Fender Deluxe Amp

The Fender Deluxe guitar amplifier was produced by Fender from early 1948 to 1966. Its predecessor was the Fender Model 26 "Woodie" produced from 1946 to 1948.^[1]

Tweed Deluxe

The Fender Deluxe amp of the 1950s was a medium-powered unit designed to let guitarists "hold their own" in a small group. As Blues, Western, and Rockabilly bands began getting louder, the overdriven tone of a cranked-up Deluxe found its way onto many live and recorded performances.

The earliest version of the Deluxe was the 5A3,^[2] and is often referred to as having a TV Front appearance because the wide panels around the grill were like the television sets of the 1950s.^[3] This was true also of the smaller Fender Princeton student and studio amp introduced in 1946 and upgraded in 1948.^[4] Subsequent versions of the Deluxe were the "wide panel" cabinet design 5B3,^[5] 5C3,^[6] and 5D3,^[7] followed by the "narrow panel" cabinet 5E3.^[8] The Deluxe was the most popular of the Tweed amplifiers made by Fender.^[9]

It is relatively small in size, having one twelve inch speaker. Depending on the model it has either two or four inputs and two channels. Each channel has a volume control. Both channels share a tone control. The inputs and controls are mounted at the top of the amplifier. It is often referred to as the "Tweed Deluxe" because of its covering—a light brown material which is actually a cotton twill that is often lacquered.

At the time, Leo Fender produced amplifiers with the intention of having the amplifier stay clean even at high volumes. The Tweed Deluxe is not known for producing a clean tone at high volumes, and as such, was regarded as being an intermediate amplifier. Ironically, the saturated tone this amplifier produces at higher volumes is the reason why it is one of the more famous amplifiers Fender ever produced. It is part of the signature tone for many musicians, a few notable examples being Larry Carlton, Don Felder, Billy Gibbons and Neil Young.

Unusual for a Fender amplifier, the Deluxe (models 5D3^[10] and 5E3^[11]) has both a feedback-less and cathode biased output stage (a distinctive combination it shares with the Vox AC30). Most push-pull Fenders use feedback tapped from the output transformer's speaker winding to enable more headroom before power stage distortion starts, and in the quest for more volume use the more efficient negative voltage biasing (which also runs the power valves at a cooler temperature). These aspects of the circuit make a key contribution to the complex, wild and ragged sound of an overdriven 5E3 Deluxe, especially in comparison to other Fender amplifiers. The earlier 5C3 model did use feedback although it too was cathode biased.

The amplifier has a 5Y3-GT rectifier, 2 6V6-GT power tubes operating in push/pull mode, and a 12AY7 and a 12AX7 in the preamp.^[12] The output is rated at about 15 watts.^[13]

The Tweed Deluxe originally came equipped with a Jensen P12R speaker. Due to limited power handling, owners sometimes replaced it with the more powerful Jensen P12Q.

The Tweed Deluxe is such a seminal amplifier, is so desirable and (in its original form) so expensive, that there are at least 30 or 40 companies making clones or variants of it, either as kits or as completed amplifiers.^[14]

Brown Deluxe

Between 1959 and 1961, Fender began redressing several of their existing amp models in a light brown material known as tolex, and moving the control faces from the top-rear of the cabinet to the front. These amps are referred to as the Brown or Brownface Fender amps. The Deluxe was one such model that made this transition in 1961. The circuit was also changed to include a tremolo effect, and the output was increased to around 20 watts. The preamp tube complement was changed to a trio of 12AX7's, and the rectifier was changed to a more potent GZ34 tube. The pair of 6V6GT power tubes remained the same, although the bias structure was changed from cathode to a non-adjustable fixed state. The circuit number was changed to 6G3,^[15] and Fender continued to build and dress the Deluxe in these circuits and cosmetics until 1963.^[16]

