Dianna Molzan

Dianna Molzan (born 1972) is an American contemporary artist, a painter based in Los Angeles. Thus far in her career, she is known for exploring the relationship between painting and sculpture through deconstruction and materialization of traditional painting materials and tools.

Molzan's paintings are often considered as more of a three-dimensional object than a two dimensional surfaces on the wall.[1] Referred to as carrying a sculptural quality, Molzan's paintings are grounded within the practice of painting through the materials she uses, such as oil paints, canvas, linen, and canvas frame.[2]

Molzan’s pieces consist of a process of deconstruction of the traditional elements of painting, which are then recombined into a new composition. She creates a juxtaposition between the mediums of sculpture and painting through the alteration of the physical state of the canvas.[3]

Molzan’s work is associated with the techniques of impressionism, abstract expressionism, and minimalism.[3]

Biography

Dianna Molzan was born in 1972 in Tacoma, Washington. She earned her Bachelor of Fine Arts from the School of the Art Institute of Chicago in 2001 and also attended the Universität der Künste in Berlin. She received her Masters of Fine Arts from the University of Southern California, writing her senior thesis, How the Frame was One, on the development both theoretical and symbolic framing devices within art, primarily focusing on two works: Georges Seurat's La Grande Jatte (1884) and Eva Hesse's Hang Up (1966).

Her first solo exhibition was at Overduin and Kite, Los Angeles, in 2009.

Exhibitions

Solo exhibitions

Group exhibitions

2011: The Rose-Colored Room, Overduin and Kite, Los Angeles[19] 2011: Progression Minus Progress, Romer Young Gallery, San Francisco[20] 2011: All of this and nothing, Hammer Museum, Los Angeles[21] 2010: How Soon Now, Rubell Family Collection, Miami 2009: Rogue Wave ’09: 10 Artists from Los Angeles, LA Louver, Venice[22] 2009: CAA Los Angeles MFA Exhibition, USC Helen Lindhurst Fine Arts Gallery, Los Angeles 2008: Some Paintings, LA Weekly Annual Biennial, Track 16 Gallery, Los Angeles[23]

References

  1. Hoptman, Laura (October 13, 2014). Forever Now: Contemporary Painting in an Atemporal World. New York: MoMA. ISBN 978-0-87070-912-8.
  2. Berardini, Andrew (March 2010). "Dianna Molzan" (Issue 129). Frieze. Retrieved 9 March 2015.
  3. 3.0 3.1 Ellegood, Anne; Fogle, Douglas (2011). All of this and nothing. Contributions by John Cage, Charles Long, Corrina Peipon. Los Angeles: Hammer Museum, University of California. ISBN 978-3-7913-5126-1.
  4. "Archive: Dianna Molzan – "La Jennifer"". Overduin and Kite.
  5. "ICA - The Institute of Contemporary Art/Boston - Dianna Molzan". icaboston.org.
  6. "Dianna Molzan: Bologna Meissen". whitney.org.
  7. "Alumna Dianna Molzan solo exhibition at Overduin & Kite". usc.edu.
  8. "Event Details - Roski School of Art and Design". usc.edu.
  9. "Speed Space curated by Alexandra Gaty". tifsigfrids.com.
  10. "Matters of Pattern". skarstedt.com.
  11. "MoMA". moma.org.
  12. Andrew Kreps Gallery. "Exhibition - Andrew Kreps Gallery". Andrew Kreps Gallery.
  13. "The White Album – Richard Telles Fine Art, Los Angeles (2014)". Gladys-Katherina Hernando.
  14. "The Hole NYC » XSTRACTION". theholenyc.com.
  15. "ICA - The Institute of Contemporary Art/Boston - ICA Collection: Expanding the Field of Painting". icaboston.org.
  16. "Painter Painter". walkerart.org.
  17. "Vilma Gold". vilmagold.com.
  18. Stephanie Chow. "Archive: Il Regalo". overduinandkite.com.
  19. Stephanie Chow. "Archive: The Rose-Colored Room". overduinandkite.com.
  20. "Romer Young Gallery". romeryounggallery.com.
  21. "All of this and nothing - Hammer Museum". The Hammer Museum. 5 June 2014.
  22. "Rogue Wave '09:- 10 Artists from Los Angeles". lalouver.com.
  23. "Track 16". track16.com.
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