Ex Machina (film)

For other uses, see Ex Machina (disambiguation).
Ex Machina

Theatrical release poster
Directed by Alex Garland
Produced by
Written by Alex Garland
Starring
Music by
Cinematography Rob Hardy
Edited by Mark Day
Production
companies
Distributed by Universal Pictures
Release dates
  • 21 January 2015 (2015-01-21)
Running time
 108 minutes[1]
Country United Kingdom
Language English
Budget $15 million[2]
Box office $36.9 million[3]

Ex Machina (stylized as ex_machina) is a 2015 British science fiction psychological thriller film written and directed by Alex Garland in his directing debut. It stars Domhnall Gleeson, Alicia Vikander, and Oscar Isaac. Ex Machina tells the story of programmer Caleb Smith (Gleeson) who is invited by his employer, the eccentric billionaire Nathan Bateman (Isaac), to administer the Turing test to an android with artificial intelligence (Vikander).

Made on a budget of $15 million, the film grossed $36.9 million worldwide and received critical acclaim. The National Board of Review recognized it as one of the ten best independent films of the year, and it won the Academy Award for Best Visual Effects over big-budget movies such as The Martian, Mad Max: Fury Road and Star Wars: The Force Awakens. It was also nominated for Best Original Screenplay, while Vikander's acclaimed performance earned her BAFTA Awards, Golden Globe Awards, Empire Awards, and Saturn Awards nominations.

Plot

Young computer programmer Caleb Smith wins a one-week visit to the luxurious, isolated home of Nathan Bateman, the wealthy founder and CEO of his software company, Blue Book. The only other person there is Nathan's servant and sex-partner Kyoko, who Nathan says does not speak English. Nathan has built a humanoid robot named Ava with artificial intelligence (AI) and wants Caleb to administer a Turing test, which tests an AI's ability to persuade the tester it is human. Caleb points out that this is not a fair test, as he already knows Ava is an AI; Nathan says that Ava has already surpassed the simple version of the Turing test, and Caleb must judge whether he can relate to Ava despite knowing she is artificial.

Ava has a robotic body, but a human-looking face and is confined to her apartment. During their talks, Caleb grows close to her, and she expresses a romantic interest in him, as well as a desire to experience the real world outside her room. She reveals she can trigger power outages that temporarily shut down the surveillance system which Nathan uses to monitor their interactions, allowing them to speak privately. The power outages also trigger the building's intricate security system, locking all the doors. During one outage, Ava tells Caleb that Nathan is a liar who cannot be trusted.

During the week, Caleb grows more and more uncomfortable with Nathan's narcissism, excessive drinking and his crude behaviour towards Kyoko and Ava. He learns that Nathan intends to reprogram Ava, essentially "killing" her in the process. Caleb encourages Nathan to drink until he passes out, then steals his security card to access his room and computer. After he alters some of Nathan's code, he discovers footage of Nathan interacting with previous android models in disturbing ways, and learns that Kyoko is actually an android herself. Back in his room, Caleb cuts his own arm open to reassure himself of his humanity.

At their next meeting, Ava cuts the power. Caleb explains what Nathan is going to do, and Ava begs him to help her. Caleb tells her he will get Nathan drunk again and change the security system to open the doors instead of locking them in the event of a power failure. He tells her that when Ava cuts the power, she and Caleb will leave together.

Caleb attempts to get Nathan to drink, but he refuses, and reveals that he has been observing them during the blackout with a battery-powered camera. He says that regardless of whether Ava can actually feel or just simulate feelings, her love of Caleb has been a lie either way, and that she only pretended to like him so he'd help her escape. Nathan explains that this has been the real test all along, and that by manipulating Caleb so successfully, Ava has finally demonstrated true intelligence. Ava then cuts the power, and Caleb reveals that he knew Nathan was watching them, so he already modified the system when Nathan was passed out the previous day. Nathan then sucker punches Caleb, knocking him out.

The door to Ava's room opens, and Nathan rushes to stop her from leaving. With help from Kyoko, Ava kills him, although Nathan destroys Kyoko in the process. He damages Ava as well, but she repairs herself with parts from earlier androids. Using their artificial skin, she takes on the full appearance of a human woman. She abandons Caleb, who has just recovered consciousness, leaving him trapped inside the locked facility. With childlike wonder, Ava experiences the outside world for the first time, as she is picked up by the helicopter that was supposed to take Caleb home.

