Frida Kahlo

This name uses Spanish naming customs: the first or paternal family name is Kahlo and the second or maternal family name is Calderón.
Frida Kahlo

Kahlo in 1932, photographed by her father Guillermo Kahlo
Born Magdalena Carmen Frieda[1] Kahlo y Calderón
(1907-07-06)July 6, 1907
Coyoacán, Mexico City, Mexico
Died July 13, 1954(1954-07-13) (aged 47)
Coyoacán, Mexico City, Mexico
Nationality Mexican
Education Self–taught
Known for Painting
Notable work

in museums:

Movement Surrealism, Magic realism

Frida Kahlo de Rivera (Spanish pronunciation: [ˈfɾiða ˈkalo]; July 6, 1907 – July 13, 1954), born Magdalena Carmen Frieda Kahlo y Calderón,[1][3] was a Mexican painter known for her self-portraits.[4]

Kahlo's life began and ended in Mexico City, in her home, which is known as "La Casa Azul," the Blue House. Her work has been celebrated internationally as emblematic of Mexican national and indigenous traditions, and by feminists for its uncompromising depiction of the female experience and form.[5]

Mexican culture and tradition are important in her work, which has been sometimes characterized as naïve art or folk art.[6] Her work has also been described as surrealist, and in 1938 André Breton, principal initiator of the surrealist movement, described Kahlo's art as a "ribbon around a bomb".[5] Frida rejected the "surrealist" label imposed by Breton, as she argued that her work reflected more of her reality than her dreams.[7]

Kahlo had a volatile marriage with the famous Mexican artist Diego Rivera. She suffered lifelong health problems, many of which were caused by a traffic accident she survived as a teenager. Recovering from her injuries isolated her from other people, and this isolation influenced her works, many of which are self-portraits. Kahlo suggested, "I paint myself because I am so often alone and because I am the subject I know best."[8]

Childhood

Frida Kahlo was born on July 6, 1907, in her parents' house known as La Casa Azul (The Blue House), in Coyoacán. At the time, Coyoacán was a small town on the outskirts of Mexico City.

Kahlo's mother, Matilde Calderón y González, was a devout Roman Catholic of mixed Spanish and indigenous Mexican ancestry.[9] Kahlo's parents were married soon after the death of Guillermo's first wife, which occurred during the birth of her second child. Although their marriage was quite unhappy, Guillermo and Matilde had four daughters; Kahlo was the third. She had two older half sisters who were raised in the same household. Kahlo had a difficult relationship with her mother, who was domineering and depressive, but her relationship with her father was affectionate.[10]

Kahlo's father, Guillermo Kahlo (1871–1941), was born Carl Wilhelm Kahlo in 1871, in Pforzheim, Germany, the son of Jakob Heinrich Kahlo and Henriette Kaufmann. During Kahlo's lifetime and subsequently, media reports stated that her father was Jewish.[11][12] However, genealogical research indicates that her father was not of Jewish heritage, but was from a German Lutheran family.[13][14] Wilhelm Kahlo emigrated to Mexico in 1891, at the age of nineteen, and upon his arrival, changed his German forename, Wilhelm, to its Spanish equivalent, Guillermo.[11][12] The painting My Grandparents, My Parents, and I (Family Tree) completed in 1936 is a tribute to Kahlo's mixed heritage, depicting her Mexican heritage through the map of Mexico painted on the side of her maternal grandparents, as well as her German and Jewish heritages shown by the sea painted on the side of her paternal grandparents. Kahlo expressed her Mexican culture through aspects of her artwork and her traditional clothes, and her German culture through becoming fluent in German.[15]

Frida Kahlo, Self-Portrait with Thorn Necklace and Hummingbird, Nickolas Muray Collection, Harry Ransom Center, University of Texas at Austin[16]

The Mexican Revolution began during 1910, when Kahlo was three years old. She later gave her birthdate as July 7, 1910, allegedly wanting her birth to coincide with the beginning of the revolution so her life would begin with the birth of modern Mexico.[17] In her writings, she recalled that her mother would usher her and her sisters inside the house as gunfire echoed in the streets of her hometown.

