Deena Metzger

Deena Metzger (born September 17, 1936) is an American writer, novelist, poet, playwright, essayist, and counselor. She has been teaching and counseling for more than 45 years, and has developed therapies which she calls “Healing Stories” to address life-threatening diseases, spiritual and emotional crises as well as community and political disintegration. In April 1999, Metzger and writer Michael Ortiz Hill brought the tradition of “Daré”, spirit based healing communities, from Zimbabwe to North America.

Early life

Metzger received her B.A. in Literature and Philosophy from Brooklyn College and Brandeis University in 1957. She holds an M.A. in English and American literature from UCLA and a Ph.D. from International College.

Career

In May 1969, Metzger was teaching an English class at Los Angeles Valley College and was fired for “immoral conduct” and “evident unfitness to teach” when teaching a unit applying Supreme Court decisions regarding literature and pornography. She subsequently brought the case to court and was reinstated in 1972.[1] She also taught in the Critical Studies Department at the California Institute for the Arts from 1970 to 1975. There she taught the first class in Journal writing.

From 1973 to 1978 she was the director of the writing program for the Woman's Building and the Feminist Studio Workshop in Los Angeles.[2] The Woman's Building was the first feminist institution of higher learning outside of a university.[3]

In 1977 she discovered she had breast cancer, and had a mastectomy. Later on she was photographed by Hella Hammid for a poster that showed her naked from the waist up, with a tattoo covering the scar from her mastectomy. This became known as the “Tree Poster” or the Warrior Poster, also called "I Am No Longer Afraid". Deena writes:

“Our intention in turning it into a poster was to invite the world to look at a one-breasted woman and exult in her health and vitality. An alliance with the life force on all levels resulted from meeting the illness as a messenger – it called me to change my life in ways that would show themselves to be good for me and for the community.”[4] (See "Poster" below.)

Metzger and Theater Director, Steven Kent, recovered the ancient rites of the Eleusinian Mysteries and re-enacted them in Greece for the first time in 1500 years. The inspiration came from producing the play ″Dreams Against the State″ which she wrote and Kent directed.

She was co-editor of "Intimate Nature: The Bond Between Women and Animals," with Linda Hogan and Brenda Peterson, a critical text on animal intelligence and agency, that speaks also to the profound knowledge that is gathered when relationships are intimate rather than alienated, or "objective." Her work with and on behalf of the animals, the non-humans, deepened when she met the Elephant Ambassador in Botswana, on four separate occasions from 1999 to 2011.

In 2004, her work as a healer took a new form when she initiated ReVisioning Medicine, an alliance between medical and medicine people to create a medicine that does no harm to humans or the earth. In 2009, she began teaching the 19 Ways to the 5th World. She is also on the Faculty of the Kerulos Center.[5]

She currently lives in Topanga, California.