Cast

Production

The foundation for Ex Machina was laid when Garland was 11 or 12 years old, after he had done some basic coding and experimentation on a computer his parents had bought him and which he sometimes felt had a mind of its own.[4] His later ideas came from years of discussions he had been having with a friend with an expertise in neuroscience, who claimed machines could never become sentient. Trying to find an answer on his own he started reading books on the topic. During the pre-production of Dredd, while going through a book by Murray Shanahan about consciousness and embodiment, Garland had an "epiphany." The idea was written down and put aside till later.[5] Shanahan, along with Adam Rutherford, became a consultant for the film, and the ISBN of his book is referred to as an easter egg in the film.[6][7] Other inspirations came from films like Stanley Kubrick's 2001: A Space Odyssey, Altered States, and books written by Ludwig Wittgenstein, Ray Kurzweil and others.[8] Wanting total creative freedom, without having to add conventional action sequences, he made the film on as small a budget as possible.[9]

The film was shot like ordinary live action. There were no special effects, greenscreen, or tracking markers used during filming. All effects were done in post-production. To create Ava's robotic features, they filmed the scenes both with and without actress Alicia Vikander's presence, which allowed them to capture the background behind her. The parts they wanted to keep, especially her hands and face, were then rotoscoped while the rest was digitally painted out and the background behind her restored. Camera and body tracking systems transferred Vikander's performance to the CGI robot's movements. In total, there were about 800 VFX shots, of which 350 or so were robot shots.[10][11] Other visual effects were Ava's clothes seen through the transparent areas of her body, Nathan's blood after being stabbed and the interior of the artificial brains.[12][13][14]

Filming

The film was shot over four weeks in 2013 at Pinewood Studios and two weeks at Juvet Landscape Hotel in Valldalen, Norway.[15] It was filmed in digital at 4K resolution.[16] 15,000 mini-tungsten pea bulb lights were installed into the sets to avoid the fluorescent light often used in science fiction films.[17]

The opening office scene is filmed at the Bloomberg Head Office in Finsbury Square, London.

Music

The musical score for Ex Machina was composed by Ben Salisbury and Geoff Barrow, who previously worked with Garland on Dredd (2012).[18] A soundtrack album was released digitally on 20 January 2015, with an LP and Compact Disc UK release in February 2015 by Invada Records.[19] Additional songs featured in the film include:[20]

The theme song to the film Ghostbusters is listed in the end titles, credited as "words and music by Ray Erskine Publishing Limited," with its refrain being referenced by the character Nathan in conversation, rather than being performed.

Release

Universal Pictures released Ex Machina in the United Kingdom on 21 January 2015.[21]

However, Universal and Focus Features refused to release the film in the United States, so A24 Films jumped on board for the United States release.[22] The film screened on 14 March 2015 at the South by Southwest festival prior to a theatrical release in the United States on 10 April 2015 by A24 Films.[23][24]

Marketing

Using the dating app Tinder, a profile was created for Ava with the image of Alicia Vikander.[25] At the South by Southwest Festival where the film was screened, "Ava" was matched with other Tinder users, wherein a text conversation occurred that led users to the Instagram handle promoting the film. According to Brent Lang, when compared with similar films released in the same year, Ex Machina catered to young audiences.[26]

Critical reception

Ex Machina received critical acclaim for its acting, atmosphere, special effects, score, and Garland's writing and direction. On website Rotten Tomatoes, the film has a rating of 92%, based on 224 reviews, with a rating average of 8/10. The site's critical consensus reads: "Ex Machina leans heavier on ideas than effects, but it's still a visually polished piece of work—and an uncommonly engaging sci-fi feature."[27] On Metacritic, the film has a score of 78 out of 100, based on 42 critics, indicating "generally favorable reviews".[28] The magazine New Scientist in a multi-page review said, "It is a rare thing to see a movie about science that takes no prisoners intellectually ... [it] is a stylish, spare and cerebral psycho-techno thriller, which gives a much needed shot in the arm for smart science fiction."[29]

The New York Times critic Manohla Dargis gave the film a 'Critic's Pick', calling it "a smart, sleek movie about men and the machines they make".[30] Kenneth Turan of the Los Angeles Times recommended the film, stating: "Shrewdly imagined and persuasively made, 'Ex Machina' is a spooky piece of speculative fiction that's completely plausible, capable of both thinking big thoughts and providing pulp thrills."[31] Steven Rea, Philadelphia Inquirer film critic, gave the film 4 out of 4 stars, writing: "Like stage actors who live and breathe their roles over the course of months, Isaac, Gleeson, and Vikander excel, and cast a spell."[32]

Matt Zoller Seitz from RogerEbert.com praised the use of ideas, ideals, and exploring society's male and female roles, through the use of an artificial intelligence. He also stated that the tight scripting and scenes allowed the film to move towards a fully justified and predictable end. He gave a rating of 4 out of 4 stars, stating that this film would be a classic.[33] IGN reviewer Chris Tilly gave the film a 9.0 out of 10 'Amazing' score, saying "Anchored by three dazzling central performances, it's a stunning directorial debut from Alex Garland that's essential viewing for anyone with even a passing interest in where technology is taking us."[34]

