Georges de Peyrebrune

Georges de Peyrebrune
Georges de Peyrebrune
Signature

Mathilde-Marie Georgina Élisabeth de Peyrebrune (also known as, George de Peyrebrune or Georges de Peyrebrune, and Judicis de la Mirandole; pseudonyms Hunedelle, Marco, and Petit Bob;[1] 18 April 1841 – 1917) was a key French proto-feminist Belle Époque writer of popular novels.[2] She was "one of the most widely read women in France",[3] and one of the country's most popular women novelists.[4]

Biography

Born in Pierrebrune, a hamlet of Sainte-Orse, Dordogne in 1841, she transformed "Pierrebrune" to "Peyrebrune", making it her family name.[5] She was the daughter of Françoise Thérèse Céline Judicis and Georges Johnston, a wealthy local land-owner.[6]

She went to Paris after the war of 1870, and she made her literary debut in the magazine Revue des deux Mondes, where many of her novels were serialised. In Paris, she met Arsène Houssaye, who, after having read her Marco manuscript interceded on her behalf with the magazine editor François Buloz. Peyrebrune wrote for several women's magazines and she also published a number of novels. Intellectually she had interests in both scientific, philosophical and masonic ideas. She opposed capital punishment and her feminism was characterized as "undeniable and contradictory".[6] Peyrebrune published fourteen works in the 1880s with the firms Calmann-Lévy, Charpentier, Dentu, Ollendorff, and Plon.[5] For many years, she served as on the all female jury for the Prix Fémina literary prize.[2] In 1909, she was one of the 40 members elected by the readers of Fémina to represent "A Female Academy".[7]

Peyrebrune's nom de plume started with "Georges", after George Sand because Peyrebrune held her work in high regard.[3] The writers Camille Delaville and Rachilde were her friends.[6] Peyrebrune married Paul Adrien Numa Eimery, from Chancelade, signing the marriage license "G. Johnston de Peyrebrune";[8] it was an unhappy marriage and there were no children.[5] She died in poverty and oblivion in Paris in 1917.[6]

Selected works

  • Contes en l'air. L'Apollon pythien. Une fenêtre sur l'autre monde. Tante Berthe. Une horrible histoire. Histoire d'un pantalon gris perle. Sous les branches (1877)
  • Les Femmes qui tombent (1882)
  • Gatienne (1882)
  • Marco (1882)
  • Jean Bernard (1883)
  • Victoire la Rouge (1883)
  • Une séparation (1884)
  • Les Frères Colombe (1880)
  • Mademoiselle de Tremos (1885)
  • Les Roses d'Arlette (1886)
  • Les Ensevelis (1887)
  • La Margotti (1887)
  • Colombine, conte-fantaisie (1898)
  • Laquelle ? (1888)
  • Le Curé d'Anchelles (1891)
  • Giselle (1891)
  • Le Roman d'un bas bleu (1892)
  • Celui qui revient (1894)
  • Vers l'amour (1896)
  • Les Fiancés (1897)
  • Libres (1897)
  • Victoire la Rouge. Nouvelle édition. (1898)
  • Au pied du mât (1899)
  • Les Passionnés (1900)
  • Une expérience (1901)
  • Et l'amour vint (1902)
  • Deux Amoureuses (1902)
  • Une sentimentale (1903)
  • Les Trois Demoiselles (1905)
  • Doña Quichotta (1906)
  • Le Réveil d'Ève (1909)
  • Les Belles Martyres (1921)

References

  1. Constans, Ellen (2007). Ouvrières des lettres (in French). Presses Univ. Limoges. p. 47. ISBN 978-2-84287-440-7.
  2. 1 2 Wilson, Rita; Maher, Brigid (1 December 2011). Words, Images and Performances in Translation. Bloomsbury Publishing. pp. 31, 36, 42. ISBN 978-1-4411-7261-7.
  3. 1 2 Leslie, Frank (1892). Frank Leslie's Popular Monthly (Public domain ed.). Frank Leslie Publishing House. pp. 159–.
  4. Warner, Charles Dudley (1 July 2008). A Library of the World's Best Literature – Ancient and Modern – Vol.XLIII (Forty-Five Volumes); Dictionary of Authors (K–Z). Cosimo, Inc. p. 426. ISBN 978-1-60520-251-8.
  5. 1 2 3 Finn, Michael R. (2009). Hysteria, Hypnotism, the Spirits, and Pornography: Fin-de-siècle Cultural Discourses in the Decadent Rachilde. University of Delaware Press. p. 43. ISBN 978-0-87413-067-6.
  6. 1 2 3 4 Socard, Jean Paul. "GEORGES DE PEYREBRUNE". Abbaye De Chancelade. Retrieved 14 March 2015.
  7. Mesch, Rachel (3 July 2013). Having It All in the Belle Epoque: How French Women's Magazines Invented the Modern Woman. Stanford University Press. p. 182. ISBN 978-0-8047-8713-0.
  8. Roumagous, Claude (18 February 2011). "Une grande femme de lettres oubliée" (in French). Sue Ouest. Retrieved 14 March 2015.

External links

This article is issued from Wikipedia - version of the Tuesday, February 23, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.