Earl A. Powell III

Earl Alexander Powell III

Earl A. Powell III (seated, center)
Born (1943-10-24) October 24, 1943
Spartanburg, South Carolina, U.S.
Occupation Museum director
Spouse(s) Nancy Landry Powell[1]
Parent(s) Earl Alexander Powell II and Elizabeth Duckworth Powell

Earl Alexander Powell III (born October 24, 1943),[2] nicknamed Rusty Powell, is an American art historian and museum director. From 1980 to 1992, he was Director of the Los Angeles County Museum of Art. He was appointed Director of the National Gallery of Art in Washington, D.C., in September 1992. He was appointed to the U.S. Commission of Fine Arts in 2003 and elected chairman in 2005. He was appointed to a second four-year term on August 30, 2012, and continues to serve as chairman.

Early life

Earl Powell was born in October 1943 in Spartanburg, South Carolina, to Earl Alexander Powell II and Elizabeth Duckworth Powell.[3] His grandfather operated a photoengraving business, which Powell credits as influential in sparking his later love of art.[4] The Powells moved to Rhode Island. "Rusty", as Powell was known, graduated from Providence Country Day School in 1962.[5] He was a standout football player in high school.[6]

Powell graduated from Williams College in Williamstown, Massachusetts with a bachelor's degree in art history and European history (with honors) in 1966.[3][5] He was a pre-med major, but barely passed his introductory chemistry class.[7] Powell switched to art history, and studied under the legendary art history professors S. Lane Faison, Jr.,[7] Whitney Stoddard,[8] and William Pierson, Jr.[9]

Powell enlisted in the United States Navy in 1966, winning a spot in the Navy Officer Candidate School.[5] His active duty service, which lasted until 1969,[3] included a tour of duty in Vietnam as a navigator during the Vietnam War.[5] He left active duty service and entered the United States Navy Reserve, serving until 1980.[3][4]

After leaving the Navy, Powell considered becoming an architect. His old professor, S. Lane Faison, strongly discouraged him. As Powell later, recalled, Faison said, "That's stupid. You should go into art history. It's the only thing you were ever good at."[7] Powell enrolled at Harvard University, where he obtained a Master of Arts from the Fogg Museum in 1970.[3] He entered the doctoral program in art history at Harvard in 1970. While working on his degree, he served as a teaching fellow. Powell's dissertation was on the work of the early American painter Thomas Cole, and he received his doctorate in 19th-century American and European art history in 1974.[3][10]

The same year he received his Ph.D., Powell took a position as assistant professor of art history at the University of Texas at Austin.[11]

In 1976, Powell left the University of Texas to take a position as a curator at the National Gallery of Art (NGA).[11] The NGA's director at the time, J. Carter Brown, recruited Powell away from teaching. "I first spotted (Powell) in Austin, Texas. It occurred to me that he had rare potential, someone who had a passion for art, but yet had his feet on the ground. He was a people person, yet he could also handle the administrative details...," Brown later said.[12] Powell stayed at the NGA for four years, rising to the position of executive curator in 1979.[13] Brown later said, "Rusty was my right hand for years".[14] During his time as curator, Powell organized some of the NGA's biggest exhibitions, including "The Splendor of Dresden: Five Centuries of Art Collecting" in 1978 and "American Light: The Luminist Movement" in 1980.[5]

LACMA directorship

In January 1980, the Los Angeles County Museum of Art (LACMA) hired Powell to be its director.[15]

Powell's tenure at LACMA was an outstanding one. In his first six years, he doubled the exhibition space by opening the Robert O. Anderson Building and the Pavilion for Japanese Art to house a rare collection of Japanese art.[16] He also oversaw the opening of the museum's new outdoor sculpture garden in 1988.[17]

Powell was also a successful fund-raiser for the museum. In his first eight years, he reached his fund-raising goal of $80 million.[18] In 1991, publisher Walter Annenberg donated $10 million to the museum, the largest cash donation in its history.[19] During Powell's tenure, the LACMA endowment also rose to $21 million from $3 million.[20]