Kahlo contracted polio at age six, which left her right leg thinner than the left; she disguised this later in life by wearing long skirts or trousers. To help her regain her strength, her father encouraged her to exercise and play sports. She took up bicycling, roller skating, swimming, boxing, and wrestling, despite the fact that many of these activities were then reserved for boys.[18][19] It has been conjectured that she was born with spina bifida, a congenital condition that could have affected both spinal and leg development.[20][21]

In 1922, Kahlo was enrolled in the Escuela Nacional Preparatoria, one of Mexico's premier schools, where she was one of only thirty-five girls. Kahlo joined a clique at the school and became enamored of its strongest personality, Alejandro Gómez Arias.[22]

Bus accident

On September 17, 1925, Kahlo was riding in a bus that collided with a trolley car. She suffered serious injuries as a result of the accident, including a broken spinal column, a broken collarbone, broken ribs, a broken pelvis, eleven fractures in her right leg, a crushed and dislocated right foot, and a dislocated shoulder. In addition, an iron handrail pierced her abdomen and her uterus, compromising her reproductive capacity.[23] Kahlo was 18 years old at the time.[24]

The accident left her in a great deal of pain, and she spent three months recovering in a full body cast. Although she recovered from her injuries and eventually regained her ability to walk, she had relapses of extreme pain for the remainder of her life. The pain was intense and often left her confined to a hospital or bedridden for months at a time. She had as many as 35 operations as a result of the accident, mainly on her back, her right leg, and her right foot. The medical complications and permanent damage also prevented Kahlo from having a child; though she conceived three times, all of her pregnancies had to be terminated.[25]

Career as a painter

1937 photograph by Toni Frissell, from a fashion shoot for Vogue
Frida Kahlo with Diego Rivera in 1932, in a photograph by Carl Van Vechten

After her accident, Kahlo abandoned the study of medicine and began to paint, to occupy herself during her three-month immobilization. Self-portraits were a dominant motif then. Kahlo once said, "I paint myself because I am so often alone and because I am the subject I know best."[8] Her mother had a special easel made so she could paint in bed, and her father lent her his box of oil paints and some brushes.[26] The 1926 painting, entitled Self Portrait in a Velvet Dress, shows her with a long and narrow face and neck, reflective of Italian Renaissance ideals.[27]

Kahlo's accident made it impossible for her to have her own children, resulting in several miscarriages throughout her life.[28] Because of her experiences with infertility, many of her paintings reference reproductive failure. She painted Henry Ford Hospital right after her miscarriage in 1932. In this work, Frida depicts herself on a bed bleeding, with the cold and industrial feeling from being far from home in Detroit, shown behind her. She chose to paint on a sheet of metal.[27]

Kahlo created at least 140 paintings, along with dozens of drawings and studies. Of her paintings, 55 are self-portraits which often incorporate symbolic portrayals of physical and psychological wounds. She insisted, "I never painted dreams. I painted my own reality."[29]

Diego Rivera had a great influence on Kahlo's painting style. Kahlo had always admired Rivera and his work. She first approached him in the Ministry of Public Education, where he had been working on a mural in 1927. She showed him four of her paintings, and asked whether he considered her gifted. Rivera was impressed and said, "You have got talent." After that, he became a frequent welcomed guest at Kahlo's house. He gave her many insights about her artwork while still leaving her space to explore herself. The positive and encouraging comments made by Rivera strengthened Kahlo's wish to pursue a career as an artist.[30]

Kahlo was also influenced by indigenous Mexican culture, which is apparent in her use of bright colors, dramatic symbolism and primitive style. She frequently included the monkey, which in Mexican mythology is a symbol of lust, and Kahlo portrayed it as tender and protective symbols. Christian and Jewish themes are often depicted in her work.[31] She combined elements of the classic religious Mexican tradition with surrealist renderings.

