Beautiful Midnight
Beautiful Midnight | ||||
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Studio album by Matthew Good Band | ||||
Released | September 14, 1999 | |||
Recorded | February - April 1999; Greenhouse Studios, Burnaby, British Columbia, Canada | |||
Genre | Alternative rock | |||
Length | 65:15 | |||
Label |
Universal (Canada) Atlantic Records (US) | |||
Producer | Warne Livesey | |||
Matthew Good Band chronology | ||||
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Singles from Beautiful Midnight | ||||
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Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic | [1] |
Sputnikmusic | [2] |
Punknews.org | [3] |
Beautiful Midnight is the third album released by the Matthew Good Band and the follow-up to the band's 1997 album, Underdogs.
The album produced four successful singles and music videos, "Hello Time Bomb", "Load Me Up", "Strange Days", and "The Future is X-Rated". The success of Beautiful Midnight propelled Good to a celebrity status in Canada he eventually grew to loathe, and his interactions with the media throughout the promotional cycle for the record were often strained and unpleasant. The album was re-released in 2001 in the United States on Atlantic Records with an altered track listing with remixed songs from Underdogs. Good has referred to it as something of a greatest hits. The album did not achieve the kind of success in America as it did in Canada due to Good intentionally sabotaging the band's career stateside by refusing to play along with the media and music industry in the country and the band's reluctance to commit extensively touring the country.
A number of songs considered for inclusion on Beautiful Midnight were relegated to b-side or unreleased status. "Flashdance II" was eventually released on Loser Anthems, while "Pony Boy", which was recorded for the subsequent album The Audio of Being, remained unreleased until In a Coma in 2005.
Commercial performance
Beautiful Midnight debuted at #1 on the Canadian Albums Chart,[4] selling approximately 25,000 copies in its first week.[5] It would go on to become the band's most successful album, being certified Platinum in Canada two months after its release and 2x Platinum on September 7, 2000.[6] By March 2003, the album had sold 270,000 units in Canada.[7]
Track listing
All tracks written by Matthew Good and Dave Genn, except where noted.
In the fashion of a concept album, the track listing uses the conceit that the album represents one night, with each song corresponding to a one-hour period leading from "05:00 pm" ("Giant") through midnight ("Let's Get It On") and ending with "Sunup" ("Running For Home").
- "Giant" – 6:10
- "Hello Time Bomb" – 3:58
- "Strange Days" – 4:25
- "I Miss New Wave" – 5:04
- "Load Me Up" – 3:40 (Good, Genn, Priske, Browne)
- "Failing the Rorschach Test" – 4:45
- "Suburbia" – 5:26
- "Let’s Get It On" – 4:16
- "Jenni's Song" – 4:00
- "Going All The Way" – 4:17
- "A Boy and His Machine Gun" – 5:02
- "The Future Is X-Rated" – 3:47
- "Born to Kill" – 5:42
- "Running for Home" – 4:38
US track listing
(Titles were altered by Atlantic Records)
- Giant
- Hello Time Bomb
- Strange Days
- Deep 6ix
- Load Me Up
- Failing the Rorschach Test
- Suburbia
- Apparitions
- Jenni's Song
- Boy and His ------- ---
- The Future Is X-Rated
- Everything Is Automatic
- Born to ----
- Running for Home
("Hello Time Bomb", "Strange Days", "Deep 6ix", "Load Me Up", and "Everything Is Automatic" were remixed by Chris Lord-Alge. "Deep Six", "Apparitions", and "Everything Is Automatic" originally appeared on Underdogs.)
Credits
- Matthew Good Band
- Matthew Good - vocals, Guitar
- Ian Browne - drums
- Rich Priske - Bass Guitar
- Geoff Lloyd - Bass Guitar on "Deep 6ix", "Apparitions" and "Everything Is Automatic"
- Dave Genn - Guitar, Keyboards
- Note: Todd Kerns performs backing vocals on "Hello Time Bomb" and "Born To Kill" (not part of MGB)
- Natasha Duprey - Phone Sex on "The Future is X-Rated"
- Centennial High School Cheerleading Squad - Cheerleading on "Giant"
- Kristy Holmes
- Kimberly Barber
- Melanie Barber
- Sara Correia
- Caroline Croteau
- Kristin Sims
- Karin Anstey
- Tracey Mcdonald
- Megan Leigh
- Marjolyn Ustaris
- Warne Livesey - Producer, Engineer, Mixer
- Zach Blackstone - Engineer
- Steve Kaplan (BJG Studios, London) - Mixer
- Chris Lord-Alge (BJG Studios, London) - Mixer
- Tim Young - Mastering
- Legal: Simkin & Co.
- Accounting: Davidson & Co.
- Ken Turta - Live sound
- Christi Thompson - Good's assistant
- Chimo Robichaud - Instrument technician
- Horshack - A&R
- Jay Blakesberg - Photography
- Vincent Libby - Design concept
- Garnet Armstrong - Album design
- Kiley Redhead - Album design
References
- ↑ Sammy Younan. "Beautiful Midnight". Allmusic. Retrieved 2012-01-15.
- ↑ "Matthew Good Band - Beautiful Midnight (album review)". Sputnikmusic. 2006-04-15. Retrieved 2012-01-15.
- ↑ "Matthew Good Band - Beautiful Midnight". Punknews.org. Retrieved 2012-01-15.
- ↑ "Top Albums/CDs - Volume 69, No. 23, September 27, 1999". RPM. Retrieved 2010-10-11.
- ↑ "CANOE - JAM! Music - Artists - Our Lady Peace : Our Lady Peace skyrocket up the Cdn. charts". Jam.canoe.ca. 1999-09-30. Retrieved 2012-01-15.
- ↑ "Gold Platinum Database: Beautiful Midnight - Matthew Good Band". Canadian Recording Industry Association. Retrieved 2011-07-28.
- ↑ "Good Unleashes 'Avalanche In Canada". Billboard. Retrieved May 26, 2014.
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