Pride and Prejudice

This article is about the novel. For other uses, see Pride and Prejudice (disambiguation).
Pride and Prejudice
Author Jane Austen
Country United Kingdom
Language English
Genre Novel of manners, satire
Publisher T. Egerton, Whitehall
Publication date
 28 January 1813
Media type Print (Hardback, 3 volumes)
OCLC 38659585
823.7
Preceded by Sense and Sensibility
Followed by Mansfield Park
Text Pride and Prejudice at Wikisource

Pride and Prejudice is a novel of manners by Jane Austen, first published in 1813. The story follows the main character, Elizabeth Bennet, as she deals with issues of manners, upbringing, morality, education, and marriage in the society of the landed gentry of the British Regency. Elizabeth is the second of five daughters of a country gentleman, Mr. Bennet, living in Longbourn.

Page 2 of a letter from Jane Austen to her sister Cassandra (11 June 1799) in which she first mentions Pride and Prejudice, using its working title First Impressions. (NLA)

Set in England in the early 19th century, Pride and Prejudice tells the story of Mr. and Mrs. Bennet's five unmarried daughters after the rich and eligible Mr. Bingley and his status-conscious friend, the even more rich and eligible Mr. Darcy, have moved into their neighbourhood. While Bingley takes an immediate liking to the eldest Bennet daughter, Jane, Darcy is disdainful of local society and repeatedly clashes with the Bennets' lively second daughter, Elizabeth.

Pride and Prejudice retains a fascination for modern readers, continuing near the top of lists of "most loved books". It has become one of the most popular novels in English literature, selling over 20 million copies, and receives considerable attention from literary scholars. Likewise, it has paved the way for archetypes that abound in many contemporary literature of our time. Modern interest in the book has resulted in a number of dramatic adaptations and an abundance of novels and stories imitating Austen's memorable characters or themes.[1]

Plot summary

The novel centres on Elizabeth Bennet, the second of the five daughters of a landed country gentleman. Elizabeth's father, Mr. Bennet, is a bookish man and somewhat neglectful of his responsibilities. In contrast Elizabeth's mother, Mrs. Bennet, a woman who lacks social graces, is primarily concerned with finding suitable husbands for her five daughters, who will inherit little or nothing from their father due to primogeniture laws. Jane Bennet, the eldest daughter, is distinguished by her kindness and beauty; Elizabeth Bennet shares her father's keen wit and occasionally sarcastic outlook; Mary is studious, devout and musical albeit lacking in taste; Catherine, sometimes called Kitty, the fourth sister, follows where her younger sister leads while Lydia is flirtatious and lacks maturity.

The narrative opens with news in the Bennet family that Mr. Bingley, a wealthy, charismatic and sociable young bachelor, is moving into Netherfield Park in the neighbourhood. Mr. Bingley is soon well received while his friend Mr. Darcy makes a less favourable impression by appearing proud and condescending at a ball that they attend (he detests dancing and is not one for light conversation). Mr. Bingley singles out Jane for particular attention, and it soon becomes apparent that they have formed an attachment to each other. While Jane does not alter her conduct for him, she confesses her great happiness only to Lizzie. By contrast, Darcy slights Elizabeth, who overhears and jokes about it despite feeling a budding resentment.

Upon paying a visit to Mr. Bingley's sister, Caroline, Jane is caught in a heavy downpour, catching cold, and is forced to stay at Netherfield for several days. Elizabeth arrives to nurse her sister and is thrown into frequent company with Mr. Darcy, who begins to act less coldly towards her.

Illustration by Hugh Thomson representing Mr. Collins, protesting that he never reads novels.

Mr. Collins, a clergyman and heir to Longbourn, the Bennet estate, pays a visit to the Bennets. Mr. Bennet and Elizabeth are much amused by his obsequious veneration of his employer, the noble Lady Catherine de Bourgh, as well as by his self-important and pedantic nature. It soon becomes apparent that Mr. Collins has come to Longbourn to choose a wife from among the Bennet sisters (his cousins), and Jane is initially singled out, but because of Jane's budding romance with Mr. Bingley, Mrs. Bennet directs him toward Elizabeth. After refusing his advances, much to the consternation of her mother, Elizabeth instead forms an acquaintance with Mr. Wickham, a militia officer who relates having been very seriously mistreated by Mr. Darcy despite having been a godson and favourite of Darcy's father. The accusation and her attraction to Mr. Wickham both increase Elizabeth's dislike of Mr. Darcy.