J. Carter Brown later described Powell's tenure as director of LACMA as one "bound for glory".[12]

National Gallery of Art

On January 24, 1992, J. Carter Brown announced that he was retiring as director of the National Gallery of Art in Washington, D.C.[21] After a nationwide search, Earl A. Powell III was named director of the National Gallery of Art. He was only the fourth director in the museum's history.[14] He assumed the directorship on September 1, 1992.[22] When he was appointed, Powell said that he believed the era of "blockbuster" exhibitions was ending, and that his focus would be to utilize the NGA's permanent collection. "I don't see the future for these massive international loan exhibitions," he said. "I would prefer to use the gallery's permanent collections in new and innovative ways."[14]

The Holy Family on the Steps, which the NGA learned during Powell's tenure was not by Nicolas Poussin.

During Powell's tenure at the NGA, he has faced several challenges. In May 1994, the NGA learned that its painting, The Holy Family on the Steps, was a forgery and not the work of 17th-century French painter Nicolas Poussin. Powell was strongly criticized for not ordering the relabeling of the painting in a timely manner, and for mishandling the NGA's response to its critics.[23] In December 1994, D.C. television station WJLA ran a three-part exposé titled "Gallery of Shame", in which the station revealed the content of a confidential report that criticized the NGA for severe lapses in maintenance, environmental control, and art storage. The report said that these conditions "threaten[ed] the security of the collection" and placed works of art "at risk" of "serious damage."[24][25] The report documented a leaky roof, dripping skylights, flooded storerooms, and burst radiators that poured clouds of steam into galleries. In one case, a poorly maintained humidifier turned the varnish on John Singleton Copley's Watson and the Shark an opaque white.[24][25] (The painting was restored with no damage.) The report also strongly criticized the management structure at the museum, documented very low employee morale, and uncovered poor minority hiring practices.[24] Powell attacked WJLA's report as "hyperbole and exaggeration", and said that not a single work of art had been damaged.[25] He also said that the NGA had been aware of the problems for several years,[25] and that he already had a plan in place to implement the consultants' recommendations within 12 months.[24]

But Powell has also had many notable successes as NGA director. In 1995, the museum mounted the first comprehensive retrospective of the work of American painter Winslow Homer in 25 years. It also hosted an exhibit of nearly all the works of 17th century Dutch painter Johannes Vermeer. The Vermeer exhibit, however, was shuttered three times in November and December 1995 when the federal government shut down after President Bill Clinton and the United States Congress were unable to reach agreement on a federal budget.[26] Powell ordered that $30,000 from the NGA's Fund for International Exchange be used to reopen the Vermeer exhibit (but no other parts of the National Gallery of Art) for one week.[27] In 1997, Powell presided over the ground-breaking for the National Gallery of Art Sculpture Garden.[28]

Other posts, writing, and honors

In June 2002, President George W. Bush nominated and the United States Senate approved Powell for a position as a member of the National Council on the Arts, an advisory panel for the National Endowment for the Arts. Powell filled an unexpired six-year term which would end on September 3, 2006.[29] But Powell resigned the position in late 2003.[30]

In May 2005, architect David Childs resigned as chairman of the U.S. Commission of Fine Arts (CFA).[31] President Bush immediately appointed Powell to the commission.[32] His fellow commissioners elected Powell chairman of the CFA. During his tenure as chairman of the CFA, Powell and the CFA provided input and advice for the Monumental Core Framework Plan, a 2006 study by the National Capital Planning Commission which made recommendations regarding land use, transportation, and urban design in areas around the National Mall.[33] President Bush reappointed Powell to the CFA in May 2008.[34] Again he was elected chairman. During his second term, Powell led the CFA in participating in the study and review of the Final National Mall Plan / Environmental Impact Statement—a 2010 plan by the National Park Service to craft a vision and planning document to guide the National Mall in Washington, D.C., for the next 50 years.[35]

President Barack Obama appointed Powell to a second full four-year term on the CFA in August 2012.[11] Once more, Powell continued as chairman.

