Child Ballads

For the album, see Child Ballads (album).
The 1904 Houghton Mifflin edition of Child's English and Scottish Popular Ballads

The Child Ballads are 305 traditional ballads from England and Scotland, and their American variants, anthologized by Francis James Child during the second half of the 19th century. Their lyrics and Child's studies of them were published as the 2,500-page book The English and Scottish Popular Ballads. The tunes of most of the ballads were collected and published by Bertrand Harris Bronson in and around the 1960s.
Barbara Allen
Child Ballad #84. 1939 recording of Hule "Queen" Hines singing Barbara Allen recorded by John and Ruby Lomax
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History

Editorial history

Francis James Child collected the words to over 300 British folk ballads.
Illustration by Arthur Rackham
of Child Ballad 26, "The Twa Corbies"

Child's collection was not the first of its kind; there had been many less scholarly collections of English and Scottish ballads, particularly from Bishop Thomas Percy's Reliques of Ancient English Poetry (1765) onwards.[1] There were also "comprehensive" ballad collections from other countries. Child modelled his work on Svend Grundtvig's Danmarks gamle Folkeviser, classifying and numbering the ballads and noting different versions, which were placed side by side to aid comparison.[2] As a result, one Child number may cover several ballads, which Child considered variants of the same story, although they may differ in many ways (as in "James Hatley"). Conversely, ballads classified separately may contain turns of phrase, and even entire verses, that are identical.

Illustration by Vernon Hill
of Child Ballad 2, The Elfin Knight

The ballads vary in age; for instance, the manuscript of "Judas" dates to the thirteenth century and a version of "A Gest of Robyn Hode" was printed in the late fifteenth or early sixteenth century.[2] The majority of the ballads, however, date to the seventeenth and eighteenth centuries. Although some probably have very ancient influences, only a handful can be definitively traced to before 1600. Moreover, few of the tunes collected are as old as the words. Nevertheless, Child's collection was far more comprehensive than any previous collection of ballads in English.

Many of Child's ballads were obtained from printed broadsides, but he generally distinguished the "traditional" ballads that interested him from later broadside ballads. As Child died before writing a commentary on his work, it is uncertain exactly how and why he selected some ballads and discounted others.[3]

Child Ballads are generally heavier and darker than is usual for ballads. Some of the topics and other features characteristic enough of Child Ballads to be considered Child Ballad motifs are these: romance, enchantment, devotion, determination, obsession, jealousy, forbidden love, insanity, hallucination, uncertainty of one's sanity, the ease with which the truth can be suppressed temporarily, supernatural experiences, supernatural deeds, half-human creatures, teenagers, family strife, the boldness of outlaws, abuse of authority, betting, lust, death, karma, punishment, sin, morality, vanity, folly, dignity, nobility, honor, loyalty, dishonor, riddles, historical events, omens, fate, trust, shock, deception, disguise, treachery, disappointment, revenge, violence, murder, cruelty, combat, courage, escape, exile, rescue, forgiveness, being tested, human weaknesses, and folk heroes.

On one extreme, some Child Ballads recount identifiable historical people, in known events, embellished for dramatic effect.[4] On the other, some differ from fairy tales solely by their being songs and in verse; some have been recast in prose form as fairy tales. A large part of the collection is about Robin Hood; some are about King Arthur. A few of the ballads are rather bawdy.[5]

The editorial history of Child's publication received a monograph study by Mary Ellen Brown in 2011.[6]

Bibliographic history

In 1860, Child published an eight-volume collection entitled English and Scottish Ballads, generally presenting just one variant of each ballad, via Little, Brown and Company.[7] However, as a scholarly edition this was superseded by his later and similarly named The English and Scottish Popular Ballads.

The first edition of Child's book was, once complete, The English and Scottish Popular Ballads, ed. by Francis James Child, 5 vols (Boston and New York: Houghton, Mifflin and Company, [1882–98]).[8]

It was printed in one thousand copies, and actually issued in ten parts, each with a half-title and title page. The final title pages for each of the five volumes, printed in red and black, were issued with part 10. Part 10 actually emerged after Child's death, and was edited by George Lyman Kittredge. Volume 5 contained a variety of scholarly apparatuses: the "Glossary" (V, pp. [309]-396); "Sources of the texts of the English and Scottish ballads" (V, pp. [397]-404); "Index of published airs of English and Scottish popular ballads, with an appendix of some airs from manuscript" (V, pp. [405]-424); "Index of ballad titles" (V, pp. [425]-453); "Titles of collections of ballads, or of books containing ballads" (V, pp. [455]-468); and "Index of matters and literature" (V, pp. [469]-502).[8]

The book was reprinted, this time physically in three volumes, in 1957 by the New York-based Folklore Press, in association with the Pageant Book Company.[9] It was reprinted again in 1965 in New York by Dover, this time with an essay by Walter Morris Hart entitled 'Professor Child and the Ballad' (reprinted from Publications of the Modern Language Association of America, vol. 21 [N.S. Vol. 14, no. 4]).[10]

Child's edition was also the basis for a number of shorter, popular editions, prominently including English and Scottish Popular Ballads Edited from the Collection of Francis James Child, ed. by Helen Child Sargent and George Lyman Kittredge (London: Nutt, 1905).[11]

Modern recordings

Illustration by Katherine Cameron of a retelling of the story of Child Ballad 37, Thomas Rymer and Queen of Elfland

Many Child Ballads have subsequently appeared in contemporary music recordings. Burl Ives's 1949 album, The Return of the Wayfaring Stranger, for example, includes two: "Lord Randall" and "The Divil and the Farmer".

