Come Back to Me (film)

This article is about the 2014 horror film. For the 1945 musical film, see Doll Face.
Come Back to Me
Directed by Paul Leyden
Produced by Anne Clements
Written by James Leyden
Based on The Resurrectionist 
by Wrath James White
Starring
Music by Thomas Morse
Cinematography Joseph White
Edited by Sherwood Jones
Production
company
  • Base Productions
  • Idiot Savant Pictures
Distributed by Freestyle Releasing
Release dates
  • July 25, 2014 (2014-07-25)[1]
Running time
 96 minutes
Country United States
Language English
Box office $7,744[2]

Come Back to Me is a 2014 psychological horror film directed and written by Paul Leyden. It stars Katie Walder and Matt Passmore as a married couple who experience unexplained night terrors after a new neighbor (Nathan Keyes) moves in next door. It is based on The Resurrectionist by Wrath James White.

Plot

As a teenager, Dale witnesses the apparent murder of his mother, Eileen, by his meth-addicted father. When the police arrive, they confront and kill Dale's father. The officer who discovers Eileen runs from the house and vomits, but Dale re-enters the house and tells his mother that everything will be all right. Years later in Las Vegas, Dale moves next door to married couple Sarah and Josh, who introduce themselves by taking over cookies. Although disappointed that the cookies are not homemade, Dale accepts them anyway. Josh explains that he is a croupier and Sarah a graduate student who is working on her dissertation on the effects of pornography. When Sarah questions Dale as to why he is staring at her, he says that she reminds him of someone, later revealed to be his mother.

While Josh takes additional shifts at work, Sarah passes out and experiences a highly realistic dream in which she is murdered. Confused by the fact that her clothes are different and the room cleaned, she investigates further and discovers her original shirt in the laundry, bloodied. Josh suggests that she talk to her friend Leslie, a pregnant doctor. Leslie, who experienced similar issues in the past, diagnoses her with night terrors and prescribes a hypnotic. Although somewhat relieved, Sarah points out that a prominent scar has disappeared, which Leslie cannot explain. Concerned, Josh calls in a favor and surprises Sarah with a vacation at a luxurious hotel. There, Sarah sleeps well and does not experience any of her previous symptoms.

However, when she returns home, the night terrors and unexplained blackouts return, and she now experiences nausea. Much to her annoyance, Dale comes to her aid when she appears ill, and he demands to know where she was. When Dale leaves for work, Sarah investigates his house and finds photographs of various people in death-like states, including herself. As she discovers a replica of her house key made while Dale delivered groceries, Dale returns home and apparently kills her with a blow to the head; Sarah wakes up in her own bed, gasping, and assumes the mostly-unremembered episode was another case of night terrors. Later, at Leslie's house, Sarah notices an unused home pregnancy test, which reveals that she is pregnant. Leslie promises to schedule more tests for the pregnancy, blackouts, and night terrors.

Unknown to Sarah, Josh is sterile. When he learns of her pregnancy, he immediately leaves her. Now on her own, Sarah installs hidden video surveillance cameras to record herself so she can better understand her night terrors, but they reveal that Dale has been entering the house, raping and murdering her, and then resurrecting her. In the process, she loses her memories of the event. Disturbed, she researches Dale online and finds that his mother has been institutionalized. At the hospital, she learns from Eileen that Dale has a long history of murdering and resurrecting neighbors. Eileen says that she caused herself to be institutionalized in order to escape Dale, who resurrected her after she committed suicide. Eileen asks Sarah to kill Dale, an action she could not bring herself to do.

When Leslie gives birth, she is confused when the baby does not look like either of the possible fathers, and she recalls the video evidence of Sarah's rape, knowing that she had prior contact with Dale when he delivered her groceries, too. Meanwhile, Josh returns home after his friend convinces him to give Sarah another chance; however, Sarah shoots and kills him when she mistakes him for Dale. Sarah begs Dale to resurrect Josh, and, when he refuses, seduces him so that she can trick him into it. As Josh revives, he confusedly rescues Sarah from Dale, and Sarah shoots Dale dead. As Dale dies, all of the victims that he has murdered and revived suddenly drop dead of their previous wounds, including Sarah, Josh, and Leslie. The film ends with a close-up of Leslie and Dale's child, leaving the audience to wonder if the child has Dale's power as well.

Cast

Release

Freestyle Releasing gave the film a limited theatrical release on July 25, 2014.[1]

Reception

Rotten Tomatoes, a review aggregator, reports that 20% of five surveyed critics gave the film a positive review; the average rating was 3.9/10.[3] Metacritic rated it 31/100 based on five reviews.[4] Frank Scheck of The Hollywood Reporter wrote, "A terrific premise is squandered in this ineffective horror film, which nonetheless has a truly disturbing climax."[5] Ben Kenigsberg of The New York Times wrote that the film is unpredictable but only because it "is so ludicrous that logical conjecture is doomed to fail."[6] Gary Goldstein of the Los Angeles Times called it a "exceedingly far-fetched" film that "borrows the best bits from several horror classics to great effect".[7] Rob Staeger of The Village Voice called it "a tired stab at psychological horror" that uses voice-over as a narrative crutch.[8] Tirdad Derakhshani of The Philadelphia Inquirer wrote, "A grisly supernatural slasher that boasts a devilishly clever twist, Leyden's film lacks the sophistication to allow its unique idea to flower into much more than a gimmick."[9] Paul Doro of Shock Till You Drop called it "one strange, disjointed, and moderately compelling little movie" that may appeal to fans of "hard-to-categorize oddities".[10] Scott Hallam of Dread Central wrote, "Definitely one to take a look at, Come Back to Me is a very entertaining story with some great performances and a director who deftly puts it all together."[11]

References

  1. 1 2 Barton, Steve (2014-07-22). "Come Back to Me for an Exclusive Clip and New Artwork". Dread Central. Retrieved 2014-12-08.
  2. ↑ "Come Back to Me". The Numbers. Retrieved 2014-12-08.
  3. ↑ "Come Back To Me (2014)". Rotten Tomatoes. Retrieved 2014-12-08.
  4. ↑ "Come Back to Me". Metacritic. Retrieved 2014-12-08.
  5. ↑ Scheck, Frank (2014-07-24). "'Come Back to Me': Film Review". The Hollywood Reporter. Retrieved 2014-12-08.
  6. ↑ Kenigsberg, Ben (2014-07-24). "A New Neighbor Is Bad News". The New York Times. Retrieved 2014-12-08.
  7. ↑ Goldstein, Gary (2014-07-24). "Review Eerie 'Come Back to Me' borrows the best shocker bits". Los Angeles Times. Retrieved 2014-12-08.
  8. ↑ Staeger, Rob (2014-07-23). "Come Back to Me Is a Tired Stab at Psychological Horror". The Village Voice. Retrieved 2014-12-08.
  9. ↑ Derakhshani, Tirdad (2014-07-25). "'Come Back to Me' a promising idea that gets trashed". The Philadelphia Inquirer. Retrieved 2014-12-08.
  10. ↑ Doro, Paul (2014-07-28). "Review: Come Back to Me – Flawed, But Packs Some Surprises". Shock Till You Drop. Retrieved 2014-12-08.
  11. ↑ Hallam, Scott (2014-07-21). "Come Back to Me (2014)". Dread Central. Retrieved 2014-12-08.

External links

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