Béla Apáti Abkarovics

Béla Apáti Abkarovics (born 1888, Érmihályfalva, Austro-Hungarian Empire - died 1957, Szentendre, Hungary) was a Hungarian painter and graphic artist. His art is based upon the Nagybánya traditions of the unity of man and nature. He incorporated oil, watercolour and graphics into his art. His contribution in the field of graphic arts include sketches, linocuts, and monotypes.

Biography

He was a student of Károly Ferenczy at the Academy of Fine Arts, Budapest for four years. From 1891 he studied as a college student at the Free School of Nagybánya (Baia Mare, Romania) in István Réti's and János Thorma's restoration workshop. Between 1920 and 1924 as well as in 1927 he worked in the colony of artists of the same place.

After spending some years in Nagybánya he went for a study trip to Germany and Austria. Subsequently he worked in the Sub-Carpathian Region for several years and was a member of the Association of Sub-Carpathian Artists. In 1920 he had his first exhibition in the National Salon. Abkarovics made an appearance at the Jubilee Exhibition in Nagybánya in 1924 and at the joint exhibition of the Nagybánya painters in 1927.

Later years

By the end of the 1930s Abkarovics settled in Szentendre and here he mostly depicted the landscape of the town in his paintings. In 1945 he was chosen to be a member of the Szentendre colony of artists, and he participated in the joint exhibitions of that community. He also became a member of New Society of Artists (KUT) and 1955 he organised a prestigious exhibition in Szentendre.

Death

Béla Apáti Abkarovics died in 1957. In 1967 a commemorative exhibition was organised from his works in the Ferenczy Museum in Szentendre. Many of his works, including 'Woodworkers', have been purchased by the government in Budapest, but some of his works are on public display at the Hungarian National Gallery, the Darnay Museum ( Sümeg) and the Nagyvárad Museum in Oradea, Romania.

External links

This article is issued from Wikipedia - version of the Tuesday, March 22, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.