Diesel Park West

Diesel Park West
Origin Leicester, England
Genres Alternative rock
Years active 1980–present
Labels Food Records
Website www.dieselparkwest.com

Diesel Park West are an alternative rock band from Leicester, England. Formed in 1980, they have released ten albums to date, plus six singles that have appeared in the UK Singles Chart.[1]

Original line-up

History

The early years, 1980–1987

The band was originally formed in 1980 as The Filberts (after local football team, Leicester City's former Filbert Street ground), although they would also occasionally appear as The Psychedelic Filberts. Their main influences come from the West Coast sound of 1960s bands such as Moby Grape, Buffalo Springfield and Love. The main creative force in the band is Butler, who writes nearly all the band's material. Butler and Moth (who had also drummed for Leicester bands Legay and then Gypsy) had previously played together in a short-lived band called The Flicks, releasing one album in 1979 called Go for the Effect. Three Psychedelic Filberts tracks were released – a cover of The Byrds' "Lady Friend" on the Obscure Independent Classics Volume 2 album; a cover of The Beatles' "Rain" which was included on Yeah Yeah Noh's final release, the Temple of Convenience EP; and "Atlantis 1968", which appeared on the He Didn't Even Draw A Fish on My Shower Curtain compilation album.[2]

Butler was a mainstay of the Leicester music scene for many years, and had toured America with Mott the Hoople offshoots, Widowmaker. Butler and Beavan were schoolfriends and shared the same passion for West Coast music. Beavan had played with Leicester Glam Rockers, Agony Bag,[3] complete with Kiss style make up, before joining up with Butler and Smith in The Filberts.

Rick Willson (formerly of the heavy metal band, Brooklyn) was a highly talented young guitar player and had his own studio in Barkby Road where the band started a long period of writing and recording. During this time they amassed a large amount of songs, honing their skills and trying to get record label attention.

In 1984 the band released a one-off single as The Come On called "Guitar Party", and provided the backing band to Del Shannon on his 1983 tour but it was several years before they got a recording contract. On Good Friday 1987, Butler received a call from David Balfe from the small independent record label, Food Records, leading to the band's signing to Food. Balfe was not happy with the band's name and told them to change it. Eventually they came up with Diesel Park West.

August 1987 saw the release of band's debut single, "When the Hoodoo Comes". It began to get airplay on late night radio shows and word of mouth about the band started to spread, and the Food label was acquired by EMI. Mick Salisbury joined the band at around this time as third guitarist.

Major record label years, 1988–1992

With a big label now behind the band, they went into Olympic Studios in January 1988 to start work on their debut album. With Chris Kimsey of The Rolling Stones fame producing, the sessions were completed in May 1988. Soon after Salisbury was replaced by Rich Barton (born 7 July 1957).

Their second single, "Jackie's Still Sad" was released in October 1988, dealing with the life of Jackie Onassis, and although it failed to chart, it gained a number of positive reviews, including 'single of the week' in Record Mirror. The album, Shakespeare Alabama, was released on 30 January 1989, and was well received in the music press, but the album only reached No. 55 in the UK Albums Chart.[1] To coincide with the album release, the band supported Big Country on tour, and then followed that up with a headlining tour of their own. "Like Princes Do" was released as the third single from the album.

It was around this time that the baggy scene took hold, with The Stone Roses and Happy Mondays taking the media's attention. Diesel Park West, despite sharing many of the same 60's influences, were perceived as out of step with the times by an image conscious music press due to their age and attitude to songwriting and largely ignored.[4]

After the release of a reworked "When the Hoodoo Comes" in August 1989, the band fell quiet. Although their cover version of Jesus Jones' "Info Freako" on The Food Christmas various artists EP gave them a taste of Top 30 chart success in November 1989,[4] it would be over a year after The Hoodoo EP before their next release – an album of b-sides, covers and outtakes, entitled Flipped.

During this time Smith departed the band, and they eventually went to record their second album without a full-time drummer (although Manu Katche drummed on several songs on the album). In September 1990, they went to Belgium to work with Laurie Latham, using a drum machine on many tracks. Recording was finished in early 1991, however release of the album was delayed several times by EMI. A new single, "Walk With the Mountain", was scheduled to be released in September 1991 and a video was recorded in America, however EMI cancelled the release. The eventual lead single, "Fall to Love", was released early the following year, reaching No. 48 in the UK Singles Chart in January 1992.[1] Their album, Decency, was released on 3 February 1992, and peaked at No. 57 in the UK Albums Chart.[1] On the supporting tour, Dave Anderson (born 27 April 1967), joined the band full-time on drums. "Boy on Top of the News", a song inspired by Brian Jones was released as the second single from the album and reached No. 58 on the singles chart.

In September 1992, a cover of the Beach Boys, "God Only Knows" was released as a single in various formats, each with a number of other cover versions including Moby Grape's "Bitter Wind", The Beatles' "While My Guitar Gently Weeps", and The Rolling Stones' "Tumbling Dice".

By this time Food Records were having significant chart success with Jesus Jones and Blur and they gave the Diesels less and less time and attention. Then when parent label EMI acquired Virgin Records, they went through a clean up of their roster and the Diesels found themselves without a label. There was some interest from other major labels to pick up the band. Phonogram were on the verge of signing them but the band had some poor legal advice and rejected the offer.

