CYJO

CYJO
Born Cindy Hwang
(1974-06-13) June 13, 1974
Seoul, KR
Nationality American
Known for Photography Contemporary Art
Notable work KYOPO Project, Substructure

CYJO /ˈsˈ/, born Cindy Hwang (1974),is an American Fine-art photographer. She is known for her photographic and textual projects, such as Substructure and KYOPO Project.

Life and career

KYOPO Project

CYJO was born in Seoul, Korea, and immigrated to the US in 1975. She attended University of Maryland, College Park, Instituto Politecnico Internazionale Della Moda, in Italy, and graduated Magna Cum Laude at Fashion Institute of Technology, in New York City.

CYJO is the creator of the KYOPO Project, its name a reference to the Korean diaspora. Her biography states, "KYOPO Project is a photographic and textual project about immigration and identity through the lens of the Korean ancestry. Over 200 people, mostly living in America, explore their relationships with their ancestral culture and the other cultures they embody through citizenship or through life experiences."[1]

Her work has been exhibited in the US and abroad, and has been shown in museums such as the National Portrait Gallery at the Smithsonian Institution, as part of their first major showcase of contemporary Asian American portraiture.[2] About KYOPO Project, the Washington Post wrote, "the pictures have the slickness of a fashion shoot, but the texts reveal hidden depth and complexity".[3] Smithsonian Magazine wrote, "CYJO’s images are wonderfully unencumbered: she uses her lens to convey straight-forward stories of the constructed “self”—here we are, the images tell us, in our stance as contemporary Korean Americans. Change may constantly skim the surface of modern life, but KYOPO reveals something lasting beneath".[4] CYJO's Substructure is a collection of photos documenting the hands of 50 Chinese migrant workers. In the summer of 2010, CYJO traveled to three different migrant centers with the goal of providing "an educational platform" to increase awareness of the difficulties experienced by the migrants. CYJO focused on the hands as both an expressive tool and anonymous means of sharing these migrant voices.[5]

Major works

Joanne Rha, KYOPO Project

The KYOPO Project (2004–2010)

The KYOPO Project is a photographic and textual project that explores identity and immigration through the lens of the Korean ancestry. The KYOPO Project dissects over 230 kyopo (people of Korean ethnicity living outside the Korean peninsula). KYOPO is a forced collective of individuals that challenges the idea of a monolithic Korean and investigates what it means to be a Korean and American. Relationships with ancestry, their culture of citizenship and other cultures they embody are expressed explaining a constantly evolving identity. Issues discussed in the KYOPO Project include adoption, generational issues, Asians in politics & arts, “mixed” kyopo and the global identity. KYOPO, the publication, published by Umbrage Editions, features 237 photos and interviews with a foreword by writer and lecturer of ethnic studies Marie Myung Ok Lee and introduction by art critic and academic Julian Stallabrass.

Substructure (2010)

#20, from Substructure

Substructure is a photographic, textual and video project on the global topic of migration profiling 50 migrants residing in Beijing. Aged 5–80, these individuals from varying provinces including Henan, Shandong and Anhui talk about their journeys for a better life and a developing China. Their portraits are photographed and videotaped anonymously through their hands where the detailed print of the photo contrasts the raw kinesthetic gestures in video. Substructure was created in collaboration with an NGO, Compassion for Migrant Children (CMC).

Other works

Exhibitions

References

  1. "Biography". CYJO. Retrieved 2011-12-17.
  2. "Author/Artist Interview: CYJO + "KYOPO" | BookDragon". Bookdragon.si.edu. 2011-08-08. Retrieved 2011-12-17.
  3. "Portraiture Now: Asian American Portraits of Encounter Review, Washington, DC". washingtonpost.com. 2011-09-02. Retrieved 2011-12-17.
  4. "Amy Henderson: The Medium is the Message | Around The Mall". Blogs.smithsonianmag.com. 1956-03-17. Retrieved 2011-12-17.
  5. "China's migrant workers share stories through hands|World". chinadaily.com.cn. 2011-09-24. Retrieved 2011-12-17.

Further reading

External links

This article is issued from Wikipedia - version of the Sunday, May 01, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.