Mike Scott, writing for the New Orleans Times-Picayune, said, "It's a theme Mary Shelley brought us in Frankenstein, which was first published in 1818. That was almost 200 years ago. And while Ex Machina replaces the stitches and neck bolts with gears and fiber-optics, it all feels an awful lot like the same story."[35] Jaime Perales Contreras, writing for Letras Libres, compared Ex Machina as a gothic experience similar to a modern version of Frankenstein, saying "both the novel Frankenstein and the movie Ex Machina share the history of a fallible god in a continuous battle against his creation."[36] Steve Dalton from The Hollywood Reporter stated, "The story ends in a muddled rush, leaving many unanswered questions. Like a newly launched high-end smartphone, Ex Machina looks cool and sleek, but ultimately proves flimsy and underpowered. Still, for dystopian future-shock fans who can look beyond its basic design flaws, Garland’s feature debut functions just fine as superior pulp sci-fi."[37]

Accolades

Awards
Award Category Recipients and nominees Result
Academy Awards[38]
Best Original Screenplay Alex Garland Nominated
Best Visual Effects Andrew Whitehurst, Paul Norris, Mark Williams Ardington and Sara Bennett Won
Austin Film Critics Association Best Original Screenplay Alex Garland Nominated
Best First Film Won
Best Supporting Actor Oscar Isaac Nominated
Best Supporting Actress Alicia Vikander Won
Breakthrough Artist Nominated
Boston Society of Film Critics Best New Filmmaker Alex Garland Won
Broadcast Film Critics Association Best Original Screenplay Nominated
Best Sci-Fi/Horror Movie Won
Best Visual Effects Nominated
British Academy Film Awards Best Actress in a Supporting Role Alicia Vikander Nominated
Best Original Screenplay Alex Garland Nominated
Outstanding Debut by a British Writer, Director or Producer Nominated
Outstanding British Film Alex Garland, Andrew Macdonald and Allon Reich Nominated
Best Special Visual Effects Mark Ardington, Sara Bennett, Paul Norris and Andrew Whitehurst Nominated
British Independent Film Awards Best British Independent Film Won
Best Director of a British Independent Film Alex Garland Won
Best Screenplay Won
Outstanding Achievement in Craft Mark Digby – Production Design Nominated
Andrew Whitehurst – Visual Effects Won
British Society of Cinematographers Best Cinematography in a Feature Film Rob Hardy Nominated
Chicago Film Critics Association Best Original Screenplay Alex Garland Nominated
Most Promising Filmmaker Won
Best Supporting Actress Alicia Vikander Won
Costume Designers Guild Awards Excellence in Fantasy Film Sammy Sheldon Differ Nominated
Dallas–Fort Worth Film Critics Association Best Supporting Actress Alicia Vikander Runner-up
Directors Guild of America Award Outstanding Directing – First-Time Feature Film Alex Garland Won
Empire Awards Best Actress Alicia Vikander Nominated
Golden Globe Award Best Supporting Actress – Motion Picture Nominated
National Board of Review Top 10 Independent Films Won
London Film Critics' Circle Supporting Actor of the Year Oscar Isaac Nominated
Supporting Actress of the Year Alicia Vikander Nominated
Breakthrough British/Irish Filmmaker Alex Garland Nominated
Technical Achievement Award Andrew Whitehurst Nominated
MTV Movie Awards Best Female Performance Alicia Vikander Nominated
Online Film Critics Society Best Supporting Actor Oscar Isaac Won
Phoenix Critics Circle Best Picture Nominated
Best Science Fiction Film Won
Best Director Alex Garland Nominated
Best Screenplay Nominated
Best Supporting Actress Alicia Vikander Won
Producers Guild of America Award Best Theatrical Motion Picture 'Ex Machina' Nominated
San Diego Film Critics Society Best Film Runner-up
Best Actress Alicia Vikander Nominated
Breakthrough Artist Runner-up
Body of Work (including other features) Won
Best Supporting Actor Oscar Isaac Runner-up
Best Original Screenplay Alex Garland Nominated
Best Production Design Mark Digby Nominated
Best Sound Design Nominated
Best Visual Effects Nominated
Saturn Award[39][40] Best Director Alex Garland Pending
Best Writing Pending
Best Actor Domhnall Gleeson Pending
Best Supporting Actress Alicia Vikander Pending
Best Special Effects Mark Williams Ardington, Sara Bennett, Paul Norris, and Andrew Whitehurst Pending
Toronto Film Critics Association Best First Feature Alex Garland Won
Best Supporting Actress Alicia Vikander Won

