Gabriel Rodriguez (artist)

Gabriel Rodriguez (artist)
Born Gabriel Rodríguez Pérez
1974
Santiago
Nationality Chilean
Area(s) Penciller, Inker
Notable works
Locke & Key

Gabriel Rodríguez Pérez (born May 26, 1976) is a Chilean[1] comic book artist and architect, known for his work on the horror series Locke & Key. In addition, he has done the artwork for Subterranean Press's edition of Joe Hill's NOS4A2.

Career

Rodríguez was born in Santiago de Chile.

Before starting a career as comic artist, he studied Architecture at the Pontifical Catholic University of Chile where he got his degree and also a M.Arch. Due to the small nature of the comics market in Chiel, Rodríguez had to work part-time as architect and drew comics for art's sake or some extra income. His first commission was a set of illustrations for Mitos y Leyendas (Myths and Legends), a collectible cards game by SALO Publishing. Rodríguez spent 4 years working for them until he got a call from the US producers of the CSI TV series and IDW publishing crew, to make a comic version of the series. Thenceforth he could work as full-time comics artist.[2]

Later on he was introduced to Joe Hill, author and son of Stephen King. Together they spawned the 'Locke & Key' series, which earned Rodríguez his first Eisner Awards nomination. After that, Rodríguez was commissioned by DC to draw Adventures of Superman (2013)[3] and IDW's Little Nemo, Return to Slumberland,[4] which earned him another Eisner Awards nomination.

Awards

Rodríguez was nominated for Best Penciller/Inker for the 2011 Eisner Awards for his work on Locke & Key. In addition, Locke & Key was nominated for "Best Continuing Series" and "Best Single Issue (or One-Shot)" for Locke & Key: Keys to the Kingdom #1.[5]

In April 2015, his and fellow Chilean artist Nelson Daniel's work, Little Nemo: Return to Slumberland (IDW) was nominated for the Eisner Awards,[6] winning Best Limited Series in July 2015.

References

External links

This article is issued from Wikipedia - version of the Friday, January 29, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.