Front End Loader

This article is about the Australian rock band Front End Loader. For the piece of construction equipment, see Loader (equipment).
Front End Loader
Origin Sydney, Australia
Genres Rock
Years active 1991 (1991)–present
Labels Survival, Shagpile / Shock, Redline, Illustrious Artists, Fuse, Weeping Anus / MGM
Website frontendloaderband.com
Members

Front End Loader are an Australian rock band which formed in December 1991 with founding mainstays, Bowden Campbell on guitar and vocals; Davis Claymore on lead vocals and guitar; Richard Corey on bass guitar; and Peter Kostic on drums. Front End Loader have issued five studio albums, Front End Loader (June 1993), Let's Ride! (March 1995), Last of the V8 Interceptors (August 1997), How Can We Fail When We're So Sincere? (March 2002) and Ritardando (6 May 2011). At the ARIA Music Awards of 2011 Front End Loader won an award for Ritardando as Best Hard Rock/Heavy Metal Album. Kostic has also drummed for fellow Australian groups Regurgitator (1999–present) and The Hard-Ons (2002–2011).

History

Front End Loader were formed in December 1991 in the Sydney suburb of Darlington. Founding mainstays are Bowden Campbell on guitar and vocals; and Davis Claymore on lead vocals and guitar – who had broken away from Edelweiss, their previous band – together with Richard Corey on bass guitar; and Peter Kostic on drums – both from Perth-formed group, Kryptonics.[1] The new group were named 'Front End Loader' – which was originally chosen as "a ridiculous, strictly temporary title, until something better came up. Ha" – to enter into a Sydney University band competition.[2] They made the final alongside Frenzal Rhomb but both lost out to another group.[2]

In January 1993 Front End Loader appeared at the Sydney venue of the Big Day Out concert series. In the next month they issued their debut single, "Weak as Piss".[1] The group signed with Survival Records and released their first extended play, 'Fraid Knot, in May.[1] Their first album was the self-titled, Front End Loader, which appeared in the following month,[1] and included the tracks "Weak as Piss", "'Fraid Knot" and "All Star Jam". It was recorded at Powerhouse Studios, in the previous November, and was produced by the group with Paul Tagg.[3] Australian musicologist, Ian McFarlane, felt it "highlighted the band's sense of humour and gritty, unrestrained brand of thrash rock".[1] In September that year they supported an Australian tour by Canadian group, No Means No.[1][4]

In June 1994 Front End Loader released their second EP, Adolescent Fantasy World, and followed with a split single, "Heightened State of Awareness" backed by a track from Melbourne-based psychobilly band, Fireballs.[1] In October that year Front End Loader toured Europe supporting No Means No.[1] Their second album, Let's Ride!, as well as its lead single, "Be Jesus", were released in March 1995 by Shagpile Records and distributed by Shock Records.[1] They had been recorded in September 1994 at Q Studios and mixed at Eclipse Studios with David Price and the group producing.[5] Together the material "mixed brawn with irony, complex riffs with eccentric humour" according to McFarlane.[1] Rachel Hill of The Canberra Times felt the album "deserves a second hearing ... [as it] takes the fearless on a ... full-strength adventure of emotion and power".[6] In November 1995 they supported No Means No on an Australian tour.[7]

In January 1997 they supported Radio Birdman at gigs in Gosford and Coogee Bay, I-94 Bar's reviewer, The Barman, noted "while they're tight and intense, it's hard to see why they bother having two guitarists when, for most of the night, they play the same thing. I want to like them but I can't help thinking Helmet do the same thing, only better".[8] Their third album, Last of the V8 Interceptors, emerged in August that year,[1] which was named for the protagonist's vehicle in the feature film, Mad Max 2 (1981). It had been recorded in April 1997 with Magoo (Regurgitator, Tu-plang) producing at Paradise Studios.[9]

An ode to assisted suicide, "Pulse", from the album was issued as a CD EP of the same name and became their signature tune. It received high rotation on national radio, including on Triple J.[1] "Pulse" was listed at No. 72 on that network's Hottest 100 poll for the year.[1][10] Two further singles from the album appeared in 1998, "Summer Hits" (February) and "4 Star Heritage Arsehole" (April).[1] During the latter half of that year Campbell worked with a pop, rock group, Stella One Eleven; he was also a guest musician on Jimmy Little's adult contemporary album, Messenger (June 1999).[1]

In 1999 Front End Loader recorded a cover version of Queen's "Crazy Little Thing Called Love" as a duet with Barry Crocker, which was issued as a single in July.[1] It appeared on Timelines: The Intergenerational Music Project, a compilation album by various artists which paired young bands with artists over 60 to celebrate 1999 as the International Year of Older Persons.[1][11] At the end of that year Kostic, while still a member of Front End Loader, joined Regurgitator to replace Martin Lee on drums.[1]

The band signed with Redline Records and in March 2002 released their fourth album, How Can We Fail When We're So Sincere?. Kostic joined another group, The Hard-Ons, on drums while continuing with Regurgitator and Front End Loader.[12] In April the following year Front End Loader entered Troy Horse Studios, with Jonboyrock producing, to record, Ape Got Fire (August 2003), a seven-track EP.[13]