At a ball given by Mr. Bingley at Netherfield, Mr. Darcy becomes aware of a general expectation that Mr. Bingley and Jane will marry, and the Bennet family, with the exception of Jane and Elizabeth, make a public display of poor manners and decorum. The following morning, Mr. Collins proposes marriage to Elizabeth, who refuses him, much to her mother's distress. Mr. Collins recovers and promptly becomes engaged to Elizabeth's close friend Charlotte Lucas, a homely woman with few prospects. Mr. Bingley abruptly quits Netherfield and returns to London, which devastates Jane, and Elizabeth becomes convinced that Mr. Darcy and Caroline Bingley have conspired to separate him from Jane.

Jane is persuaded by letters from Caroline Bingley that Mr. Bingley is not in love with her but goes on an extended visit to Aunt and Uncle Gardiner in London in the hope of maintaining her relationship with Caroline, if not with Charles Bingley. There, she visits Caroline and, eventually, her visit is returned. She does not see Mr. Bingley and is forced to realise that Caroline does not care for her.

In the spring, Elizabeth visits Charlotte and Mr. Collins in Kent. Elizabeth and her hosts are frequently invited to Rosings Park, the home of Lady Catherine de Bourgh, Darcy's aunt; coincidentally, Darcy also arrives to visit. Elizabeth meets Darcy's cousin, Colonel Fitzwilliam, who vouches for Darcy's loyalty by using as an example how Darcy had recently stepped in on behalf of a friend, who had formed an attachment to a woman against whom "there were some very strong objection". Elizabeth rightly assumes that the said friend is none other than Mr. Bingley, and her dislike of Darcy deepens. Thus, she is no mood to accept when Darcy arrives and, quite unexpectedly, confesses love for her and begs her hand in marriage. His proposal is flattering, as he is a very distinguished man, but it is delivered in a manner that is ill suited. He talks of love but also of revulsion at her inferior position and family. Despite assertions to the contrary, he assumes she will accept him.

Elizabeth rebukes him, and a heated discussion follows; she charges him with destroying the happiness of both her sister and Bingley, with treating Mr. Wickham disgracefully and with having conducted himself towards her in an arrogant, ungentleman-like manner. Mr. Darcy, shocked, ultimately responds with a letter giving a good account of his actions: Wickham had exchanged his legacies for a cash payment, only to return after frittering away the money to reclaim the forfeited inheritance; Wickham then attempted to elope with Darcy's young sister, Georgiana, which would have secured her fortune for himself. Regarding Jane and Bingley, Darcy claims he had observed no reciprocal interest in Jane for Bingley and had assumed that she was not in love with him. In addition to this, he cites the "want of propriety" in the behaviour of Mr. and Mrs. Bennet and her three younger daughters. Elizabeth, who had previously despaired over this very behavior, is forced to admit the truth of Mr. Darcy's observations, and begins to see that she has misjudged him. She, quite rightly, attributes her prejudice to his coldness towards herself at the beginning of their acquaintance.

Elizabeth tells her father that Darcy was responsible for uniting Lydia and Wickham, one of the two earliest illustrations of Pride and Prejudice.[2] The clothing styles reflect the time the illustration was engraved (the 1830s), not the time in which the novel was written or set.

Some months later, Elizabeth and her aunt and uncle Gardiner visit Pemberley, Darcy's estate, believing he will be absent for the day. He returns unexpectedly and is surprised but gracious and welcoming, quite unlike his usual self. He treats the Gardiners very civilly, surprising Elizabeth, who assumes he will "decamp immediately" on learning who they are. Darcy introduces Elizabeth to his sister, which Elizabeth knows is the highest compliment he can bestow. Elizabeth begins to acknowledge her own attraction to him. Their reacquaintance is cut short, however, by the news that Lydia has run off with Mr. Wickham. Elizabeth and the Gardiners return to Longbourn (the Bennet family home), where Elizabeth grieves that her renewed acquaintance with Mr. Darcy will end as a result of her sister's disgrace.

