Ben-Ami Shulman

3 Mapu Street (1937)

Ben-Ami Shulman (born, Jaffa, Israel 1907 - died, Los Angeles 1986) was an Israeli architect who was posthumously recognized as one of the significant 1930s architects of the modernist White City of Tel Aviv.[1] The White City, which features the largest collection of international style architecture in the world, was designated a UNESCO World Heritage Site in 2003.[2]

This designation resulted from the efforts of both Israeli and German architectural historians, beginning in the 1980s, to document the history of the architecture. Preservation and restoration of these buildings, many of which were neglected due to the economy or insensitive additions, are underway, and eight of them have been designated as landmarks.

Along with other 1930's Israeli architects, Shulman's work was documented in book form in 1994 by German photographer Irmel Kamp-Bandeau [3] and in 2004 by Israeli architect, historian and preservationist Nitza Metzger Szmuk. Shulman and his work are included in the international traveling exhibition based on her book Dwelling On The Dunes: Tel Aviv Modern Movement and Bauhaus Ideals.[4]

Positive/negative elements, such as rounded volumes or recessed prisms in the essentially flat facades were a specialty of Ben-Ami Shulman who designed buildings with a freedom reminiscent of plasticine modeling.[5]

Life and career

Shulman was among several other Israeli architects of his time, including Genia Averbuch and Dov Karmi, who studied architecture in Brussels, Belgium and whose work, in the opinion of Nitza Metzger Szmuk, demonstrates an unusual range of creativity[6] when compared to architects trained at the Bauhaus or other schools. He studied under Victor Horta at the Academie Royale des Beaux-Arts, graduating in 1931 with a degree with honors in architecture and engineering. Horta's influence on Shulman has been identified by the extensive use of paneled glass walls on the facade of his 1938 Gruzenberg (Rosenberg) Street[7] commercial building which was unusual in Tel Aviv at that time.

Shulman designed the Zeire Zion pavilion for the Jewish National Fund exhibition in Brussels before returning to Tel Aviv, where he practiced residential and commercial architecture from 1931 to 1947.[8] Shulman's innovative design for an apartment building at 3 Mapu Street in 1937 became the focus of an unusual coalition of prominent architects of the time who supported his efforts to fight the city's municipal building department, who had rejected the plan for the building. Shulman's skillful creation of a "cubist and precise" sense of monumentality for a modest building was noted by architect/planner Nahoum Cohen in Bauhaus Tel Aviv: An Architectural Guide.[9] Although it had deteriorated over the years, it was restored in 2012 by architect and conservationist Mimar Naor, and commemorated with a plaque highlighting its originality.[10] Views of the restoration are included in a new book Preservation and Renewal- Bauhaus and International Style Buildings in Tel Aviv[11] from The Bauhaus Center of Tel Aviv.

The political and economic difficulties of 1947 led Shulman and other architects, to emigrate in order to find work. Shulman moved to Montreal, Canada, where he practiced residential and commercial architecture until 1960, when he moved to Los Angeles. There, he set up a practice with his son, architect Uzi Shulman, also a graduate of the Academie Royale des Beaux-Arts. Ben-Ami Shulman adapted his modernism to the diversity of mid-century styles of architecture in Southern California.

Shulman visited Israel frequently once he left the country, but did not try to promote his 1930's Tel Aviv architecture. He died in 1986. A few years later his son Uzi was contacted by the architectural historians about his father's Tel Aviv work.

Shulman's Tel Aviv history and the Los Angeles work were the subject of an exhibition, Some Shulman Architecture, at the American Institute of Architects Los Angeles chapter in 2015.[12]

Landmarks

Eight of Shulman's buildings in Tel Aviv have been designated as landmarks:[13]

References

Notes

  1. ↑ Metzger Szmuk (2004), pp.46,49,170,281,356-58,392
  2. ↑ "White City of Tel-Aviv – The Modern Movement". UNESCO World Heritage List. UNESCO. 2003.
  3. ↑ Kamp-Bandeau (1994), pp.220-25, 245
  4. ↑ "The White City Of Tel Aviv: The Modern Movement in Tel Aviv". Museum Of Finnish Architecture. 2014. Retrieved November 2015.
  5. ↑ Metzger Szmuk (2004), p.357
  6. ↑ Metzger Szmuk (2004), p.49
  7. ↑ Kamp-Bandeau (1994), pp.220-23
  8. ↑ Kamp-Bandeau (1994), pp.220-23, 245
  9. ↑ Cohen, Nahoum (2003). Bauhaus Tel Aviv: An Architectural Guide. London: Batsford Ltd. p. 80. ISBN 978-0713487923.
  10. ↑ "Mimar Naor Architecture & Conservation" (in Hebrew).
  11. ↑ Gross, Micha, ed. (2015). Preservation and Renewal - Bauhaus and International Style Buildings in Tel Aviv. Tel Aviv: Bauhaus Center. pp. 144–150. ISBN 978-965-7668-00-9.
  12. ↑ "Some Shulman Architecture". American Institute of Architects - Los Angeles.
  13. ↑ Metzger Szmuk (2004), p.356-58

Bibliography

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