Digidogheadlock

Digidogheadlock
Studio album by The Mad Capsule Markets
Released	26 September 1997 (Japan) 27 October 1998 (US)
Recorded	1997 Eggs & Sheps studio Victor Yamanaka lake studio Studio Jive (Japan)
Genre	Digital hardcore, industrial metal, rap metal
Length	44:53
Label	Victor Invitation
Producer	The Mad Capsule Markets
The Mad Capsule Markets chronology
The Mad Capsule Markets (1996) Digidogheadlock (1997) Osc-Dis (1999)

Digidogheadlock is the eighth album by Japanese band The Mad Capsule Markets. The album explored the sound that would later be used on their following album, Osc-Dis. TORUxxx stepped in on guitar for this album, although Takeshi Ueda recorded guitar on the track "Asphalt Beach". This album gained the band recognition by Digital Hardcore Recordings founder and Atari Teenage Riot frontman Alec Empire, who remixed two tracks and invited the band to tour with ATR. The album was released two years before the breakthrough album Osc-Dis, but there was little international interest at the time. The song "3:31" is a reference to vocalist Kyono's birthdate.

Track listing

All tracks by Takeshi Ueda except were noted

1. "Crash Pow" – 3:38
2. "Systematic" – 4:18
3. "What" – 3:10
4. "Water" – 3:43
5. "Have No Fear" (Kyono) – 2:45
6. "Sickly Bug" – 3:21
7. "JMP" – 3:36
8. "3.31" (Kyono) – 4:28
9. "Asphalt Beach" – 3:39
10. "Lose It" – 4:14
11. "Freak Is Born" (Kyono) – 1:17
12. "Do Justice To Yourself, Do Justice To My Life" – 2:20
13. "Creature" – 4:18
14. "Systematic" (Audio Active Remix) (European version only)
15. "Creature" (Alec Empire Mix) (European version only)
16. "Crash Pow" (Digital Hardcore Mix) (US bonus track)

Personnel

• Takeshi Ueda – bass, guitar, programming, vocals
• TORUxxx – guitar
• Motokatsu Miyagami – drums
• Hiroshi Kyono – vocals
• Mad Capsule Markets – producer
• Yutaka Goto – executive producer
• Kei Kusama – programming
• Masanobu Murakami – assistant engineer
• Gary Stout – mixing
• Kazushige Yamazaki – mastering

Year	Album	Chart	Position
1997	Digidogheadlock	Official Japanese Album Charts	14

Regional differences

This album was released in Europe with a yellow cover (with no lyrical translations and a contains a typing error on the track listing), and in the U.S. with a purple cover. The US version only contains the two remixes by Alec Empire, whereas European version features an extra remix by the Japanese electronic band Audio Active. both of these versions are out of print, and very hard to find.