Castle Jazz Band

The Castle Jazz Band was a Dixieland jazz band, part of the "West Coast revival" of traditional jazz music. Their recordings were popular worldwide for a time, although touring outside their Portland, Oregon base was limited.

History

The Castle Jazz Band started in 1944,[1] part of a West-Coast revival of traditional jazz that un-apologetically rebelled against then-current developments in jazz.[2] It was named after the Castle, an iconic roadhouse tavern located south of Portland.[3] The band, a cooperative venture that never paid its members, was led by banjoist Monty Ballou.[4][5][6] The first recordings took place in 1944, and their first issue was limited to 200 copies.[1] Wartime and employment difficulties ensured the band would not record again until 1947, but this record was more widely released, and garnered the attention of jazz fans.[1] Shortly after, Ballou changed from guitar to banjo, and this had a significant effect on the band's sound.[1] The most famous lineup was formed in 1948, and played music at the Jantzen Beach Amusement Park in Portland, dressed as various characters.[5][1] They were regulars at the Rathskeller Cafe in 1948, and then moved to a more upscale location, the Sportsman Club, where they were a draw not only locally, but also from the traditional jazz fanbase in San Francisco.[7] Their heyday was from 1949 to 1951. This time period included being a featured performer at the 1949 Dixieland Jubilee concert, and a series of recordings on the Castle Records label.[5] Cornet player Don Kinch claimed one of these records, Floating Down the Old Green River sold more than a million copies. George Bruns left in 1950 to join the Turk Murphy band,[6] and was replaced by Rod Levitt.[8] Levitt was considered too "modern" for the band and initially found it difficult to fit in.[8] The cooperative band disbanded in 1951, and Ballou formed a new version of the band that performed in a club he bought called the Diamond Horseshoe, in good part due to the success of the Castle Records releases.[5][6] Ballou sold the club in 1954, and disbanded Castle, in order to join forces with Doc Evans.[5] Ballou periodically reformed the group for concerts and recordings, including sessions in 1968 and 1972.[4]

Style

The Castle Jazz Band was an all-white traditional jazz ensemble.[3][9] It was composed of top-notch musicians who considered themselves neotraditionalists; as such they rejected big band music as over-arranged and Bebop as the domain of "drug-addicted crackpots".[3] Castle stuck to what they considered the roots of jazz, consisting of trumpet, clarinet, trombone, tuba, drums, banjo, and piano. There were no saxophones or strings. They aimed to emulate the music of Jelly Roll Morton and King Oliver[3] The band was reviewed as "rousing" and having the ability to impart "fire" to "cornier" numbers.[10] Of importance to the band's success was the "rhythm and enthusiasm" of Ballou, and Kinch's trumpet which could evoke Bix Beiderbecke.[1] Also important was the "hell of a good time" the band was able to communicate.[11] Individual solos were limited in the Castle band, usually to just a bridge.[8] They were considered to be an "superior, authentic, two-beat" band.[12] The band was well-rehearsed, but did not come off as overly polished.[13] Of greatest importance was blend of the ensemble work,[8] or as Kinch put it, "It's your sound that matters."[6]

Impact

The Castle Jazz Band was Portland's most popular jazz group, both locally and internationally.[3] In the late 1940s, they were among four groups which were leading the traditional jazz movement on the West coast.[5] George Avakian stated that the band made Oregon "a better place to live"[11] and considered them the acme of semi-professional jazz groups at the time.[13]

Castle Records

Castle 8, When the Saints Go Marching In

Castle Records was founded to release the band's records. The first recording was issued in a quantity limited to 200 copies, and a second release was even more limited at 50 copies. The label's first issues were primitive sounding, but as recording engineer Harry Forbury continued, the sound quality improved.[13] In addition to the Castle Jazz Band, Castle Records also released piano solos by Lee Stafford. The recordings for the label took place between 1944 and 1950.[14]

Personnel

References

  1. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 Drew, Peter (April 1949). "The Castle Jazz Band". The Record Changer (Changer Publications, Inc.) 8 (4): 10.
  2. ↑ Kirchner, Bill (2005). The Oxford Companion to Jazz. Oxford University Press. p. 313. ISBN 9780195183597.
  3. 1 2 3 4 5 Dietsche, Robert (2005). Jumptown: The Golden Years of Portland Jazz, 1942-1957. Corvallis, Oregon: Oregon State University Press. p. 17. ISBN 978-0-87071-114-5.
  4. 1 2 Yanow, Scott. "Monte Ballou: Monte Ballou and His New Castle Jazz Band". AllMusic. All Media Network, LLC. Retrieved November 4, 2015.
  5. 1 2 3 4 5 6 7 8 9 Koenig, Lester (1958). The Famous Castle Jazz Band in Hi-Fi (LP Record). Los Angeles, California: Good Time Jazz Records. GTJ L-12030.
  6. 1 2 3 4 5 6 7 8 9 10 11 Dietsche, Robert (2005). Jumptown: The Golden Years of Portland Jazz, 1942-1957. Corvallis, Oregon: Oregon State University Press. p. 19. ISBN 978-0-87071-114-5.
  7. ↑ Fosbury, Harry (May 1949). "The Jazz Parade". The Record Changer (Changer Publications, Inc.) 8 (5): 4.
  8. 1 2 3 4 5 Dietsche, Robert (2005). Jumptown: The Golden Years of Portland Jazz, 1942-1957. Corvallis, Oregon: Oregon State University Press. pp. 180–181. ISBN 978-0-87071-114-5.
  9. ↑ Wynn, Ron. "The Castle Jazz Band: Biography". AllMusic. All Media Network, LLC. Retrieved November 4, 2015.
  10. ↑ Koda, Cub. "The Castle Jazz Band: The Famous Castle Jazz Band Plays "The Five Pennies"". AllMusic. All Media Network, LLC. Retrieved November 4, 2015.
  11. 1 2 Avakian, George (May 1949). "Records Noted". The Record Changer (Changer Publications, Inc.) 8 (5): 17.
  12. ↑ "Record Reviews". Billboard. May 20, 1950. p. 122.
  13. 1 2 3 Avakian, George (July 1949). "Records Noted". The Record Changer (Changer Publications, Inc.) 8 (7): 12.
  14. ↑ Settlemier, Tyrone (January 22, 2008). "CASTLE Records (Oregon) 78rpm numerical listing discography". The Online Discographical Project. Retrieved November 9, 2015.
  15. ↑ Lee, William F. (2005). American Big Bands. Hal Leonard Corporation. p. 354. ISBN 9780634080548.
  16. ↑ Yanow, Scott (2001). The Trumpet Kings: The Players who Shaped the Sound of Jazz Trumpet. Hal Leonard Corporation. p. 221. ISBN 9780879306403.
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