Directoire style

Madame Raymond de Verninac by Jacques-Louis David, with clothes and chair in Directoire style. "Year 7", that is 1798-99.

Portrait of Thérésa Tallien by Jean-Bernard Duvivier (1806) at the Brooklyn Museum

Directoire style, French pronunciation: ​[di.ʁɛk.twaʁ], describes a period in the decorative arts, fashion, and especially furniture design, concurrent with the post-Revolution French Directory (November 2, 1795 through November 10, 1799). The style uses Neoclassical architectural forms, minimal carving, planar expanses of highly grained veneers, and applied decorative painting. It is a style transitional between Louis XVI and Empire.

The Directoire style was primarily established by the architects and designers Charles Percier (1764–1838) and Pier François Léonard Fontaine (1762–1853). In its use of Neoclassical architectural form and decorative motifs the style anticipates the slightly later and more elaborate Empire style, which was introduced after Napoleon established the First French Empire.

The Directoire style reflected the Revolutionary belief in the values of republican Rome: "The stoic virtues of Republican Rome were upheld as standards not merely for the arts but also for political behaviour and private morality. Conventionels saw themselves as antique heroes. Children were named after Brutus, Solon and Lycurgus. The festivals of the Revolution were staged by Jacques-Louis David as antique rituals. Even the chairs in which the committee of Salut Publique sat were made on antique models devised by David.... In fact Neo-classicism became fashionable".^[1]

Notes

1. Honour, 171

References

• Abbott, James Archer (2007). Jansen Furniture. New York: Acanthus Press. ISBN 978-0-926494-45-9.
• Honour, Hugh, Neo-classicism. Style and Civilisation 1968,(Reprinted 1977)
• Pegler, Martin M; Carboni, Ron (2006). The Fairchild Dictionary of Interior Design (2nd ed.). New York: Fairchild Fashion Group. ISBN 978-1-56367-444-0.

See also

• Jacob Desmalter