In 1938, Kahlo had her only solo gallery showing in the United States at the Julien Levy Gallery. The works were well received and several prominent artists attended the event.[32] At the invitation of André Breton, she went to France during 1939 and was featured at an exhibition of her paintings in Paris. The Louvre bought one of her paintings on display, The Frame. It was the first work of a twentieth-century Mexican artist that the Louvre purchased. Kahlo made the acquaintance of Wolfgang Paalen and Alice Rahon, whom she invited to come to Mexico.[33]

Marriage

Malú Block (left), Frida Kahlo (center), and Diego Rivera were photographed in Manhattan by Carl Van Vechten in 1932 while Rivera was working on a commissioned mural in Rockefeller Center

As a young artist, Kahlo communicated with the Mexican painter Diego Rivera, whose work she admired, asking him for advice about pursuing art as a career. He recognized her talent[34] and encouraged her artistic development. They began an intimate relationship and were married in 1929, despite the disapproval of Kahlo's mother.

Their marriage was often troubled. Kahlo and Rivera both had irritable temperaments and numerous extramarital affairs. The bisexual Kahlo had affairs with both men and women, including Isamu Noguchi and Josephine Baker;[3] Rivera knew of and tolerated her relationships with women, but her relationships with men made him jealous. For her part, Kahlo was furious when she learned that Rivera had an affair with her younger sister, Cristina. The couple divorced in November 1939, but remarried in December 1940. Their second marriage was as troubled as the first. Their living quarters were often separate, although sometimes adjacent.[35]

Later years and death

Active communists, Kahlo and Rivera befriended Leon Trotsky during the late 1930s, after he fled Norway to Mexico to receive political asylum from the Soviet Union during Joseph Stalin's leadership. During 1937, Trotsky lived initially with Rivera and then at Kahlo's home where he and Kahlo had an affair.[3] Trotsky and his wife then relocated to another house in Coyoacán where, in 1940, he was assassinated. Both Kahlo and Rivera broke with Trotskyism and openly became supporters of Stalin in 1939.[36] In 1938, Kahlo travelled alone to New York for her first solo exhibition; she was celebrated "like a movie star". There she met Hungarian photographer Nickolas Muray, with whom she began a 10-year love affair.[37]

In July 1952, Frida's right lower leg was amputated at the knee due to gangrene. She had had a bout of bronchopneumonia about that time, which left her quite frail. She was very ill throughout 1954.[3] Diego attended to Kahlo as she had anxiety attacks. She increased her morphine consumption, betrayed by the unusually fleeting paintbrush in her paintings. In her last self-portrait, she looks like a withered sunflower, "no moon at all". A few days before her death, Kahlo participated in a demonstration against the CIA invasion of Guatemala.[37]

Kahlo died on July 13, 1954, soon after turning 47, and was cremated according to her wishes. A few days before her death, she wrote in her diary: "I hope the exit is joyful — and I hope never to return — Frida".[3] The official cause of death was given as a pulmonary embolism, although some suspected that she died from an overdose that may or may not have been accidental. No autopsy was performed. In his autobiography, Diego Rivera wrote that the day Kahlo died was the most tragic day of his life, and that, too late, he had realized that the most wonderful part of his life had been his love for her.[3]

A pre-Columbian urn holding her ashes is on display in her former home, La Casa Azul (The Blue House), in Coyoacán, which since 1958 has been maintained as a museum housing a number of her works of art and numerous mementos and artifacts from her personal life.[3]

Posthumous recognition

Image of Kahlo for Day of the Dead at the Museo Frida Kahlo

Aside from the 1939 acquisition by the Louvre and a 1946 $1,000 award from the Mexican Government for her painting,[38] Kahlo's work was not widely acclaimed until decades after her death. Often she was remembered only as Diego Rivera's wife. It was not until the end of the 1970s and the early 1980s, with the beginning of Neomexicanismo, that she became well-known to the public.[39][40] It was during this time that artists such as Kahlo, Abraham Ángel, Ángel Zárraga, and others gained recognition, and Jesus Helguera's classical calendar paintings became famous.[39]