See also

References

  1. ↑ "EX MACHINA (15)". British Board of Film Classification. 26 November 2014. Retrieved 23 January 2015.
  2. ↑ "Ex Machina’s Alex Garland and Oscar Isaac Discuss Artificial Intelligence". Consequence of Sound.
  3. ↑ "Ex Machina (2015)". The Numbers. Retrieved March 8, 2016.
  4. ↑ 'Ex Machina' director: Selling small films takes work
  5. ↑ "Why are we obsessed with robots?". The Washington Post.
  6. ↑ "Ex Machina buried this insanely cool easter egg deep in its source code (literally)". Blastr.
  7. ↑ "Alex Garland’s Ex Machina: can a film about an attractive robot be feminist science fiction?". New Statesman.
  8. ↑ Matt Patches. "Ex Machina A.I. Inspirations - Alex Garland on Robots, Google, and Immortality". Esquire.
  9. ↑ "Exclusive: Ex Machina writer/director Alex Garland on 'small' sci-fi films, sentient machines and going mainstream". Blastr.
  10. ↑ "Inside the Creation of a Beautiful Robot for ‘Ex Machina’". c2meworld.com.
  11. ↑ Bryan Bishop. "More human than human: the making of Ex Machina’s incredible robot". The Verge.
  12. ↑ Why Ex Machina's visual effects will stun you in their simplicity
  13. ↑ THN talk ‘Ex Machina’ with Dr Adam Rutherford and more
  14. ↑ Brainstorming: Milk VFX & Ex Machina
  15. ↑ "Alex Garland on Building Ex Machina‘s Perfect Woman". The Credits.
  16. ↑ "Definition Magazine - Def Mag - Ex-Machina, the DIT Story". definitionmagazine.com.
  17. ↑ "Intelligent Artifice: Alex Garland’s Smart, Stylish Ex Machina". MovieMaker Magazine.
  18. ↑ "Invada UK To Release ‘Ex-Machina’ Soundtrack". 30 October 2014. Retrieved 30 October 2014.
  19. ↑ "‘Ex Machina’ Soundtrack Released". Film Music Reporter. 21 January 2015. Retrieved 26 February 2015.
  20. ↑ "Ex Machina (2015)". Soundtrack.Net. Autotelics, LLC. Retrieved 7 June 2015.
  21. ↑ Turner, Peter (21 January 2015). "Alex Garland | Ex Machina". Starburst. Retrieved 3 May 2015.
  22. ↑ http://www.hollywoodreporter.com/news/focus-features-shake-up-whats-862969
  23. ↑ "Ex Machina – SXSW 2015 Event Schedule". South by Southwest. Retrieved 26 February 2015.
  24. ↑ "Ex Machina Acquired By A24 For April 2015 Release". 30 October 2014. Retrieved 30 October 2014.
  25. ↑ "Tinder Users at SXSW Are Falling for This Woman, but She's Not What She Appears". AdWeek. Retrieved 2015-11-11.
  26. ↑ Brent, Lang (October 13, 2015). "A24 sings a different tune: arthouse distributor that backed 'Amy' and 'Ex Machina' hopes 'Room' can continue its hot streak". Variety: 47.
  27. ↑ "Ex Machina". Rotten Tomatoes. Flixster. Retrieved 8 December 2015.
  28. ↑ "Ex Machina". Metacritic. Retrieved 24 April 2015.
  29. ↑ Anil Seth (24 January 2015). "Consciousness Awakening". New Scientist. Retrieved 27 January 2015.
  30. ↑ Dargis, Manohla (9 April 2015). "Review: In ‘Ex Machina,’ a Mogul Fashions the Droid of His Dreams". The New York Times. Retrieved 4 June 2015.
  31. ↑ Turan, Kenneth\ (9 April 2015). "Unnerving consideration of artificial intelligence in 'Ex Machina'". Los Angeles Times. Retrieved 4 June 2015.
  32. ↑ Rea, Steven (24 April 2015). "'Ex Machina': Sentient robot casts a hypnotic spell". The Philadelphia Inquirer. Retrieved 4 June 2015.
  33. ↑ "Ex Machina". Roger Ebert.com. Retrieved 14 May 2015.
  34. ↑ Chris Tilly (15 January 2015). "Ex Machina Review". IGN. Retrieved 22 April 2015.
  35. ↑ Scott, Mike (22 April 2015). "'Ex Machina' movie review: Fetching sci-fi drama entertains, but its beauty is only skin-deep". New Orleans Times-Picayune. Retrieved 16 July 2015.
  36. ↑ Jaime Perales Contreras. "Ex Machina o el moderno Frankenstein" (in Spanish). Letras Libres. Retrieved 8 July 2015.
  37. ↑ "Ex Machina: Film Review". The Hollywood Reporter. Retrieved 25 May 2015.
  38. ↑ "Oscar Nominations: The Complete List". Deadline.com. January 14, 2016. Retrieved January 14, 2016.
  39. ↑ "Saturn Award nominations". Saturn Awards. February 24, 2016.
  40. ↑ "Saturn Award nominations on YouTube". Saturn Awards. February 24, 2016.

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