Blackface Deluxe

Fender again made a change in their amplifier cosmetics between 1963 and 1964. The color of the tolex covering was changed to black, and the control knobs were changed from ones with pointers that indicated the level number labeled on the control face to ones that had the level numbers incorporated upon the knobs themselves. These are referred to as the Blackface amps. The Deluxe was given its new look in 1963, and again, the circuitry was altered to the number AA763, devoting a full 12AX7 to the preamp of the relabeled "Normal" and "Vibrato" channels as well as the oscillator for the tremolo effect, a 12AT7 tube as a phase inverter, and individual Treble and Bass control knobs rather than single tone controls for each channel. The output bias remained fixed, but incorporated a potentiometer to make adjusting the bias simpler. The output was also bumped to 22 watts.^[17]

When Fender redressed the Deluxe in 1963, they began producing a spin-off model that included an integrated spring reverb tank, thus giving birth to the Fender Deluxe Reverb. While the Deluxe Reverb continued to prosper for many years into the future, Fender discontinued the base Deluxe model in 1966.^[18]

Reproduction

In 2007–2011, Fender's Custom Shop division made an authentic recreation of the 5E3 Deluxe. Handwired point-to-point and with custom made transformers based on the 1957 specification it was dubbed the Fender '57 Deluxe Amp. This is the first time Fender made a reproduction of the Tweed Deluxe.

In 2012 Fender issued an Artist Signature amplifier based on the 5E3 circuit with the addition of a tremolo effect; the Fender Eric Clapton (or EC) Tremolux.^[19]

In 2014 Fender introduced a piggyback head version of the 5E3 Deluxe to the Custom Shop lineup, dubbed the Fender '57 Deluxe Head.^[20]^[21]

In 2016 Fender issued a hand-wired Artist Signature model, "Fender Edge Deluxe", based on a customized 1957 5E3 Tweed Deluxe, part of the rig of U2-guitarist "The Edge".

Notes

References

Weber, Gerald, "A Desktop Reference of Hip Vintage Guitar Amps", Hal Leonard Corporation, 1994. ISBN 0-9641060-0-0

External links

57 Deluxe in Action - 57 Deluxe with Stratocaster and Les Paul
Tweed Deluxe Research - RecProAudio
Tweed Deluxe Speed Shop - Tweed Deluxe Speed Shop
1959 Fender Tweed Deluxe - ar American Vintage Guitar
Fender Tweed Deluxe - Ampedia
The Fender Amp Field Guide - The Fender Amp Field Guide
Beatles Gear - John Lennon owned a "narrow panel" Tweed Deluxe from 1960 to July 1962, when they acquired their Vox amps. He painted it black and added metal corner protectors at some time.

Fender Musical Instruments Corporation

Key figures	Clarence Leonidas Fender Doc Kauffman Freddie Tavares Bill Carson Forrest White George Fullerton Dale Hyatt Paul Rivera Don Randall Bill Schultz

Guitars	Bronco Coronado Cyclone Duo-Sonic Electric XII Esquire Jaguar Jazz Bass Jazzmaster Marauder Musicmaster Musicmaster Bass Mustang Mustang Bass Precision Bass Starcaster Stratocaster Stringmaster Telecaster Urge Bass White Steel

Amplifiers	Bandmaster Bandmaster Reverb Bassman Blues Junior Bronco Champ Concert Deluxe Deluxe Reverb Harvard Hot Rod Deluxe Hot Rod DeVille Princeton Princeton Reverb Pro Pro Junior Pro Reverb Prosonic Showman Super Super Reverb Tremolux Twin Twin Reverb Vibrasonic Vibro Champ Vibrosonic Reverb Vibroverb White Amp

Series	American Deluxe Series California Series Lead Series

Hardware	Vintage Noiseless Wide Range Fender vibrato systems

Subsidiaries	Charvel Custom Shop DeArmond Gretsch Jackson KMC Squier Sunn SWR Tacoma

See also	List of products Fender Custom Shop Fender Japan Starcaster by Fender Fender-Rhodes Lace Sensor

Website: fender.com

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