Additional factors during the 1980s helped to make her better known: The first retrospective of Kahlo's work outside Mexico exhibited alongside the photographs of Tina Modotti opened at the Whitechapel Gallery in London in May 1982, organized and co-curated by Peter Wollen and Laura Mulvey. The exhibition traveled to Sweden, Germany, Manhattan, and Mexico City. The movie Frida, naturaleza viva (1983), directed by Paul Leduc with Ofelia Medina as Kahlo and painter Juan José Gurrola as Diego, was a great success. Hayden Herrera published the biography, Frida: A Biography of Frida Kahlo in 1983,[41] which became a worldwide bestseller.[42] Raquel Tibol, a Mexican artist and personal friend of Kahlo, wrote Frida Kahlo: una vida abierta (2003).[43] Mexican art critic and psychoanalyst Teresa del Conde wrote a biography in 1992[44] and texts by other Mexican critics and theorists, such as Jorge Alberto Manrique appeared.[39]

Frida Kahlo, The Suicide of Dorothy Hale, 1939, Oil on masonite, 60.4 × 48.6 cm. – The Phoenix Art Museum, Phoenix, Arizona, USA. The legend translated: "In the city of New York on the twenty-first day of the month of October, 1938, at six o'clock in the morning, Mrs. Dorothy Hale committed suicide by throwing herself out of a very high window of the Hampshire House building. In her memory Mrs. Clare Boothe Luce commissioned[45] this retablo, executed by Frida Kahlo."[46]

From 1990–91, Kahlo's Diego on my Mind (1943), oil on masonite, 76 by 61 centimeters piece was used as the representative piece on the post for the Metropolitan Museum of Art's Mexico: Splendors of Thirty Centuries art exhibit. In 1991, the opera Frida by Robert Xavier Rodriguez, which had been commissioned by the American Music Theater Festival, premiered in Philadelphia.[47] In 1994, American jazz flautist and composer James Newton released an album inspired by Kahlo titled Suite for Frida Kahlo on AudioQuest Music (now known as Sledgehammer Blues).[48] On June 21, 2001, Kahlo became the first Hispanic woman to be honored with a U.S. postage stamp.[49] Frida (2002) is an American biographical movie, directed by Julie Taymor, in which Salma Hayek portrayed the artist.[50] The film, based on Herrera's book, grossed US$ 58 million worldwide.[50] In 2015, choreographer Gregory Hancock created a new musical based on Kahlo's life, entitled "La Casa Azul", performed at the Booth Tarkington Civic Theatre.[51]

From 9 June to 9 October 2005, close to 80 paintings by Kahlo were presented at the Tate Modern in London.[52] In 2006, Kahlo's painting Roots (1943) set a US$5.6 million auction record for a Latin American work.[53] In 2008, a play based on Kahlo's life premiered at the Edinburgh Festival Fringe. Frida Kahlo: Viva la vida!, written by Mexican Humberto Robles and performed by Gael Le Cornec, received an Artistic Excellence Award and a best female performer nomination at the Brighton Festival Fringe in 2009.[54] In 2008, a Frida Kahlo exhibition in the United States with more than 40 of her self-portraits, still lifes, and portraits was shown at the Walker Art Center in Minneapolis, the Philadelphia Museum of Art, the San Francisco Museum of Modern Art, and other venues.[55] During May 8 to July 5, 2009, Nickolas Muray's photographs of Kahlo were featured alongside her Self-Portrait of Monkey (1938), in an exhibition at the Albright–Knox Art Gallery in Buffalo, New York.[56]