Written works

Powell has published a number of scholarly and popular works. As curator and director at two major art museums, he has written numerous exhibit reviews and introductions to exhibit catalogs. Among the more notable of these is his 1980 essay on early American Luminist painter Fitz Hugh Lane.[36]

As a scholar of the works of Thomas Cole, Powell has written extensively on the painter's art. His more prominent works include "Thomas Cole's 'Dream of Arcadia'" (published in Arts Magazine in November 1977),[37] and "Thomas Cole and the American Landscape Tradition: The Naturalist Controversy" (published in Arts Magazine in February 1978).[38] Powell also authored a monograph on Thomas Cole in 1990.[39] A revised second edition was published in 2000.[40]

Honors

Powell has been honored with several positions. He was elected to a three-year term on the Pitzer College Board of Trustees in 1986,[41] and was a director of the Georgia O'Keeffe Foundation in 2005.[42]

Powell has also been awarded honorary doctorates from the Otis College of Art and Design (1987)[2] and Williams College (1993).[43]

Among the many awards Powell has received are the St. Olav's Medal from Norway (1978), the Order of Prince Henry from Portugal (1995), the Order of Merit of the Italian Republic from Italy (1998), Knight of the Legion of Honour from France (2000), Officer of the Ordre des Arts et des Lettres from France (2004), Order of the Aztec Eagle from Mexico (2007), and the Officer's Cross of the Order of Merit of the Republic of Hungary (2009).[2]

Personal life

Earl Powell married Nancy Landry of New Orleans in 1971.[3] They have three children.[2]

The Powells owned a summer home in Newport, Rhode Island, where (as of 1992) Powell's mother and mother-in-law both lived.[5]