Lydia and Wickham are soon found and are persuaded to marry, which enables the Bennet family to preserve some appearance of decorum. Jane, Elizabeth and Mr. Bennet conclude that Uncle Gardiner must have bribed Wickham to marry Lydia, and they are ashamed of their indebtedness and inability to repay him.

Mrs. Bennet, quite typically, has no such scruples; being ecstatic to have a daughter married, she never stops to consider the want of propriety and honesty throughout the affair. Mr. and Mrs. Wickham visit Longbourn, where Lydia lets slip that Mr. Darcy attended their wedding but that it was to have been a secret. From a letter, Elizabeth discovers from Aunt Gardiner that in fact, Mr. Darcy was responsible for finding the couple and negotiating their marriage at great personal and monetary expense for him. Elizabeth is shocked and flattered as "her heart did whisper that he had done it for her" but is unable to dwell further on the topic because of Mr. Bingley's return and subsequent proposal to Jane, who immediately accepts.

Lady Catherine de Bourgh pays an unexpected visit to Longbourn. She has heard a rumour that Elizabeth will marry Mr. Darcy and attempts to persuade Elizabeth to agree not to marry. Lady Catherine wants Mr. Darcy to marry her daughter (his cousin) Anne De Bourgh and thinks that Elizabeth is beneath him. Elizabeth refuses her demands. Disgusted, Lady Catherine leaves, promising that the marriage can never take place. Elizabeth assumes she will apply to Darcy and is worried that he may be persuaded.

Darcy returns to Longbourn. Chance allows Elizabeth and Darcy a rare moment alone. She immediately thanks him for intervening in the case of Lydia and Wickham. He renews his proposal of marriage and is promptly accepted. Elizabeth soon learns that his hopes were revived by his aunt's report of Elizabeth's refusal to promise not to marry him.

The novel closes with a "happily-ever-after" chapter including a summary of the remaining lives of the main characters. None of the characters changes very much in this summary, but Kitty has grown slightly more sensible from association with Jane and Elizabeth and distance from Lydia, and Lady Catherine eventually condescends to visit the Darcy family.

Main characters

Elizabeth and Mr. Darcy by Hugh Thomson, 1894

Elizabeth Bennet

Elizabeth Bennett The reader sees the unfolding plot and the other characters mostly from her viewpoint. The second of the Bennet daughters, she is twenty years old and is intelligent, lively, playful, attractive, and witty—but with a tendency to judge on first impression (the "prejudice" of the title) and perhaps to be a little selective of the evidence on which she bases her judgments. As the plot begins, her closest relationships are with her father, her sister Jane, her aunt (Mrs. Gardiner), and her best friend Charlotte Lucas. As the story progresses, so does her relationship with Mr. Darcy. The course of Elizabeth and Darcy's relationship is ultimately decided when Darcy overcomes his pride, and Elizabeth overcomes her prejudice, leading them both to surrender to their love for each other.

Mr. Darcy

Mr. Fitzwilliam Darcy is the male protagonist of the novel and is twenty eight years old. He is the wealthy owner of the renowned family estate of Pemberley in Derbyshire, and is rumoured to be worth at least £10,000 a year. This is equivalent to anywhere from around £200,000 ($290,120 USD) a year to around £10 million ($14.5 million USD) a year in 2014, depending on the method of calculation,[3] but such an income would have put him among the 400 wealthiest families in the country at the time.[4] Handsome, tall, and intelligent, Darcy lacks the social ease that comes so naturally to his friend Bingley. Others frequently mistake his aloof decorum and rectitude as further proof of excessive pride (he is the "pride" of the title). While he makes a poor impression on strangers, such as the landed gentry of Meryton, Darcy is greatly valued by those who know him well.

As the novel progresses, Darcy and Elizabeth are repeatedly forced into each other's company, resulting in each altering their feelings for the other through better acquaintance and changes in environment. At the end of the work, both overcome their differences and first impressions to fall in love with each other.[5]

Mr. Bennet

Mr Bennet is the patriarch of the Bennet family, a gentleman of modest income with five unmarried daughters. Mr. Bennet has an ironic, cynical sense of humour that irritates his wife. Though he loves his daughters (Elizabeth in particular), he often fails as a parent, preferring to withdraw from the never-ending marriage concerns of the women around him rather than offer help. In fact, he often enjoys laughing at the sillier members of his family, partially the reason many have fatal faults, as he has not taken pains to amend them. Although he possesses inherited property, it is entailed—that is, it can only pass to male heirs—so his daughters will be on their own upon his death.