Barbara Kingsolver's novel, The Lacuna (2009), features Kahlo, her life with Rivera, and her affair with Trotsky.[57] In February 2011, soprano Dawn Upshaw and the Saint Paul Chamber Orchestra premiered La Centinela y La Paloma (The Keeper and the Dove), composed by Latin Grammy composer Gabriela Lena Frank with texts by Pulitzer Prize playwright Nilo Cruz. The orchestral song cycle imagines Frida Kahlo as a spirit who returns to visit with Diego Rivera during El Día de los Muertos.[58] From July 9 to October 2, 2011, an exhibition of works by Frida Kahlo (1907–1954) and Diego Rivera (1886–1957), Frida Kahlo and Diego Rivera: Masterpieces from the Gelman Collection, was shown at Pallant House Gallery, Chichester, West Sussex.[59] In 2012 Kahlo was inducted into the Legacy Walk, an outdoor public display which celebrates LGBT history and people.[60]

From October 20, 2012 to January 20, 2013, Kahlo's paintings, as well as photographs of her, were featured in a dual retrospective with partner Diego Rivera, entitled Frida & Diego: Passion, Politics, and Painting, at the Art Gallery of Ontario in Toronto. The exhibition traveled to the High Museum of Art in Atlanta, February 14 to May 12, 2013.[61] In late April 2014, a musical play written and composed by Los Angeles, California playwright Rita Ortez Provost, entitled Tree of Hope, was performed in West Hollywood, California at the Macha Theatre.[62] On October 17, 2014 the four-act opera Frida y Diego by the Finnish composer Kalevi Aho had its premiere at the Helsinki Music Centre, with a libretto in Spanish by Maritza Núñez.[63]

An exhibition lasting from March 15 to July 12, 2015, "Diego Rivera and Frida Kahlo in Detroit," was hosted in the Detroit Institute of Arts, consisting primarily of paintings and sketches created by Kahlo and Rivera during their yearlong stay in the city between 1932 and 1933. This was the first occasion that Kahlo's works had ever been on display in the DIA.[64][65] The exhibition Frida Kahlo, Art-Garden-Life, from May 16 to November 1, 2015, at the New York Botanical Garden,[66] is the first to examine Kahlo’s keen appreciation for the beauty and variety of the natural world, as evidenced by her home and garden as well as the complex use of plant imagery in her artwork.

Centennial celebration

Kahlo's 100th birthday was commemorated June 13 through August 12, 2007, with the largest exhibit of her paintings at the Palacio de Bellas Artes, which was Kahlo's first comprehensive exhibit in Mexico.[67] Works were on loan from Detroit, Los Angeles, Miami, Minneapolis, San Francisco, and Nagoya, Japan. The exhibit included one-third of her artistic production, as well as manuscripts and letters that had not been displayed previously.[67] The exhibit surpassed the museum's previous attendance records.[68] Some of her work was exhibited in Monterrey, Nuevo León, and moved to museums in the United States during September 2007.[69]

On July 6, 2010, Google altered its standard logo to include a portrait of Kahlo, depicted in the style of her art to commemorate the 100th anniversary of her birthday,.[70] On August 30, 2010, the Bank of Mexico issued a new MXN$ 500-peso note, featuring Kahlo and her painting entitled Love's Embrace of the Universe, Earth, (Mexico), I, Diego, and Mr. Xólotl (1949) on the back of the note while her husband Diego Rivera was on the front of the note.[71] From April 30 to August 9, 2010 a "Frida Kahlo Retrospective" at the Walter-Gropius-Bau, Berlin exhibited more than 120 drawings and paintings, including several drawings never before displayed publicly. The show was touted as a "centennial" exhibition, because of Kahlo's "preferred" birth year in 1910 during the Mexican Revolution.[72]

La Casa Azul

La Casa Azul (The Blue House) in Coyoacán, Mexico City, also referred to as Museo Frida Kahlo since it became a museum in 1958, is the family home where Frida Kahlo grew up and to which she returned in her final years. Her father, Guillermo Kahlo, built the house in 1907 as the Kahlo family home. Leon Trotsky stayed at this house when he first arrived in Mexico in 1937. Trotsky's final site of residence in Mexico City is located in close proximity to the Casa Azul.[73]