In 1956 four albums (consisting of eight LPs) of 72 Child Ballads sung by Ewan MacColl and A.L. Lloyd were released: The English and Scottish Popular Ballads, Vols. 1-4.[12]

In 1960 John Jacob Niles published The Ballad Book of John Jacob Niles, in which he connects folk songs which he collected throughout the southern United States and Appalachia in the early 20th century to the Child Ballads. Many of the songs he published were revived in the Folk music revival, for example "The Riddle Song" ("I gave my love a Cherry"), which he connects with Child No. 1, "Riddles Wisely Expounded".

Joan Baez sang ten Child ballads distributed among her first five albums, the liner notes of which identified them as such.[13]

British electric folk groups such as Fairport Convention, Pentangle and Steeleye Span drew heavily on the Child Ballads in their repertoires, and many other recording artists have recorded individual ballads. Harry Smith included a number of them into his Anthology of American Folk Music.

Child ballads also occasionally occur in the work of musical groups not usually associated with folk material, such as Ween's recording of "The Unquiet Grave" (Child 78) under the title "Cold Blows the Wind" and versions of "Barbara Allen" (Child 84) recorded by the Everly Brothers, Art Garfunkel, and (on the soundtrack of the 2004 film A Love Song for Bobby Long) John Travolta. In 2009, Fleet Foxes included "The Fause Knight Upon the Road" as the b-side to the 7" release of "Mykonos" (as "False Knight on the Road"). In 2013 US singer-songwriter Anaïs Mitchell and Jefferson Hamer released Child Ballads comprising seven songs from the Francis James Child collection.

Print and electronic editions of Child's two collections

The two collections have about 200 ballads in common. Each of the two collections includes about a hundred ballads that the other does not.[14]

Illustration by Alexander George Fraser
of Child Ballad 275, Get Up and Bar the Door

Digitisations of The English and Scottish Popular Ballads (1882–98)

Volume 1

Volume 2

Volume 3

Volume 4

Volume 5

All the variants contained in Child's edition are digitised, without apparatus, at http://www.sacred-texts.com/neu/eng/child/ and http://www.peterrobins.co.uk/ballads/.

Digitisations of English and Scottish ballads (1860)

Volume 1; Volume 2; Volume 3; Volume 4; Volume 5; Volume 6; Volume 7; Volume 8.

The tunes in print and electronic editions

Illustration by George Wharton Edwards of Child Ballad 155, The Jew's Daughter

See also

Notes

Illustration by Pavel Svedomskiy
of a Russian version of the story
of Child Ballad 173, Mary Hamilton
  1. ↑ B. Sweers, Electric Folk: The Changing Face of English Traditional Music (Oxford University Press, 2005), p. 45.
  2. 1 2 A. N. Bold, The Ballad (Routledge, 1979), p. 5.
  3. ↑ T. A. Green, Folklore: An Encyclopedia of Beliefs, Customs, Tales, Music, and Art (ABC-CLIO, 1997), p. 352.
  4. ↑ "ballad". Encyclopædia Britannica. The minstrels manipulate the story with coarse explicitness.
  5. ↑ J. E. Housman, British Popular Ballads (1952, Ayer Publishing, 1969).
  6. ↑ Mary Ellen Brown, Child's Unfinished Masterpiece: The English and Scottish Popular Ballads (Urbana: University of Illinois Press, 2011).
  7. ↑ English and Scottish Ballads. ed. by Francis James Child (Boston: Little, Brown and company, 1860).
  8. 1 2 http://search.lib.cam.ac.uk/?itemid=|cambrdgedb|3400905.
  9. ↑ http://search.lib.cam.ac.uk/?itemid=|cambrdgedb|3330807.
  10. ↑ http://search.lib.cam.ac.uk/?itemid=|collpwdb|107150.
  11. ↑ http://search.lib.cam.ac.uk/?itemid=|cambrdgedb|3377754. Digitised at https://archive.org/details/englishscottishp1904chil.
  12. ↑ "Ewan MacColl & A.L. Lloyd: The English and Scottish Popular Ballads, Volume I". Ewan MacColl's Discography. Retrieved 2014-05-21.
  13. ↑ Baez's first, second, third and fifth albums (released in 1960-64) included these ten Child ballads, in this order: 173, 250, 54, 84, 113, 81, 209, 243, 78, 170.
  14. ↑ In the first collection there are 115 ballads that are not in the second collection. In the second collection there are 90 ballads that are not in the first collection. The first collection has 369 ballads (219 plus 150 that come under the eight volumes' "Appendix" heading). The number of ballads in the second collection is nominally 305 but actually much higher because hundreds of the ballads that Child presented as versions of another ballad (because their story is basically the same or similar) are very different from that other ballad, in many cases sharing not even one stanza.
  15. ↑ Which ballads are the 46 for which a tune was included in the 1882-1898 publication (The English and Scottish Popular Ballads) is indicated in this footnote's list of numbers, which are Child's index numbers for those 46. The number of occurrences of a ballad's index number in this list is the number of music scores included for it in that publication. The referents of the index numbers (the title that Child selected to be each ballad's main title) are listed in the List of the Child Ballads. Ballads 3, 9, 10, 10, 10, 11, 12, 12, 17, 20, 40, 42, 42, 46, 47, 53, 58, 61, 63, 68, 75, 77, 84, 89, 95, 97, 98, 99, 99, 100, 106, 114, 157, 161, 163, 164, 164, 169, 169, 173, 182, 222, 226, 228, 235, 247, 247, 250, 256, 258, 278, 281, 286, 286, 299.
  16. ↑ 2009 reissue)

Further reading

External links

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