Druuna

Druuna

Druuna in a typical pose. Artwork by Paolo Eleuteri Serpieri.
Publication information
Publisher Dargaud
First appearance Morbus Gravis (1985)
Created by Paolo Eleuteri Serpieri
Druuna
Genre

    Druuna is an erotic science fiction and fantasy comic book character created by Italian cartoonist Paolo Eleuteri Serpieri. Most of Druuna's adventures revolve around a post-apocalyptic future, and the plot is often a vehicle for varied scenes of hardcore pornography and softcore sexual imagery. Druuna is frequently depicted as sparsely clothed or nude, and Serpieri's high quality renditions of her are often reproduced as poster prints.

    Druuna starred in eight volumes of the Morbus Gravis (Severe Disease) series between 1985 and 2003. These stories were featured prominently in Metal Hurlant and Heavy Metal magazines. Druuna has also been featured in Serpieri's numerous and popular sketchbooks, which have sold more than a million copies in twelve languages.[1] Serpieri himself appears in many of the stories as the character Doc.

    Morbus Gravis

    Plot

    During the thirteen years of publication of Druuna's adventures in Morbus Gravis, the plot has evolved through several stages, differentiated with numerous jumps in the storyline, with some attendant inconsistencies.

    In the first volumes in the series, the action unfolds in a place called The City, a futuristic but degraded urban environment. Humans live in a cramped, hostile, and decadent society, controlled by a religious oligarchy based on the knowledge of "Truth." In this society, books are banned and power is exercised by a corrupt and despotic militarized bureaucracy.

    Although never clearly stated, this current era, known as the "Age of Man", is presumed to be the aftermath of a kind of war. As told by the priests, Evil had been visited on the populace by an incurable, infectious disease that transforms people in a progressive and rapid fashion into amorphous, tentacled mutants. As a precautionary measure, all of the City's inhabitants are forcibly injected with a serum periodically distributed in overcrowded health facilities. Many believe that those found to be "healthy" will be sent to the City's upper levels, a place inaccessible to the majority but where those selected enjoy a better life free from want and hardship. Similarly, those infected with "Evil" are sent to the lower levels. Druuna and her lover Shastar exist in this environment.

    After a series of adventures, Druuna discovers that the City is actually a giant spaceship which left Earth after an unspecified cataclysm and has drifted through space for centuries. At some point, Lewis, the ship's captain, delegated control to the computer Delta, which is responsible for creating the current state of affairs. (The Priests are actually androids operated by Delta.) Delta transformed Lewis into an immortal being, using organic parts from the healthy people who had been admitted to the upper levels of the City. Now, Lewis, tired of immortality, wants to die, which would eliminate Delta and destroy the City. This conflict is partially responsible for the gradual degradation of life on the ship/planetoid.

    Druuna is recruited by Lewis to help him destroy Delta. Unaware of fact that it would mean destruction of the City and all its inhabitants, Druuna finds Delta and carry out Lewis's plan. At the end Lewis reveals his true plan to destroy the City, but also confess he fell in love with her and changes his mind about destruction. In turn, Lewis puts Druuna in a state similar to hibernation for centuries, waiting for an opportunity to improve conditions on the City. Something happens when a new ship, initially believed to be an asteroid, enters the equation. Commanded by a character named Will, the new ship is revealed to be similar to the City, which has become, thanks to the evolution of Evil, a super-organism. At this moment, the reader discovers that apart from the City, humanity is not entirely extinguished, but that other groups of humans survived, using genetic engineering to improve their abilities.

    Embarking on Commander Will's spacecraft, Druuna discovers that the minds of Shastar and Lewis have been merged and transferred to the new ship's computer. The disease called Evil appears among the new ship's crew, so Will and Doc (author Serpieri's alter-ego) telepathically introduce Druuna into the mind of Lewis-Shastar, discovering the elements that make up the antidote serum.[2] When Druuna gets trapped in the computer mind, Will enters it to rescue her. Discovering that they actually have no means to develop a cure for the disease, they decide to destroy the ship and crew (as well as the computer that houses the merged minds of Shastar and Lewis). Druuna, Will, and a few others escape in a rescue capsule, where they are all put into a state of suspended animation.

    After the capsule crashes on an unknown planet,[3] Druuna awakens alone. She is soon caught in a war between two alien species, one of which is composed of parasitic beings who need organic specimens as hosts, and the other of intelligent robots pursuing the objective of creating organic life. Apparently, the planet is Earth thousands of years after the disappearance of man. The machines want to recreate their creators (whose extinction was caused by a war between men and machines) to try to understand humanity. Will briefly reappears and is kidnapped. Shastar also reappears, now working with the machines in their aim to recover the human species. Toward that aim, they decide to clone Druuna.[4]

    Style and content

    The Morbus Gravis series is noteworthy for featuring explicit content in terms of both graphic violence and sex. Volume 3, Creatura, in fact, features near-totally explicit sexual penetration, and the three subsequent books feature totally uncensored penetration. The Heavy Metal reprints differ from the stand-alones by having censored hardcore portions via oversize speech/thought balloons. In vol. 5, Mandragora, several pages were simply excised. The series returned to a non-explicit depiction of penetration in such scenes with vol. 7, The Forgotten Planet.

    Character

    In most cases, Druuna's role is that of a willing sexual object, submitting to sexual advances of all kinds with little or no complaint, other than the occasional sad pout, though she has been raped on more than one occasion in the series. Serpieri claims that the character's approach to sexual pleasures is a challenge to Judeo-Christian mores on sexuality.[5]

    In the album Druuna X, Serpieri asserts that he styled Druuna as influenced by Valérie Kaprisky's appearance in the film La Femme publique but because he had drawn so many Western comics in those days, in the first few pages of Morbus Gravis Druuna was portrayed with Native American facial features before reaching her current look.[5]

    Character Influences

    In 1989 photographer Paulo Vainer, inspired by the Druuna character, photographed then Brazilian Playboy Playmate Ana Lima in various poses strongly resembling those seen in the character's stories for the 1989 April issue of Brazilian Playboy Magazine (No. 165). Since then Ana Lima has been considered by many to be the one real-life person with the greatest resemblance to the Druuna character.[6] Disputably however, others have also been named as having a strong physical resemblance to the Druuna character, including Valeria Marini and even Sofía Vergara amongst many others.[7]

    List of appearances

    In other media

    The character has also appeared in the 3D videogame Druuna: Morbus Gravis.

    References

    1. ↑ Lambiek. "Serpieri".
    2. ↑ Mandragora (Bagheera, 1995).
    3. ↑ La Planète oubliée (The Forgotten Planet) (Bagheera, 2000).
    4. ↑ Clone (Bagheera, 2003).
    5. 1 2 Serpieri, Paolo Eleuteri, foreword. Druuna X. (Heavy Metal Magazine, Dec. 1993).
    6. ↑ Kicswila, article-6098772 Nov 24, 2009 (French).
    7. ↑ "Metamorfose Digital". Oct 22, 2007 (Portuguese).

    External links

    This article is issued from Wikipedia - version of the Friday, March 18, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.