Kahlo and Rivera lived together in the Blue House between 1929 and 1954. Diego Rivera donated it upon his death in 1957, three years after that of Kahlo. The house is a museum containing artifacts of her life and is a popular tourist destination.[73]

See also

References

  1. 1 2 Frieda is a German name from the word for peace (Friede/Frieden); Kahlo began omitting the "e" in her name about 1935 according to Frida biography (archive)
  2. ↑ Frieda and Diego Rivera (1931) at SFMOMA
  3. 1 2 3 4 5 6 7 Herrera, Hayden (1983). A Biography of Frida Kahlo. New York: HarperCollins. ISBN 978-0-06-008589-6.
  4. ↑ Klein, Adam G. (2005). Frida Kahlo. Edina, Minn.: ABDO Pub. Co. ISBN 9781596797314. Retrieved 8 July 2013.
  5. 1 2 Broude, Norma & Garrard, Mary D (1992). The Expanding Discourse: Feminism and Art History. p. 399.
  6. ↑ Karl, Ruhrberg; Manfred Schneckenburger; Christiane Fricke; Klaus Honnef (2000). Frida Kahlo: Art of the 20th Century: Painting, Sculpture, New Media, Photography. Köln: Benedikt Taschen Verlag GmbH. p. 745. ISBN 3-8228-5907-9.
  7. ↑ Herrera. "Hayden". Oxford Online. Oxford University Press. Retrieved 2014-09-28.
  8. 1 2 Andrea Kettenmann, Frida Kahlo. Frida Kahlo, 1907–1954: pain and passion page 27. Retrieved 29 November 2014.
  9. ↑ Burrus, Christina (2008). Frida Kahlo: 'I Paint my Reality'. London: Thames & Hudson. p. 12. ISBN 978-0500301234.
  10. ↑ Burrus, Christina (2008). Frida Kahlo: 'I Paint my Reality'. London: Thames & Hudson. pp. 13–15. ISBN 978-0500301234.
  11. 1 2 "Beyond Mexicanidad: The Other Roots of Frida Kahlo’s Identity By Leslie Camhi. The Forward, September 26, 2003". Forward.com. 2003-09-26. Retrieved 2012-12-28.
  12. 1 2 Hayden Herrara, Frida: A Biography of Frida Kahlo, 1983 p5
  13. ↑ Ronnen, Meir (2006-04-20). "Frida Kahlo's father wasn't Jewish after all". The Jerusalem Post. Retrieved 2009-09-02.
  14. ↑ Fridas Vater: Der Fotograf Guillermo Kahlo by Gaby Franger and Rainer Huhle
  15. ↑ "Frida Kahlo. My Grandparents, My Parents, and I (Family Tree). 1936 | MoMA". The Museum of Modern Art. Retrieved 2016-03-05.
  16. ↑ Image—full description and credit: Frida Kahlo, Self-Portrait with Thorn Necklace and Hummingbird, 1940, oil on canvas on Masonite, 24½ × 19 inches, Nikolas Muray Collection, Harry Ransom Center, The University of Texas at Austin, 2007. Banco de México Diego Rivera & Frida Kahlo Museums Trust, Av. Cinco de Mayo No. 2, Col. Centro, Del. Cuauhtémoc 06059, México, D.F.
  17. ↑ Herrera, Hayden (1983). Frida: A Biography of Frida Kahlo (1st ed.). New York: Harper & Row. p. 4. ISBN 978-0-06-011843-3.
  18. ↑ Burrus, Christina (2008). Frida Kahlo: 'I Paint my Reality'. London: Thames & Hudson. p. 16. ISBN 978-0500301234.
  19. ↑ Rummel, Jack (2000). Frida Kahlo: A Spiritual Biography. New York: Crossroad. p. 28. ISBN 0824523539.
  20. ↑ Budrys, Valmantas (February 2006). "Neurological Deficits in the Life and Work of Frida Kahlo". European Neurology 55 (1): 4–10. doi:10.1159/000091136. ISSN 0014-3022. PMID 16432301. Retrieved 2008-01-22.
