.
  19. "Comics I Don’t Understand". Comicsidontunderstand.com. Retrieved 2009-09-16.
  20. "Gripe 1". Arloandjanis.com. Retrieved 2009-09-16.
  21. "Cracks". Arloandjanis.com. Retrieved 2009-09-16.
  22. "Arlo & Janis free online comic strip library at". Comics.com. Retrieved 2009-09-16.
  23. "Arlo & Janis free online comic strip library at". Comics.com. Retrieved 2009-09-16.
  24. "Net Share". Arloandjanis.com. Retrieved 2009-09-16.
  25. "Index to Comic Art Collection: "Grasping" to "Gratuitous"". Lib.msu.edu. Archived from the original on August 8, 2008. Retrieved 2009-09-16.
  26. Johnson, Jimmy (November 4, 2012). "Arlo and Janis". Retrieved November 4, 2012.
  27. Johnson, Jimmy (January 1, 2012). "Arlo and Janis". Retrieved January 1, 2012.
  28. 1 2 Johnson, Rheta Enchanted Evening Barbie and the Second Coming: A Memoir, NewSouth Books, 2010 ISBN 1-58838-250-8, ISBN 978-1-58838-250-4 p90
  29. "Used and New: Arlo and Janis: Bop 'Till You Drop". Amazon.com. Retrieved 2009-09-16.
  30. Johnson, Jimmy (March 3, 2011). "Vive la différence". arloandjanis.com. Retrieved June 13, 2011.
  31. Johnson, Jimmy (November 27, 2011). "The A&J Book". arloandjanis.com. Retrieved December 27, 2011.

External links

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