Mrs. Bennet

Mrs. Bennet is the wife of her socially superior Mr. Bennet and mother of Elizabeth and her sisters. She is frivolous, excitable, and narrow-minded, and she imagines herself susceptible to attacks of tremors and palpitations when she is displeased. Her public manners and social climbing are embarrassing to Jane and Elizabeth. Her favourite daughter is the youngest, Lydia, who reminds her of herself when younger, though she values the beauty of the eldest, Jane. Her main ambition in life is to marry her daughters to wealthy men; whether or not any such matches will give her daughters happiness is of little concern to her.

Lady Catherine confronts Elizabeth about Darcy, on the title page of the first illustrated edition. This is the other of the first two illustrations of the novel.

Jane Bennet

In a letter to Cassandra dated May 1813, Jane Austen describes a picture she saw at a gallery which was a good likeness of "Mrs. Bingley" - Jane Bennet. Deirdre Le Faye in The World of Her Novels suggests that "Portrait of Mrs. Q-" is the picture Austen was referring to. (pp.201-203)

Jane Bennet is the eldest Bennet sister. Twenty-two years old when the novel begins, she is considered the most beautiful young lady in the neighbourhood. Her character is contrasted with Elizabeth's as sweeter, shyer, and equally sensible, but not as clever; her most notable trait is a desire to see only the good in others. As Anna Quindlen wrote, Jane is "sugar to Elizabeth's lemonade."[6] Jane is closest to Elizabeth, and her character is often contrasted with that of Elizabeth. She is favoured by her mother because of her beauty.

She falls in love with Mr. Bingley, a rich man who has recently moved to Hertfordshire, and a close friend of Mr. Darcy. Their love is initially thwarted by Mr. Darcy and Caroline Bingley, who are concerned by Jane's low connections and have other plans for Bingley. Mr. Darcy, aided by Elizabeth, eventually sees the error in his ways and is instrumental in bringing Jane and Bingley back together.

Mary Bennet

Mary Bennet is the only plain Bennet sister, and rather than join in some of the family activities, she mostly reads and plays music, although she is often impatient to display her accomplishments and is rather vain about them. She works hard for knowledge and accomplishment, but has neither genius nor taste. Like her two younger sisters, Kitty and Lydia, she is seen as being silly by Mr. Bennet. Mary is not very intelligent but thinks of herself as being wise. When Mr. Collins is refused by Elizabeth, Mrs. Bennet hopes Mary may be prevailed upon to accept him and we are led to believe that Mary has some hopes in this direction, but neither of them know that he is already engaged to Charlotte Lucas by this time. Mary does not appear often in the novel.

Catherine Bennet

Catherine, or Kitty, Bennet is the fourth daughter at 17 years old. She is the shadow of Lydia, although older than she, she follows in her pursuits of the 'Officers' of the regiment. She appears but little, although she is often portrayed as envious of Lydia and also a 'silly' young woman. However, it is said that she has improved by the end of the novel.

Lydia Bennet

Lydia Bennet is the youngest Bennet sister, aged 15 when the novel begins. She is frivolous and headstrong. Her main activity in life is socializing, especially flirting with the officers of the militia. This leads to her running off with George Wickham, although he has no intention of marrying her. She dominates her older sister Kitty and is supported in the family by her mother. Lydia shows no regard for the moral code of her society, and no remorse for the disgrace she causes her family.

Charles Bingley

Charles Bingley is a handsome, good-natured, and wealthy young gentleman (a Parvenu/Nouveau riche) of 23, who rents Netherfield Park near Longbourn. He is contrasted with his friend Mr. Darcy as being more kind and more charming and having more generally pleasing manners, although not quite so clever and experienced. He lacks resolve and is easily influenced by others. His two sisters, Caroline Bingley and Louisa Hurst, both disapprove of Bingley's growing affection for Jane Bennet.

