Ganja & Hess

Coming off the back of the commercially successful "black vampire movie" Blacula, Ganja & Hess was intended to capitalize on the success of the newfound Blaxploitation genre. Ganja & Hess is an experimental horror film that explores aspects of Blaxploitation and horror films, written and directed by Bill Gunn in 1973. The film follows the exploits of anthropologist Dr. Hess Green (Jones) who becomes a vampire after being stabbed by his intelligent, but unstable, assistant (Gunn) with an ancient cursed dagger.

The film was screened at the 1973 Cannes Film Festival.[1] It was remade by Spike Lee in 2014 as Da Sweet Blood of Jesus. This film also contains the only other lead role for Duane Jones, best known for starring in the 1968 film Night of the Living Dead.

Plot

The film follows Dr. Hess Green (Duane Jones), a wealthy black anthropologist who is doing research on the Myrthians, an ancient African nation of blood drinkers. One night, while staying in Green's lavish mansion, richly decorated with African art, Green's unstable assistant George Meda (writer/director Bill Gunn) threatens suicide. Green successfully talks him down, but later that night Meda attacks and stabs Green with a Myrthian ceremonial dagger, and then shoots himself. Green survives, but he has become a vampire endowed with immortality and a need for fresh blood. Initially, Green sustains himself on stolen bags of blood from a doctor's office, but he finds that he needs fresh victims satisfy his urges.

Soon, Meda's estranged wife, Ganja Meda (Marlene Clark), informed that her husband has been working for Dr. Geen, begins searching for her husband. Green tells her that he is no longer with him and assumingly aware of her husband's mental instability Ganja ensures Green that he has probably run off again and will return shortly. Gaja and Green quickly become lovers, and she moves into Green's expansive mansion. When she unwittingly discovers her husband's corpse frozen in Green's wine cellar she is initially upset, but then agrees to marry her host, who turns her into a vampire as well. Ganja is initially horrified by her new existence, but Green teaches her how to survive. Soon, he brings a young man home, who Ganja seduces and then kills. The two vampires dispose of the body in the water.

Eventually, Green becomes disillusioned with his life as a blood-thirsty vampire. As he continues to study the Myrthian people he learns that there is a cure for their condition, one that involves submitting to the Christian cross. Green resolves to return to the Christian church and upon returning home, he kills himself by standing in front of a cross. Ganja, who witnesses his suicide and is saddened by his death, lives on, presumably continuing her vampiric lifestyle. The film ends with the young man Ganja had killed to eat rising out of the water, naked but alive, and running towards her.

Cast

Additionally, postmodern novelist William Gaddis and his wife Judith Thompson appear as extras during a party scene.[2]

Production

In 1972, independent production company Kelly-Jordan Enterprises approached Bill Gunn, an African-American artist known at the time primarily as a playwright and stage director, with the idea of making a "black vampire" film with a budget of $350,000. Though Gunn later told a friend, "the last thing I want to do is make a black vampire film," he accepted the project with the intention of using vampirism as a metaphor for addiction. The producers' relative inexperience at filmmaking afforded Gunn a high degree of creative control over the film.[3] Scholars have referred to this film as an "African-American equivalent of a Sergei Parajanov and Nicholas Roeg collaboration" for its use of wit and sensual imagery.[4]

Filming occurred at Apple Bee Farms (Croton-on-Hudson, New York) and the Brooklyn Museum in New York City.[3] The film had its premier in 1973 and was selected for the Critics' Week at the Cannes Film Festival that year.

Reception

The movie received positive reviews.[5][6][7][8][9] It received the critics' choice prize at the Cannes Festival, and James Murray of the Amsterdam News hailed it as "the most important Black produced film since Sweet Sweetback's Baadasssss Song."[10] Writing in 2014, critic Scott Foundas described the film as a "landmark 1973 indie that used vampirism as an ingenious metaphor for black assimilation, white cultural imperialism and the hypocrisies of organized religion."[11]

Recut version

The film's producers, Kelly and Jordan, were discouraged by the poor box office numbers and unhappy with the film's unusual structure and style. Kelly-Jordan took the film out of distribution and sold it to another company, Heritage Enterprises, which issued a rescored and drastically recut version under the title Blood Couple.[3][10] This version (disowned by Gunn) was released on VHS under a number of different titles. Despite the compromised release by Heritage Enterprises, the original cut was donated to the Museum of Modern Art, whose screenings, according to writer Chris Fujiwara, "helped build [the film's] reputation as a neglected classic of independent African American cinema."[3]

Remake

The film was remade in 2014 by Spike Lee in 2014 as Da Sweet Blood of Jesus.[12] The script was credited to both Lee and original writer/director Bill Gunn. It has been described as "...a remake - at times scene for scene and shot for shot — of Ganja and Hess."[11]

References

  1. ↑ Harris, Brandon. "Bill Gunn Surfaces at BAM." Filmmaker Magazine. 31 Mar. 2010. Retrieved 18 February 2011.
  2. ↑ Moore, Steven. Introduction to The Letters of William Gaddis. Ed. Steven Moore. Champaign, IL: Dalkey Archive Press, 2013. 9.
  3. 1 2 3 4 Fujiwara, Chris. "Ganja and Hess". www.tcm.com. Turner Classic Movies. Retrieved 21 July 2015.
  4. ↑ Crawford, Travis (2012). "Ganja & Hess". FIAF International Index to Film Periodicals Database.
  5. ↑ Jane, Ian (27 April 2012). "Ganja & Hess: Kino Classics Remastered Edition (Blu-ray)". DVD Talk.
  6. ↑ Christley, Jaime N. (8 May 2012). "Ganja & Hess". Slant Magazine.
  7. ↑ Rabin, Nathan (9 May 2012). "Ganja & Hess". The A.V. Club.
  8. ↑ Harris, Brandon (6 July 2014). "Spike Lee: “The black audience is not monolithic”". Salon.
  9. ↑ Obenson, Tambay A. (16 April 2012). "Kino Lorber Releasing Restored Version Of "Ganja & Hess" on DVD and Blu-ray 5/8 (Cover Art & Specs)".
  10. 1 2 Diawara, Manthia; Klotman, Phyllis (1990). ""Ganja and Hess: Vampires, Sex, and Addictions,"". Jump Cut 30: 30–36. Retrieved 21 July 2015.
  11. 1 2 Foundas, Scott."Film Review: ‘Da Sweet Blood of Jesus.’" 23 June 2014. Variety.
  12. ↑ "Spike Lee’s Da Sweet Blood of Jesus pseudo-remake of 1973’s Ganja & Hess". 16 April 2012.

External links

This article is issued from Wikipedia - version of the Thursday, May 05, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.