In 2016, Strata Books published a memoir on its website written by John Butler about Shakespeare Alabama in which he discusses the band's struggles to secure their record deal, the creative challenges they faced in the recording studio and the aftermath of the album’s release.

Independent years, 1993–1995

Demon Records came in for the band and in early 1993, the Diesels recorded their third album, Diesel Park West vs. the Corporate Waltz. In contrast to Decency the album was recorded quickly although its accompanying singles, "Six Days to JuJu" and "The Cat's Still Scratching" failed to make an impact on the charts. The album was, again, well reviewed but the band were dropped by Demon.

Despite being without a label and, seemingly, out of favour the band never stopped writing and recording in their Barkby Road studio. During 1994 they recorded more than four albums worth of material, some of which wouldn't be released for many years. The years of disappointment only adding to their resolve to carry on.

Another independent record label, Permanent Records stepped in and, in 1995, they released FreakGene, their fourth album. Belinda Carlisle later recorded a cover of "I See No Ships" from the album. Geoff Beavan had left the band prior to recording this album and was replaced by Ian Michie. The band left Permanent Records after the album's release, and retreated back to Leicester to continue writing and recording.

Solo, original line up reformation and later years, 1997–present

EMI released a best of in 1997 called Left Hand Band (Butler, Willson and Michie all being left-handed).

The last album FreakGene had caught the attention of several major labels and subsequently Butler signed to Chrysalis Records for a solo deal. His album, The Loyal Serpent, was released on 3 November 1997 and gained a four star review in Q magazine. Although it was a solo album, his band mates all played on part of the recording.

In 1998, a new Diesel Park West album was released, HIPReplacement, comprising songs recorded aound the time of "FreakGene". They also released a bonus CD, made up of the Shakespeare Alabama demos. The album was released by small Oxford based label Thunderbird Records. Anderson had left the band by this point, although he plays on the album, and went into music tuition.

To much surprise the original line-up of the band reformed and toured in 1999, playing Shakespeare Alabama in full (a decade ahead of other bands doing similar 'album' tours) and old Moby Grape favourites. During the year the band recorded and played one off gigs in Leicester and London, showcasing some of their new material. However old resentments resurfaced and Smith left the band again. During this period, the band accepted an invitation to contribute to More Oar: A Tribute to the Skip Spence Album, a tribute album for Moby Grape co-founder Skip Spence, who was terminally ill with cancer. In 2000, the band signed to Hypertension Records and their next album, Thought For Food was released in August.

In early 2001, Butler unveiled his second solo album, Worthless Bastard Rock. To complete their deal with Thunderbird Records, a compilation of the demos from Shakespeare Alabama and Decency called King of Ghosts was released in 2002. Shakespeare Alabama was reissued in August 2006. A DVD of the Diesels in concert over the years was released in April 2007, called Damned Anthems.

The Diesel's next album, Blood And Grace, was released in June 2007, preceded by the single "There's A Grace" on their own Danville Records label. The follow-up single "Personal Lives" came out in August. Rob 'Vom' Morris (ex Crazyhead) joined on drums. "There's a Grace" received radio airplay and Janice Long invited them onto her BBC Radio 2 show for a session.

The Diesel's teamed up with Chris Kimsey again to record for a new album called Do Come In, Excuse The Mess released in August 2012 which has gained some radio play despite its lack of media coverage. The album contained some of Butler's best work and critics praised the power of songs such as "I'm Not Broken", a song about the American Civil War from a Southern point of view, and "Something Sad in the City". The heavily Moby Grape influenced single, "Charlotte, It's All Over" commemorated the demise of The Charlotte music venue in Leicester and the life of Queen Charlotte, King George III's wife all in one.

Butler also released his third solo album, Ringstead, as a download only on the Diesel Park West website in March 2012. Recorded, mainly in 2005 with producer Lee Russell in a converted Northamptonshire church.

Another album by Diesel Park West was released in March 2012. What Kept You is a collection of unreleased tracks from 1994–1996, recorded during the period that brought about FreakGene. The album proves what a fertile period this was for Butler and the band. It is available as a download on the Diesel Park West website.

A further series of archive material was released on the official website. Some of this previously unreleased material dated back to 1987 and included their entire BBC radio sessions. Also released was a covers album of Byrds songs (Diesels play Byrds), showing again where the Diesel's passions lay. These releases have proved a big hit with fans.

The Diesels released a new EP called You, You, You & You in May 2013, a collection of six new songs available initially as a download on their official website. Lead single, "Someday Back Together" has had radio play on Radio Caroline.

Discography

Albums

Singles

Downloads (official website)

Compilation contributions

DVD

John Butler solo

Albums

Singles

References

  1. 1 2 3 4 5 6 7 8 9 10 11 12 Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 155. ISBN 1-904994-10-5.
  2. ↑ He Didn't Even Draw A Fish On My Shower Curtain
  3. ↑ BandToBand.com : Hot Rockin!
  4. 1 2 Strong, Martin C.:The Great Alternative & Indie Discography, 1999, Canongate, ISBN 0-86241-913-1

External links

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