Drew Beattie

Drew Beattie (born 1952 in Atlanta, Georgia) is an American painter and sculptor whose earlier work is part of the collaborative team Beattie & Davidson,[1] and later work is characterized by post-kitsch material choices.

After Beattie graduated from the Museum School in Boston in 1978, his work was shown in various institutional exhibitions in California and emerging galleries in New York.[2] In 1989 Beattie met the painter Daniel Davidson at Berkeley, while pursuing a teaching post.[3] Lawrence Rinder wrote: “In the summer of 1989 Drew Beattie and Daniel Davidson decided to try making a painting together. Impressed with the results, they continued working in tandem in...a "private laboratory."[4][5][6] They were known for having a "single imagination" and a highly prolific, laboratory or factory-like experimental practice. The pair gained representation with Joseph Helman Gallery on 57th Street in New York [7][8] after a residency at the American Academy in Rome[9] where Beattie later served as president of the Society of Fellows from 2009 to 2014.[10][11]

By the late nineties the Beattie & Davidson collaboration ended, and Beattie's work assumed a different tenor as grids and hexagonal patterns of colored shapes began to disappear from his paintings. There was also a gradual transition into highly dimensional painting and post-kitsch sculptural practices, which have been the subject of many reviews and acclaim.[12][13] Since his intensified solo practice he has held posts at some of the major art programs in the United States including Harvard, UC Berkeley, the University of Chicago, Cooper Union, and Hunter College.

Beattie's work has been the subject of numerous solo and group exhibitions at Leo Castelli Gallery, The Drawing Center,[14] the Brooklyn Museum, the San Francisco Museum of Modern Art, the Museum of Contemporary Art San Diego, the Berkeley Art Museum, the Corcoran Gallery of Art, PS1, the High Museum of Art Atlanta, and many others.

Beattie's 2012 exhibition at Hansel and Gretel Picture Garden, "My Cookie"[15] was the first in which his sculpture appeared publicly.

References

  1. Smith, Roberta (April 22, 1994). "Review/Art Kenny Schachter". The New York Times.
  2. Smith, Roberta. "Review/Art; For the New Galleries of the 90's, Small (and Cheap) Is Beautiful". The New York Times. Retrieved 10 December 2013.
  3. Upshaw, Reagan (September 1996). "Drew Beattie and Daniel Davidson at Joseph Helman". Art in America.
  4. Humphrey, David. "Drew Beattie and Daniel Davidson / MATRIX 164". University of California Berkeley Museum of Art and Pacific Film Archive. Retrieved 10 December 2013.
  5. Humphrey, David (2009). Blind Handshake. Periscope Publishing.
  6. Multiple Authors, David Humphrey (2009). MATRIX / Berkeley: A Changing Exhibition of Contemporary Art. Berkeley, CA: University of California, Berkeley Art Museum and Pacific Film Archive. pp. 164–167.
  7. Servetar, Stuart. "Nu-Glu at Joseph Helman". Artnet.com Magazine. Retrieved 10 December 2013.
  8. Glueck, Grace (November 14, 1997). "Beattie & Davidson". The New York Times. Retrieved 10 December 2013.
  9. Sokolowski, Tom (March 1996). Of Traces and Tracing, Views from a Golden Hill: Contemporary Artists and the American Academy in Rome. New York, Rome: American Academy in Rome.
  10. Kisner, Jordan. "A Week at Rome's American Academy". Departures. Retrieved 10 December 2013.
  11. SOF Weblog (ed.). "A new SOF President for 2009: painter Drew Beattie FAAR’95". The American Academy Society of Fellows Blog. Retrieved 10 December 2013.
  12. Bors, Chris. "Drew Beattie: Hansel und (sic) Gretel Picture Garden". Artillery Magazine. Retrieved 10 December 2013.
  13. Coman, Sonia. "The Jewel Box Review at Hansel & Gretel Picture Garden". New York Arts Magazine. Retrieved 10 December 2013.
  14. "Group Show". The New Yorker. March 22, 1993.
  15. Bors, Chris. "Drew Beattie: Hansel und Gretel Picture Garden". Artillery Magazine. Retrieved 10 December 2013.

Books

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