  21. ↑ "Frida Kahlo Biography" Frida Kahlo Foundation, undated, Retrieved 9 June 2015
  22. ↑ Kettenmann, Andrea (2000). Frida Kahlo, 1907-1954: Pain and Passion. Taschen. p. 12.
  23. ↑ Martha Zamora; Frida Kahlo; Marilyn S. Smith (1 September 1990). Frida Kahlo. Chronicle Books. p. 26. ISBN 978-0-87701-746-2.
  24. ↑ Kaganskiy, Julia (August 31, 2007). "Frida Kahlo". Smithsonian.com. Retrieved 2008-02-18.
  25. ↑ "Frida Kahlo and Diego Rivera". The History Show (RTÉ Radio 1). 17 April 2011. Archived from the original on 2014-10-29. Retrieved 10 July 2014.
  26. ↑ Cruz, Barbara (1996). Frida Kahlo: Portrait of a Mexican Painter. Berkeley Heights: Enslow. p. 9. ISBN 0-89490-765-4.
  27. 1 2 Herrera, Hayden. "Kahlo, Frida". Oxford Art Online. Oxford Art Online. Retrieved 29 October 2014.
  28. ↑ Vitals. "Doc solves mystery of Frida Kahlo's infertility". NBC News. Retrieved 2016-03-04.
  29. ↑ Andrea, Kettenmann (1993). Frida Kahlo Pain and Passion. Köln: Benedikt Taschen Verlag GmbH. p. 48. ISBN 3-8228-9636-5.
  30. ↑ Andrea, Kettenmann (1993). Frida Kahlo: Pain and Passion. Köln: Benedikt Taschen Verlag GmbH. p. 3. ISBN 3-8228-9636-5.
  31. ↑ "Frida Kahlo". The Jewish Mexicana. Retrieved 6 July 2010.
  32. ↑ "A Close Look: Frida Kahlo’s Fulang-Chang and I". MoMA. 3 December 2009. Retrieved 29 November 2014.
  33. ↑ "About Alice Rahon". Hope College. Retrieved 2015-11-17.
  34. ↑ "Movie Review: Frida". The Life of Frida Kahlo, Famed Mexican. Retrieved 6 July 2010.
  35. ↑ "Mexican painter Frida Kahlo". Frida Kahlo Google Doodle. Retrieved 6 July 2010.
  36. ↑ Lowe, Sarah (2001). The Diary of Frida Kahlo. UK.
  37. 1 2 Angelika Lizius. "Frida Kahlo - Wilde Tage in Coyoacán". ARD, Bayerisches Fernsehen. Retrieved 4 May 2015.
  38. ↑ New York Times, "Mexico Honors Artists".
  39. 1 2 3 Emerich, Luis Carlos (1989). Figuraciones y desfiguros de los ochentas. Mexico City: Editorial Diana. ISBN 968-13-1908-7.
  40. ↑ Helland, Janice (Fall 1990 – Winter 1991). "Aztec Imagery in Frida Kahlo's Paintings" (PDF). Woman's Art Journal 11: 8–13. Retrieved 26 June 2013.
  41. ↑ Herrera, Hayden (1983). Frida: A Biography of Frida Kahlo. p. 507. ISBN 978-0060118433.
  42. ↑ Knight, Christopher (2009-09-06). "Fighting over Frida Kahlo". LA Times. Retrieved 2015-11-17.
  43. ↑ Tibol, Raquel (1983) [1983]. Frida Kahlo: an Open Life. USA: University of New Mexico Press. ISBN 0-8263-1418-X.
  44. ↑ Frida Khalo. Monografias de arte (in Spanish) (1 ed.). Instituto de Investigaciones Esteticas, Universidad Nacional Autonoma de Mexico. 1992. ISBN 978-9683624369.
  45. ↑ These words were subsequently painted out by Kahlo on Luce's request".
  46. ↑ Andrea Kettenmann (1999). Frida Kahlo: 1907–1954 Pain and Passion. Taschen. ISBN 3-8228-5983-4.
  47. ↑ Rothstein, Edward (1992-10-16). "Venerating Frida Kahlo". New York Times. Retrieved 2015-11-17.