In May 2004 the group's performance at Sydney's Annandale Hotel was recorded by Magoo, which was eventually released on 1 April 2008 as part of a live album, Laughing with Knives.[14] It appeared on the Illustrious Artists label in a 2× CD format with 22 live tracks, a bonus 19-track disc of rarities, and an 8-page booklet with track-by-track liner notes.[14][15]

On 6 May 2011 the band's fifth studio album, Ritardando, was issued on their own label, Weeping Anus Records, through MGM Distribution. They followed with a national tour to promote the release. At the ARIA Music Awards of 2011 it won the Best Hard Rock/Heavy Metal Album category.[16][17] The group had sent Triple J host and Frenzal Rhomb member, Lindsay McDougall, along to deliver an acceptance speech even though they felt a win was "highly improbable".[18]

In the prepared speech, the band indicated they could not afford to attend, they thanked their fans and families; then they addressed the local music industry "as you were … please carry on … we mean you no harm. We will continue to write Rock Music that we enjoy, play shows when and where we can, and record and release this music as our time, money, and circumstances permit. None of these activities concern you so please, move along, and let us never speak of this again".[18] The speech was not broadcast during the Nine Network's channel, Go!'s coverage of the ceremony.[18][19]

On 14 July 2012 the group delivered another EP, the five-track Fresh Six, while promoting a collaborative beer of the same name made with a microbrewery. The beer was described by the company's owner as "tight and pretty punchy, and it should be strong obviously ... fairly bitter, and I know you guys are fond of tequila on stage so we should include some dark agave syrup in the beer".[20] Campbell told theMusic.com.au website's Steve Bell "Making a beer for us was far more impressive than the ARIA".[20]

Discography

Albums

Extended plays

Singles

References

General
Specific
  1. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 McFarlane, 'Front End Loader' entry. Archived from the original on 29 August 2004. Retrieved 29 October 2013.
  2. 1 2 "Artists :: Front End Loader". Australian Music Online. Archived from the original on 22 November 2005. Retrieved 29 October 2013.
  3. ↑ Front End Loader (Media notes). Front End Loader. Survival Records. 1993. SUR 528 CD.
  4. ↑ "Times Out". The Canberra Times (ACT : 1926 – 1995) (National Library of Australia). 9 September 1993. p. 28. Retrieved 30 October 2013.
  5. ↑ Let's Ride! (Media notes). Front End Loader. Shagpile Records / Shock Records. 1993. SHAGCD2026.
  6. ↑ Hill, Rachel (17 April 1995). "Home Entertainment. CDs: Let's Ride Frontend Loader (Shagpile)". The Canberra Times (ACT : 1926 – 1995) (National Library of Australia). p. 30. Retrieved 30 October 2013.
  7. ↑ Armitage, Liz (23 November 1995). "Pure Vancouver Punk". The Canberra Times (ACT : 1926 – 1995) (National Library of Australia). p. 32. Retrieved 30 October 2013.
  8. ↑ The Barman (10 January 1997). "Radio Birdman Reviews". I-94 Bar. Retrieved 30 October 2013.
  9. ↑ Last of the V8 Interceptors (Media notes). Front End Loader. Shagpile Records / Shock Records. 1997. SHAGCD2038.
  10. ↑ "Hottest 100 1997". Triple J. Australian Broadcasting Corporation (ABC). Retrieved 29 October 2013.
  11. ↑ Hammond Care Group; International Year of Older Persons (1999), Timelines: Intergenerational Music Project, Hammond Care Group. National Library of Australia, retrieved 30 October 2013, Notes: '1999 is the International Year of Older Persons. To celebrate, the Hammond Care Group has produced this unique CD featuring collaborations between artists from the age of 14 to 74'. Rear cover.
  12. ↑ McGregor, Jody. "Hard-ons". Allmusic. Rovi Corporation. Retrieved 31 October 2013.
  13. ↑ "Releases :: Ape Got Fire". Australian Music Online. Archived from the original on 22 November 2005. Retrieved 30 October 2013.
  14. 1 2 Front End Loader (2008), Laughing with Knives, Illustrious Artists. National Library of Australia, retrieved 31 October 2013
  15. ↑ Laughing with Knives (Media notes). Front End Loader. Illustrious Artists. 2008. IARLP203.
  16. ↑ "2011 ARIA Awards Winners By Year". Australian Recording Industry Association (ARIA). Retrieved 31 October 2013.
  17. ↑ Ferris, Rina; Brennan, Kristyn (27 November 2011). "Winners of the 2011 ARIA Awards Announced!!!!" (PDF). Ferris Davies PRM. Australian Recording Industry Association. Retrieved 31 October 2011.
  18. 1 2 3 "ARIAs 2011: The Front End Loader Speech That Never Was". Mess+Noise. 28 November 2011. Retrieved 31 October 2013.
  19. ↑ "We Don't Forget the Support Act: ARIAs Make Amends". The Age (Fairfax Media). 2 December 2011. Retrieved 31 October 2013.
  20. 1 2 Bell, Steve (21 November 2012). "Sorry Day". theMusic.com.au. Retrieved 31 October 2013.

External links

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