Chế Lan Viên
Chế Lan Viên | |
---|---|
![]() | |
Born |
Quảng Trị, Vietnam | October 20, 1920
Died |
June 19, 1989 68) Ho Chi Minh City, Vietnam | (aged
Occupation | Poet, writer |
Chế Lan Viên (January 14, 1920 – June 24, 1989) was a Vietnamese poet. He was born Phan Ngá»c Hoan, in Äông Hà , in Central Vietnam. He grew up in Quy NhÆ¡n further south, and started writing poetry at an early age. His first collection, published when he was seventeen, gained him notice as a poet of original, if morose, sensibilities. He participated in the events of the August Revolution of 1945, in the Quy NhÆ¡n area. Afterwards, he wrote for a number of journals, including Quyết Thắng (Resolve to Win) in support of the Việt Minh's movement against French rule.[1]
After the Geneva Agreements of 1954, Chế Lan Viên returned to Hà Nội, taking on responsibilities as a leading member of the Writers' Association of Viet Nam (Hội Nhà Văn Việt Nam).[1]
After the fall of South Vietnam in 1975, Chế Lan Viên lived and worked in Hồ Chà Minh City (formerly Sà i Gòn). A prolific writer, he remained active in the literary scene, producing poetry, essays, memoirs, and commentary and criticism until his death in 1989.[2] He was married to the novelist, VÅ© Thị ThÆ°á»ng;[3] their daughter, Phan Thi Vang-Anh, is a writer as well.
Poetry
Chế Lan Viên was associated with the Bình Äịnh Group of poets, whose other members were Quách Tấn, Hà n Mặc Tá», and Yến Lan. The preface to his first collection, Äiêu Tà n, was also a statement of the aesthetics of the "Disordered" (Loạn), also known as "Mad" (Äiên), school of poetry.[2] The poems in that volume are marked by ghastly, even demonic, subjects and imagery. Chế Lan Viên was ethnic Chà m (or Giao Chỉ) by birth, and the ruins referred to in the title are those of the extinct Chà m Kingdom. The poems are haunted by catastrophe, by death and killings, and by memories of a lost past.[2]
His poetry during the war period was highly journalistic and heavily colored with nationalist sentiments. After the war, his writings reflected a return to normalcy, remembering the past and commenting on the realities of everyday living.[4]
Bibliography
Poetry
- Äiêu Tà n (Ruins) 1937
- Gá»i Các Anh (To My Brothers) 1954
- Ãnh Sáng và Phù Sa (Silt Sand and Light) 1960
- Hoa Ngà y ThÆ°á»ng – Chim Báo Bão (Ordinary Flowers – The Storm-Omening Bird) 1967
- Những bà i thơ đánh giặc (Poems To Fight the Enemy) 1972
- Äối thoại má»›i (New Conversations) 1973
- Hoa TrÆ°á»›c Lăng NgÆ°á»i (Flowers Before a Monument) 1976
- Hái theo mùa (Picking According to the Season) 1977
- Hoa Trên đá (Flowers Above the Rocks) 1985
- Di Cảo (Posthumous works) I (1994) & II (1995)
Prose (partial)
- VÃ ng Sao (The Yellow Star) 1942
- Thăm Trung Quốc (Visit to China) 1963
- Những Ngà y Nổi Giáºn (Days of Wrath) 1966
- GiỠcủa đô thà nh (City Hours) 1977
References
- 1 2 Ministry of Culture, Sports and Tourism of Vietnam url=http://cinet.gov.vn/vanhoa/vanhoc/0001/0025/index.htm. "Chế Lan Viên, an introduction".
- 1 2 3 "Chế Lan Viên". Retrieved March 28, 2011.
- ↑ Chee, Tham Seong (1981). Essays on Literature and Society in Southeast Asia: Political and Sociological Perspectives. NUS Press. pp. 335–. ISBN 978-9971-69-036-6.
- ↑ Hoà ng NhÆ° Mai; et al. (2007). Văn há»c 12: 119. Missing or empty
|title=
(help)