References

  1. ↑ Radomsky, Rosalie R. "Channing Powell, Jonathan Soverow." New York Times. October 8, 2010. Accessed 2012-10-13.
  2. 1 2 3 4 "Earl A. Powell III." Online Press Kit. National Gallery of Art. 2012. Accessed 2012-10-13.
  3. 1 2 3 4 5 6 7 "Powell, Earl [Alexander], III, 'Rusty'." Dictionary of Art Historians. No date. Accessed 2012-10-13.
  4. 1 2 Tanguy, Sarah. "Glittering Conversation About the World of Art." Washington Times. March 30, 1994.
  5. 1 2 3 4 5 6 Van Siclen, Bill. "Forging Another Link in the R.I. Art Connection." Providence Journal. May 10, 1992.
  6. ↑ Wilson, William. "LACMA at a Turning Point." Los Angeles Times. August 5, 1992.
  7. 1 2 3 Dobrzynski, Judith H. "An Art Lover Who Awakened a Generation." New York Times. October 28, 1997.
  8. ↑ Johnson, Ken. "Whitney Stoddard, 90, Art Historian and Teacher." New York Times. April 14, 2003.
  9. ↑ Grimes, William. "William H. Pierson Jr., 97, Art Historian." New York Times. December 12, 2008.
  10. ↑ Muchnic, Suzanne. "2 L.A. Museum Directors On National Gallery List." Los Angeles Times. April 2, 1992.
  11. 1 2 3 "President Obama Announces More Key Administration Posts." Press release. Office of the President. The White House. August 16, 2012.
  12. 1 2 Marshall, Matthew. "Bittersweet Time for Museum Head." Los Angeles Times. October 2, 1992.
  13. ↑ Richard, Paul. "The Big Shoes of J. Carter Brown." Washington Post. February 2, 1992; Richardson, Lynda. "Chronicle." New York Times. October 2, 1992.
  14. 1 2 3 Vogel, Carol. "National Gallery Appoints Director to Succeed Brown." New York Times. April 29, 1992.
  15. ↑ "Los Angeles Art Museum Names Its New Director." Christian Science Monitor. January 23, 1980.
  16. ↑ Cummings, Judith. "Cultural Boom Stirring in Southern California." New York Times. October 30, 1986.
  17. ↑ Muchnic, Suzanne. "LACMA Opens Sculpture Garden." Los Angeles Times. July 27, 1988.
  18. ↑ Voland, John. "Morning Report: First Off..." Los Angeles Times. July 21, 1988.
  19. ↑ Muchnic, Suzanne. "Annenberg to Give L.A. Art Museum $10 Million." Los Angeles Times. March 14, 1991.
  20. ↑ Muchnic, Suzanne. "Art Museum Study Reveals Trouble in Raising Money." Los Angeles Times. July 30, 1993.
  21. ↑ Vogel, Carol. "Head of National Gallery Is Retiring." New York Times. January 25, 1992.
  22. ↑ Vogel, Carol. "The Art Market." New York Times. June 19, 1992.
  23. ↑ "Truth in Labeling." Washington Post. November 13, 1994.
  24. 1 2 3 4 Lewis, Jo Ann. "Gallery Weathers the Storm." Washington Post. December 3, 1994.
  25. 1 2 3 4 Vogel, Carol. "Inside Art." New York Times. December 9, 1994.
  26. ↑ Weinraub, Judith. "A Bleak Picture of the Shutdown." Washington Post. December 22, 1995.
  27. ↑ Lewis, Jo Ann and Parker, Lonnae O'Neal. "A Dutch Treat: Vermeer Show to Reopen." Washington Post. December 27, 1995.
  28. ↑ Hartman, Carl. "Sculpture Garden to Surround Skating Rink on Washington's Mall." Associated Press. June 13, 1997; Shaw-Eagle, Joanna. "National Gallery Breaks Ground for Sculpture Garden." Washington Times. June 13, 1997.
  29. ↑ Dutka, Elaine. "Arts and Entertainment Reports." Los Angeles Times. June 14, 2002; Donadio, Rachel. "In Brief." New York Sun. April 11, 2003.
  30. ↑ "Personnel Announcement." Press release. Office of the President. The White House. January 7, 2004.
  31. ↑ Thomas E. Luebke, ed., Civic Art: A Centennial History of the U.S. Commission of Fine Arts (Washington, D.C.: U.S. Commission of Fine Arts, 2013): Appendix B, p. 552.
  32. ↑ Forgey, Benjamin. "Childs Resigns as Head of Fine Arts Panel." Washington Post. May 21, 2005.
  33. ↑ Wagner, Arlo. "Planners See Ideas Beyond the Mall." Washington Times. May 18, 2006.
  34. ↑ Ruane, Michael E. "District Briefing." Washington Post. May 10, 2008.
  35. ↑ Ruane, Michael E. "Fine-Arts Panel Enthusiastic About Plan to Overhaul the Mall." Washington Post. February 19, 2010.
  36. ↑ Richard, Paul. "Shipshape Mysteries On Canvas." Washington Post. May 15, 1988; Casey, Edward S. Representing Place: Landscape Painting and Maps. Minneapolis: University of Minnesota Press, 2002, p. 283 fn.16.
  37. ↑ Wilmerding, John; Ayres, Linda; Powell, Earl A.; and Ganz, Julian. An American Perspective: Nineteenth-Century Art From the collection of Jo Ann & Julian Ganz, Jr. Washington, D.C.: National Gallery of Art, 1981, p. 123.
  38. ↑ Rosenbaum, Julia B. Visions of Belonging: New England Art and the Making of American Identity. Ithaca: Cornell University Press, 2006, p. 183 fn. 4.
  39. ↑ Wilson, William. "Watching LACMA Grow." Los Angeles Times. October 21, 1990; Russell, John. "Art." New York Times. December 2, 1990.
  40. ↑ Armstrong, Robert. "A Galaxy of Stellar Picture Books in Time for the Holidays." Minneapolis Star Tribune. November 26, 2000.
  41. ↑ "People." Los Angeles Times. February 13, 1986.
  42. ↑ Oswald, Mark. "O'Keeffe Museum to Gain Pieces." Albuquerque Journal. June 1, 2005.
  43. ↑ "Williams Honors Jim Lehrer." New York Times. June 5, 1993.
This article is issued from Wikipedia - version of the Saturday, October 10, 2015. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.