Aubrey Thomas de Vere

Aubrey Thomas de Vere.

Aubrey Thomas de Vere (10 January 1814 – 20 January 1902) was an Irish poet and critic.[1]

Life

Aubrey Thomas Hunt de Vere was born at Curraghchase House (now in ruins) at Curraghchase Forest Park, Kilcornan, County Limerick,[2] the third son of Sir Aubrey de Vere, 2nd Baronet (1788–1846) and his wife Mary Spring Rice, daughter of Stephen Edward Rice (d.1831) and Catherine Spring,[3] of Mount Trenchard, Co. Limerick. He was a nephew of Lord Monteagle and a younger brother of Sir Stephen de Vere, 4th Baronet. In 1832, his father dropped the original surname 'Hunt' by royal licence, assuming the surname 'de Vere'.

He was strongly influenced by his friendship with the astronomer, Sir William Rowan Hamilton, through whom he came to a knowledge and reverent admiration for Wordsworth and Coleridge. He was educated privately at home and in 1832 entered Trinity College, Dublin, where he read Kant and Coleridge. Later he visited Oxford, Cambridge, and Rome, and came under the potent influence of John Henry Newman. He was also a close friend of Henry Taylor.[4]

The characteristics of Aubrey de Vere's poetry are high seriousness and a fine religious enthusiasm. His research in questions of faith led him to the Roman Catholic Church in 1857; and in many of his poems, notably in the volume of sonnets called St Peters Chains (1888), he made rich additions to devotional verse. For a few years he held a professorship, under Newman, in the Catholic University in Dublin.[4]

He also visited the Lake Country of England, and stayed under Wordsworth's roof, which he called the greatest honour of his life. His veneration for Wordsworth was singularly shown in later life, when he never omitted a yearly pilgrimage to the grave of that poet until advanced age made the journey impossible.[5]

Sir Aubrey was himself a poet. Wordsworth called his sonnets the most perfect of the age. These and his drama, Mary Tudor, were published by his son in 1875 and 1884. In his twenty-eighth year published The Waldenses, which he followed up in the next year by The Search after Proserpine, which showed his love for Greece and Greek tradition. [4] Thenceforward he was continually engaged, till his death in 1902, in the production of poetry and criticism,[6] being described as 'a man of literary fashion'.[7]

He was of tall and slender physique, thoughtful and grave in character, of exceeding dignity and grace of manner, and retained his vigorous mental powers to a great age. According to Helen Grace Smith, he was one of the most profoundly intellectual poets of his time.[5]

He died at Curraghchase in 1902, at the age of eighty-eight. As he never married, the name of de Vere at his death became extinct for the second time, and was assumed by his nephew.[5]

Works

His best-known works are: in verse, The Sisters (1861); The Infant Bridal (1864); Irish Odes (1869); Legends of St Patrick (1872); and Legends of the Saxon Saints (1879); and in prose, Essays Chiefly on Poetry (1887); and Essays Chiefly Literary and Ethical (1889). He also wrote a picturesque volume of travel-sketches, and two dramas in verse, Alexander the Great (1874); and St Thomas of Canterbury (1876). According to the Encyclopaedia Britannica Eleventh Edition, both of these dramas, "though they contain fine passages, suffer from diffuseness and a lack of dramatic spirit."[6] His best remembered poem is Inisfail.

Influences

In his Recollections he says that Byron was his first admiration, but was instantly displaced when Sir Aubrey put Wordsworth’s "Laodamia" into his hands. He became a disciple of Wordsworth, whose calm meditative serenity he often echoed with great felicity; and his affection for Greek poetry, truly felt and understood, gave dignity and weight to his own versions of mythological idylls. A critic in the Quarterly Review of 1896 said of his poetry, that next to Browning's it showed the fullest vitality, the largest sphere of ideas, covered the broadest intellectual field since Wordsworth.[5]

But perhaps he will be chiefly remembered for the impulse which he gave to the study of Celtic legend and Celtic literature. In this direction he has had many followers, who have sometimes assumed the appearance of pioneers; but after Matthew Arnold's fine lecture on Celtic Literature, nothing perhaps did more to help the Celtic revival than Aubrey de Vere's tender insight into the Irish character, and his stirring reproductions of the early Irish epic poetry.[6]

A volume of Selections from his poems was edited in 1894 (New York and London) by G. E. Woodberry.[6]

References

  1. ↑ Gosse, Edmund (1913). "Aubrey de Vere." In: Portraits and Sketches. London: William Heinemann, pp. 117–125.
  2. ↑ Ward, Wilfrid (1904). Aubrey de Vere: A Memoir. London: Longmans, Green and Co., p. 1.
  3. ↑ Ward (1904), p. 4.
  4. 1 2 3 "Aubrey Thomas de Vere (1814–1902)", The English Poets, (Thomas Humphry Ward, ed.), Vol. V
  5. 1 2 3 4 Smith, Helen Grace. "Aubrey Thomas Hunt de Vere." The Catholic Encyclopedia Vol. 4. New York: Robert Appleton Company, 1908. 18 March 2016
  6. 1 2 3 4  One or more of the preceding sentences incorporates text from a publication now in the public domain: Chisholm, Hugh, ed. (1911). "De Vere, Aubrey Thomas". Encyclopædia Britannica 8 (11th ed.). Cambridge University Press. p. 121.
  7. ↑ Schmidt, Michael (1998). Lives of the Poets. London: Weidenfeld & Nicolson ISBN 9780297840145

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