Claudia Hart

Claudia Hart (born 1955 in New York, NY) is an artist and Associate Professor in the Department of Film, Video, New Media, Animation [1] at the School of the Art Institute of Chicago, Chicago, IL.[2] She is represented by bitforms gallery, NY.[3] Hart has been active as an artist, curator and critic since 1988. She creates virtual representations that take the form of 3d imagery integrated into photography, animated loops, and multi-channel animation installations.

Biography

After graduating from New York University with a BA cum laude in art history in 1978, Claudia Hart studied architecture at the Columbia University Graduate School of Architecture and received a MS in 1984. She then practiced as an art and architecture critic. In 1985-86, she was Associate Editor of I.D. magazine (then Industrial Design magazine) where, along with Senior Editor Steven Skov Holt, she redeveloped it as ID: the Magazine of International Design. She published her critical writings widely, and then went to Artforum magazine where she served as Reviews Editor until 1988. She continues to write critically but in the academic context, and continues to publish theoretical papers in academic journals such as Media-N, the New Media Caucus journal, Bad Papers and Byte Shark.

In 1988, Hart began to exhibit with the Pat Hearn Gallery, moving from critical to artistic practice. At that time, she exhibited paintings and installations inspired by the visionary architectural languages of Ledoux, Boullee and Leque. After receiving an NEA Fellowship in 1989, she shifted her practice to Europe where she spent ten years and received numerous fellowships, including the Kunstfond Bonn, Stiftung Kulturfonds, the Stiftung Luftbrueckendank Grant, the Arts International Foundation Grant, the Kunstlerhaus Bethanian grant, two fellowships from the American Center in Paris, and an Honorary Fellowship at Eyebeam.[4][5]

In Europe she exhibited widely with galleries and museums. Her work from this time has been collected by the Museum of Modern Art, New York; Metropolitan Museum, New York; M.I.T. List Center, Cambridge; Vera List Center for Art and Politics, New School, New York; San Diego Museum of Contemporary Art; Museum of Contemporary Art, Berlin; and the Sammlung Goetz Museum, Munich.

Hart returned to New York in 1998 to publish two illustrated books, originally catalogs for her exhibitions. She wrote, illustrated and designed A Child’s Machiavelli, published by Abbeville, Penguin and Nautilus, and Dr. Faustie’s Guide to Real Estate Development, published by Nautilus. Hart then studied animation at N.Y.U.’s Center for Advanced Digital Applications with the intention of animating her illustrated books. Instead she developed a body of work consisting of 3D-animated installations that she thinks of as temporal paintings.

Her contemporary art consists of designs for sublime landscape gardens often containing expressive and sensual female bodies meant to interject emotional subjectivity into what is typically the overly-determined Cartesian world of digital design. Her work has been seen at various public institutions including MoMA PS1, New York; PS122, New York; biennial Zero1, San Jose, and had the first one-woman show presented at the Wood Street Galleries in Pittsburgh. Her works are part of The Sandor Family Collection, Chicago; the Teutloff Photo + Video Collection, Cologne; and the Borusan Contemporary Art Collection, Istanbul, among others.[6]

Works

Claudia Hart's work applies a feminist perspective to a discussion of digital technology and a critique of the media. Much of her work attempts to introduce women into a male-dominated technological culture and condemn the violent impulses of a masculine digital production environment. In her artist statement, Hart says: "By creating virtual images that are sensual but not pornographic within mechanized, clockwork depictions of the natural, I try to subvert earlier dichotomies of woman and nature pitted against a civilized, “scientific” and masculine world of technology. In my own way, I am staging a romantic rebellion against technocratic and bureaucratic culture." [7]

Welcome to Alice's Giftshop! (2014)

In 2014, Hart held her third solo exhibition at bitforms gallery in Chelsea New York. The works shown were inspired by Lewis Carroll's 1865 ''Alice in Wonderland'' and applies the metaphors in the text to explore the increasing mediation of contemporary life through digital platforms and technology. “I started working in a kind of hyper-feminine way,” says Hart. “I was dealing with ideas of beauty in the context of first-person shooter games that were fast and violent and pornographic. In resistance, I started making slow sensual work, focusing on the female body.” At the core of this work are issues of representation, as Hart questions what might be considered “natural”, and the role of the computer in shifting values about identity and the real. [8]

On Synchronics (2013)

On Synchronics is a media project Hart created in collaboration with 24 of her current and former students at the School of the Art Institute of Chicago. On Synchronics deals with the topic of individual identity in a media-saturated and increasingly technological environment. In the work, "many individual characters merges into a single global body, performing one unified, poetic choreography in which a digital avatar heroically wrestles to escape the confines of the artificial computer world an emerge into the unpredictable flow of reality." [9]

Caress (2011)

Caress splits a reclining, life-size female nude into three video monitors. The framing of the body develops a sense of claustrophobia, depicting the figure as imprisoned by a kind of modern coffin. The black and white image is also intended to reference tomb sculptures and the entrances to Gothic churches. The work was displayed in the bitforms gallery in New York. [10]

References

  1. ↑ SAIC FVNMA
  2. ↑ School of the Art Institute of Chicago faculty profile on www.saic.edu
  3. ↑ Claudia Hart Bitforms
  4. ↑ "Claudia Hart | eyebeam.org". eyebeam.org. Retrieved 2016-01-28.
  5. ↑ Jennifer, Stock,. "Sculptural Opera: Claudia Hart's Alices (Walking) at EyeBeam". I CARE IF YOU LISTEN. Retrieved 2016-02-01.
  6. ↑ Claudia Hart Bio
  7. ↑ "Claudia Hart". Claudia Hart. Retrieved 2016-04-18.
  8. ↑ "Claudia Hart: Welcome to Alice's Gift Shop! press release | bitforms gallery". Bitforms.com. Retrieved 2016-04-18.
  9. ↑ "Claudia Hart: On Synchronics – STREAMING MUSEUM". Streamingmuseum.org. 2013-10-04. Retrieved 2016-04-18.
  10. ↑ "Claudia Hart | Caress (2011), Available for Sale". Artsy. Retrieved 2016-04-18.

Further reading

External links

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