Professional experience

Books

Anthology publications

The Awakened Warrior; ed. by Rick Fields; A Casebook on Anais Nin, ed. by Robert Zaller; Cradle and All, Women Writers on Pregnancy & Birth, ed. by Laura Chester; Coming Into Our Fullness, Women Turning Forty by Cathleen Rountree; Deep Down: New Sensory Writing by Women, ed. by Laura Chester; Dharma Gaia, A Harvest of Essays in Buddhism and Ecology, ed. by Allan Hunt Badiner; Erotic By Nature, ed. by David Steinberg; Grand Passion, The Poets of Los Angeles and Beyond, ed. by Suzanne Lummis and Charles H. Webb; Gridlock: An Anthology of poetry about Southern California, edited by Eliot Fried; Hear the Silence, ed by Irene Zahava; Her Soul Beneath the Bone: Women's Poetry on Breast Cancer, ed. by Leatrice Lifshitz; Invocation L.A. Urban Multicultural Poetry, eds. Michelle T. Clinton, Sesshu Foster, Naomi Quinonez; Love Stories by New Women, Charlene Swansea and Barbara Campbell; Meeting the Shadow, ed. by Connie Zweig and Jeremiah Abrams; Nourishing the Soul, ed. by Anne Simpkinson, Charles Simpkinson & Rose Solari; Ordinary Magic, ed. by John Welwood; Pleasures The Erotic Edge, Erotica For Couples and Erotic Interludes, ed. by Lonnie Barbach; Prayers For a Thousand Years, edited by Elizabeth Roberts and Elias Amidon; Recollections of Anais Nin by Her Contemporaries, ed. Benjamin Franklin V; Rising Tides, ed. by Laura Chester and Sharon Barba; The Soul of Nature, ed. by Michael Tobias and Georgianne Cowan; The Soul Unearthed, ed. By Cass Adams; Storming Heaven's Gate: An Anthology of Spiritual Writings by Women, ed by Amber Coverdale Sumrall and Patrice Vecchione; Stories of the Spirit, Stories of the Heart; ed. by Christina Feldman and Jack Kornfield; The Streets Inside: Ten Los Angeles Poets, ed. by Bill Mohr; Stubborn Light, The Best of the Sun, Volume III, ed. By Sy Safransky; To Be a Woman, ed. by Connie Zweig; Touching Fire, eds. Louise Thornton, Jan Sturtevant & Amber Coverdale Sumrall; Visionary Voices, ed. by Penny Rosenwasser; The Well of Creativity interviews by Michael Toms with Hay House; Word of Mouth, 150 Short-Short Stories by 99 Women Writers, ed. Irene Zahava. Revamping the World, On the Return of the Holy Prostitute, first published by the Utne Review has been widely circulated and reprinted in dozens of journals.

Poster

'Tree, the mastectomy poster,' has been widely circulated and has appeared in various film and television documentaries, journals and newspapers including The Village Voice, Revolution Nursing Journal, Common Ground, the Detroit Metro Times, Our Bodies Our Selves, Women's Spirit Source Book and was the cover of the Oklahoma County Medical Society, April, 90.

Photograph by Halla Hammid, words by Deena Metzger, poster design by Shiela Levrant de Bretteville. (Wingbow Press, 1989). 24"x17". Inscription reads: "I am no longer afraid of mirrors where I see the sign of the Amazon, the one who shoots arrows. There was a fine line across my chest where a knife entered, but now a branch winds about the scar and travels from arm to heart. Green leaves cover the branch, grapes hang there and a bird appears. What grows in me now is vital and does not cause me harm. I think the bird is singing. I have relinquished some of the scars. I have designed my chest with care given to an illuminated manuscript. I am no longer ashamed to make love. Love is a battle I can win. I have a body of a warrior who does not kill or wound. On the book of my body, I have permanently inscribed a tree." 1988 by Deena Metzger

Audiotapes

Drama, video and theatre productions

Awards

2012, PEN Oakland/Josephine Miles Literary Award for her novel, “La Negra y Blanca” published by Hand to Hand, 2011.[6]

"Two Writers in a Friendship of Unabashed Exposure : Barbara Myerhoff and Deena Metzger," Lilith, Volume 25, No. 2, Summer 2000. Winner Simon rockower Award/ American Jewish Press Association, Excellence in Special Sections or Supplements Magazine, June 2001.

First annual Vesta Award in Writing, the Woman's Building, Los Angeles.[7] 1982

Writing Fellowship the National Endowment for the Arts, 1978.

The first Academic Freedom Award, the California Federation of Teachers, 1975 after being reinstated by a unanimous decision of the Supreme Court of California to her tenured teaching position at Los Angeles Valley College from which Metzger had been fired in 1969. This decision was regarded as a significant victory for the cause of academic freedom.

References

  1. , Board of Trustees v. Metzger.
  2. 1 2 , Woman's Building History Timeline.
  3. , Women's Building Website.
  4. , Jewish Women and the Feminist Revolution.
  5. Kerulos Center
  6. , Oakland PEN.
  7. , Woman's Building History Timeline.

External links

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