Caroline Bingley

Caroline Bingley is the snobbish sister of Charles Bingley, with a dowry of twenty thousand pounds. Miss Bingley harbours romantic intentions for Mr. Darcy and therefore is jealous of his growing attachment to Elizabeth. She attempts to dissuade Mr. Darcy from liking Elizabeth by ridiculing the Bennet family in Darcy's presence, as she realises that this is the main aspect of Elizabeth with which she can find fault. She also attempts to convey her own superiority over Elizabeth, by being notably more polite and complimentary towards Darcy throughout. She often compliments his younger sister, Georgiana - suspecting that he will agree with what she says about her. Miss Bingley also disapproves of her brother's esteem for Jane Bennet, and it is acknowledged later that she, with Darcy, attempts to separate the couple. She sends Jane letters describing her brother's growing love for Georgiana Darcy, in attempt to convince Jane of Bingley's indifference towards her. When Jane goes to London she ignores her for a period of four weeks, despite Jane's frequent invitations for her to call upon her. When she eventually does, she is rude and cold, and is unapologetic for her failure to respond to Jane's letters. Jane, who is always determined not to find fault with anybody, is forced to admit that she had been deceived in thinking she had a genuine friendship with Caroline Bingley, the realisation of which she relays to Elizabeth in a letter.

George Wickham

George Wickham has been acquainted with Mr. Darcy since childhood, being the son of Mr. Darcy's father's steward. An officer in the militia, he is superficially charming and rapidly forms an attachment with Elizabeth Bennet. He spreads tales about the wrongs Mr. Darcy has done him, adding to the local society's prejudice, but eventually he is found to have been the wrongdoer himself. He runs off with Lydia, with no intention of marrying her, which would have resulted in her complete disgrace, but for Darcy's intervention to bribe Wickham to marry her.

William Collins

William Collins, aged 25, is Mr. Bennet's clergyman cousin and heir to his estate. He is "not a sensible man, and the deficiency of nature had been but little assisted by education or society". Mr. Collins is obsequious, and lacking in common sense. Elizabeth's rejection of Mr. Collins's marriage proposal is welcomed by her father, regardless of the financial benefit to the family of such a match. Mr. Collins then marries Elizabeth's friend, Charlotte Lucas.

Lady Catherine de Bourgh

Lady Catherine and Elizabeth by C. E. Brock, 1895

Lady Catherine de Bourgh, who possesses wealth and social standing, is haughty, pompous, domineering, and condescending, although her manner is seen by some as entirely proper and even admirable. Mr. Collins, for example, is shown to admire these characteristics by deferring to her opinions and desires. Elizabeth, by contrast, is duly respectful but not intimidated. Lady Catherine's nephew, Mr. Darcy, is offended by her lack of manners, especially towards Elizabeth, and he later courts her disapproval by marrying Elizabeth in spite of her numerous objections.

Mr and Mrs Gardiner

Mr and Mrs Gardiner: Edward Gardiner is Mrs. Bennet's brother and a successful lawyer of sensible and gentlemanly character. Aunt Gardiner is close to her nieces Jane and Elizabeth. Jane stays with the Gardiners in London for a period, and Elizabeth travels with them to Derbyshire, where she again meets Mr. Darcy. The Gardiners are quick in their perception of an attachment between Elizabeth and Mr. Darcy, and judge him without prejudice. They are both actively involved in helping Mr. Darcy arrange the marriage between Lydia and Mr. Wickham.

Georgiana Darcy

Georgiana Darcy is Mr. Darcy's quiet, amiable, and shy younger sister, aged 16 when the story begins. When 15, Miss Darcy almost eloped with Mr. Wickham, who sought her thirty thousand pound dowry. Miss Darcy is introduced to Elizabeth at Pemberley and is later delighted at the prospect of becoming her sister-in-law. Georgiana is extremely timid and gets embarrassed fairly easily. She idolises her brother Mr. Darcy (Fitzwilliam Darcy), and the two share an extremely close sibling bond, much like Jane and Elizabeth. She is extremely talented at the piano, singing, playing the harp, and drawing. She is also very modest.

Charlotte Lucas

Charlotte Lucas is Elizabeth's friend who, at 27 years old (and thus past prime marriage age), fears becoming a burden to her family and therefore agrees to marry Mr. Collins, whom she does not love, to gain financial security. Though the novel stresses the importance of love and understanding in marriage (as seen in the anticipated success of Elizabeth–Darcy relationship), Austen never seems to condemn Charlotte's decision to marry for money. Austen uses Lucas as the common voice of early 19th Century society's views on relationships and marriage. She is the daughter of Sir William Lucas and Lady Lucas, friends of Mrs. Bennet.

