Cecilia Alvarez

This name uses Spanish naming customs: the first or paternal family name is Concepción and the second or maternal family name is Alvarez.
Cecilia Concepción Alvarez
Born (1950-04-15) 15 April 1950
San Diego, California
Nationality American
Known for Chicana Art
Notable work
  • Las Cuatas Diego, 1979
  • La Tierra Santa, 1983
  • Si Te Puede Pasar a Ti, 1992
Style Her oil paintings and murals depict themes of feminism, poverty, and environmental degradation in the United States and Latin America.
Website Official website

Cecilia Alvarez (born April 15, 1950) is American Chicana artist known for her oil paintings and murals depicting themes of feminism, poverty, and environmental degradation in the United States and Latin America. Alvarez's painting Las Cuatas Diego has been featured in books and exhibitions around the world.[1] Alvarez has also illustrated the bilingual children's book Antonio's Card authored by Rigoberto González.[2] Her work is collected by the Mexican Fine Arts Museum, the Seattle Art Museum and by the Kaiser Foundation.[3]

Biography

Alvarez was born in San Diego, California to a Cuban father and a Mexican mother.[4] She was raised by both of her parents in Tijuana, Mexico.[5]

Alvarez is a self-taught artist.[4] Alvarez started studying at San Diego State University, however, she did not complete her education because she felt that it wasn't necessary. She had been told by faculty that because she was a Mexican-American woman, her work would never be considered "fine art."[5] Alvarez began to help her family financially at the age of twenty-three, after leaving college.[6]

In 1975 Alvarez moved to Washington state where she has created the majority of her artwork.

From 1978 to 1981, she attended Eastern Washington University.[3]

She currently resides and works in Seattle, Washington.

Art

Alvarez uses personal imagery in her art in order to critique issues that are politically and culturally important to her.[5] Alvarez attempts to redefine the cultural values assigned to women and the concept of family using her art.[6] Her duality as a woman and Chicana define he art as she states, "how we fit into the universe, telling jokes, music, laying tile, whatever it was that evolved that whole ability to think of our humanity."[7] In 1991, Alvarez gifted a color print of her painting "Las Cuatas Diego" to The Mexican Museum's permanent collection located in San Francisco.[8]

Notable works

References

  1. ↑ "2001: So to Speak". Archived from Winter/Spring the original Check |url= value (help) on March 13, 2005.
  2. ↑ González, Rigoberto (2005). Antonio's Card / La Tarjeta de Antonio. illustrated by Cecilia Alvarez. CBP. ISBN 978-0-89239-204-9.
  3. 1 2 "Cecilia Alvarez | Complete Resume". Evergreen State College Library. 2004. Retrieved March 23, 2015.
  4. 1 2 Alvarez, Cecilia (2008). "Cecilia Alvarez: Biography". Cecilia Alvarez. Retrieved March 18, 2015.
  5. 1 2 3 Freese, Lauren M. (2013). "Frida Kahlo and Chicana Self-Portraiture: Maya Gonzalez, Yreina D. Cervantez, and Cecilia Alvarez". Iowa Research Online. University of Iowa. Retrieved March 18, 2015.
  6. 1 2 Ruiz, Vicki L., ed. (2007). Latinas in the United States: A Historical Encyclopedia. Indiana University Press. pp. 42–43. ISBN 978-0-253-11169-2. Retrieved March 6, 2016.
  7. ↑ "Latina/o Art: Gender in Art". www.umich.edu. Retrieved March 5, 2016.
  8. ↑ Puga, Kristina (May 22, 2012). ""Faces" tell a story at The Mexican Museum". NBC Latino. Retrieved March 5, 2016.

External links


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