  48. ↑ "Suite for Frida Kahlo". Valley Entertainment. Retrieved 6 July 2010.
  49. ↑ "Stamp Release No. 01-048 – Postal Service Continues Its Celebration of Fine Arts With Frida Kahlo Stamp". USPS. Retrieved 29 October 2010.
  50. 1 2 "Frida (2002)". Box Office Mojo. Retrieved 29 October 2010.
  51. ↑ "La Casa Azul The Musical". Retrieved 29 March 2016.
  52. ↑ Frida Kahlo, Tate Modern: Exhibition, 9 June – 9 October 2005
  53. ↑ "Roots Sets $5.6 Million Record at Sotheby's". Art Knowledge News. 2006. Retrieved 23 August 2011.
  54. ↑ "Gael Le Cornec Press". 2011. Retrieved 2015-11-17.
  55. ↑ "Frida Kahlo Centennial Exhibition Goes Beyond the Myth to Provide an Intimate Look at the Artist’s Hauntingly Beautiful Paintings". Walker Art. 2007. Retrieved 2015-11-17.
  56. ↑ "Photographs of Frida Kahlo to be Featured in Exhibition in Albright-Knox". Art Daily. 2009. Retrieved 2015-11-17.
  57. ↑ Alice O'Keeffe. "The Lacuna by Barbara Kingsolver (book review)". theguardian.com. Retrieved 4 June 2015.
  58. ↑ William Randall Beard (2011-02-18). "A sneak peek at songs from Kahlo opera". Star Tribune. Retrieved 2015-11-17.
  59. ↑ Darwent, Charles (2011-10-22). "Frida Kahlo & Diego Rivera: Masterpieces from the Gelman Collection, Pallant House Gallery, Chichester". The Independent. Retrieved 2015-11-17.
  60. ↑ Victor Salvo. "Legacy Project Chicago". legacyprojectchicago.org. Retrieved 29 November 2014.
  61. ↑ "Frida & Diego have left the building". Art Gallery of Ontario. 2013-01-29. Retrieved 2015-11-17.
  62. ↑ "Tree of Hope: The Frida Kahlo Musical". Backstage. 2014-03-16. Retrieved 2015-11-17.
  63. ↑ "p. 3." (PDF). fennicagehrman.fi. Retrieved 28 December 2012.
  64. ↑ Aguilar, Louis. "Detroit was muse to legendary artists Diego Rivera and Frida Kahlo". The Detroit News. The Detroit News. Retrieved 14 July 2015.
  65. ↑ "Diego Rivera & Frida Kahlo in Detroit". Detroit Institute of Arts. DIA. Retrieved 14 July 2015.
  66. ↑ The New York Botanical Garden website. Retrieved 21 August 2015.
  67. 1 2 "Largest-ever exhibit of Frida Kahlo work to open in Mexico". China Daily. Agence France Presse. 30 May 2007. Retrieved 16 February 2016.
  68. ↑ "Centenary show for Mexican painter Kahlo breaks attendance records". People's Daily Online (August 14, 2007). Retrieved 21 August 2007.
  69. ↑ Goodson, Scott (2008-02-29). "Frida Kahlo in Philadelphia — Cultural Leader". Retrieved 2015-11-17.
  70. ↑ "Frida Kahlo Google logo". Google. Retrieved 29 October 2010.
  71. ↑ "Presentación del nuevo billete de quinientos pesos" (PDF). Bank of Mexico. Retrieved 11 September 2010.
  72. ↑ Boston, William (2010-05-10). "Frida Takes Berlin: A Kahlo Retrospective in Germany". Time. Retrieved 2015-11-17.
  73. 1 2 Armstrong, Kate (2014-01-21). "Three days with Frida Kahlo and Diego Rivera in Mexico City". BBC. Retrieved 2015-11-17.

Bibliography

Further reading

External links

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