Louisa Hurst

Louisa Hurst is the older sister to Caroline Bingley and Charles Bingley, and wife of Mr. Hurst. She is the nicer of the two sisters, but like Caroline, she doesn't encourage her brother's admiration toward Jane Bennet because of her connections.

Interrelationships

A comprehensive web showing the relationships between the main characters in Pride and Prejudice

Family trees

Major themes

Many critics take the novel's title as a starting point when analysing the major themes of Pride and Prejudice; however, Robert Fox cautions against reading too much into the title because commercial factors may have played a role in its selection. "After the success of Sense and Sensibility, nothing would have seemed more natural than to bring out another novel of the same author using again the formula of antithesis and alliteration for the title. It should be pointed out that the qualities of the title are not exclusively assigned to one or the other of the protagonists; both Elizabeth and Darcy display pride and prejudice."[7] The title is very likely taken from a passage in Fanny Burney's popular 1782 novel Cecilia, a novel Austen is known to have admired:[8]

"The whole of this unfortunate business," said Dr. Lyster, "has been the result of PRIDE and PREJUDICE. ... Yet this, however, remember: if to PRIDE and PREJUDICE you owe your miseries, so wonderfully is good and evil balanced, that to PRIDE and PREJUDICE you will also owe their termination ..."[8][9] (capitalisation as in the original.)

A major theme in much of Austen's work is the importance of environment and upbringing on the development of young people's character and morality.[10] Social standing and wealth are not necessarily advantages in her world, and a further theme common to Austen's work is ineffectual parents. In Pride and Prejudice, the failure of Mr. and Mrs. Bennet as parents is blamed for Lydia's lack of moral judgment; Darcy, on the other hand, has been taught to be principled and scrupulously honourable, but he is also proud and overbearing.[10] Kitty, rescued from Lydia's bad influence and spending more time with her older sisters after they marry, is said to improve greatly in their superior society.[11]

Pride and Prejudice is also about that thing that all great novels consider, the search for self. And it is the first great novel that teaches us this search is as surely undertaken in the drawing room making small talk as in the pursuit of a great white whale or the public punishment of adultery.[12]

Marriage

The opening line of the novel announces: "It is a truth universally acknowledged, that a single man in possession of a good fortune must be in want of a wife."[13] This sets marriage as a central subject--and really, a central problem--for the novel generally. Readers are poised to question whether or not these single men are, in fact, in want of a wife, or if such desires are dictated by the "neighborhood" families and their daughters who require a "good fortune." Marriage becomes an economic rather than social activity. In the case of Charlotte Lucas, for example, the seeming success of the marriage lies in the comfortable economy of their household, while the relationship between Mr. and Mrs. Bennet serves to illustrate bad marriages based on attraction and surface over substance (economic and psychological). The Bennets' marriage is one such example that the youngest Bennet, Lydia, will come to re-enact with Wickham, and the results are far from felicitous. Though the central characters, Elizabeth and Darcy, begin the novel as hostile acquaintances and unlikely friends, they eventually work to understand each other and themselves so that they can marry each other on compatible terms personally, even if their "equal" social status remains fraught. Austen's complex sketching of different marriages ultimately allows readers to question what forms of alliance are desirable, especially when it comes to privileging economic, sexual, companionate attraction.

Wealth

Money plays a key role in the marriage market, not only for the young ladies seeking a well-off husband, but also for men who wish to marry a woman of means. Two examples are George Wickham, who tried to elope with Georgiana Darcy, and Colonel Fitzwilliam. Marrying a woman of a rich family also ensured a linkage to a high family as is visible in the desires of Bingley's sisters to have their brother married to Georgiana Darcy.

Inheritance was by descent, but could be further restricted by entailment, which would restrict inheritance to male heirs only. In the case of the Bennet family, Mr. Collins was to inherit the family farm upon Mr. Bennet's death and his proposal to Elizabeth would have allowed her to have a share. Nevertheless, she refused his offer. Inheritance laws benefited males because most women did not have independent legal rights until the second half of the 19th century. As a consequence, women's financial security at the time the novel is set depended on men. For the upper middle and aristocratic classes, marriage to a man with a reliable income was almost the only route to security for the woman and her future children.[14]

Class

Even as Austen is known for her "romances," almost all of the marriages that take place in her novels engage with some form or another on the economic concerns involved in the matches. Pride and Prejudice is hardly the exception. When Darcy proposes to Elizabeth, he cites their economic and social differences as an obstacle his excessive love has had to overcome, though he still anxiously harps on the problems it poses for him within his social circle. His aunt, Lady Catherine, later characterizes these differences in particularly harsh when she conveys what Elizabeth's marriage to Darcy will become: "Will the shades of Pemberley be thus polluted?" Though Elizabeth responds to Lady Catherine's accusations as to her potentially contaminating economic and social position (she insists she and Darcy are "equals"), Lady Catherine refuses to accept Darcy's actual marriage to Elizabeth even as the novel closes.

Meanwhile, the Bingleys present a particular problem for navigating social class. Though Caroline Bingley and Mrs. Hurst behave and speak of others as if they have always belonged in the upper echelons of society, Austen makes a point to explain that the Bingleys acquired their wealth by trade rather than through the gentry's and aristocracy's methods of inheriting estates and making money of the tenants (landlords). The fact that Bingley rents Netherfield Hall (it is, after all, "to let") distinguishes him significantly from Darcy, whose estate belonged to his father, who in turn was the younger son of an Earl. Bingley, unlike Darcy, does not own his property, but he has portable and growing wealth that makes him a good catch on the marriage market for daughters of the gentility, like the Jane Bennet, who have the social status (they're of "good family") but require the money.

Self knowledge

Elizabeth and Darcy were not born a great match. It is through their interactions and their critiques of each other that they recognise their faults and work to correct them. Elizabeth meditates on her own mistakes thoroughly in chapter 36: "How despicably have I acted!" she cried; "I, who have prided myself on my discernment! I, who have valued myself on my abilities! who have often disdained the generous candour of my sister, and gratified my vanity in useless or blameable distrust. How humiliating is this discovery! yet, how just a humiliation! Had I been in love, I could not have been more wretchedly blind. But vanity, not love, has been my folly. Pleased with the preference of one, and offended by the neglect of the other, on the very beginning of our acquaintance, I have courted prepossession and ignorance, and driven reason away, where either were concerned. Till this moment I never knew myself."

Style

Pride and Prejudice, like most of Austen's other works, employs the narrative technique of free indirect speech, which has been defined as 'the free representation of a character's speech, by which one means, not words actually spoken by a character, but the words that typify the character's thoughts, or the way the character would think or speak, if she thought or spoke'.[15] Austen creates her characters with a fully developed personalities and unique voices. Though Darcy and Bennet are very alike, they are also immensely different. [16] By using narrative that adopts the tone and vocabulary of a particular character (in this case, Elizabeth), Austen invites the reader to follow events from Elizabeth's viewpoint, sharing her prejudices and misapprehensions. 'The learning curve, while undergone by both protagonists, is disclosed to us solely through Elizabeth's point of view and her free indirect speech is essential ... for it is through it that we remain caught, if not stuck, within Elizabeth's misprisions'.[15]

Publication history

Title page of a 1907 edition illustrated by C. E. Brock

Austen began writing the novel after staying at Goodnestone Park in Kent with her brother Edward and his wife in 1796.[17] It was originally titled First Impressions, and was written between October 1796 and August 1797.[18] On 1 November 1797 Austen's father sent a letter to London bookseller Thomas Cadell to ask if he had any interest in seeing the manuscript, but the offer was declined by return of post.[19]

Austen made significant revisions to the manuscript for First Impressions between 1811 and 1812.[18] As nothing remains of the original manuscript, we are reduced to conjecture. From the large number of letters in the final novel, it is assumed that First Impressions was an epistolary novel.[20] She later renamed the story Pride and Prejudice. In renaming the novel, Austen probably had in mind the "sufferings and oppositions" summarised in the final chapter of Fanny Burney's Cecilia, called "Pride and Prejudice", where the phrase appears three times in block capitals.[10] It is possible that the novel's original title was altered to avoid confusion with other works. In the years between the completion of First Impressions and its revision into Pride and Prejudice, two other works had been published under that name: a novel by Margaret Holford and a comedy by Horace Smith.[19]

Austen sold the copyright for the novel to Thomas Egerton of Whitehall in exchange for £110 (Austen had asked for £150).[21] This proved a costly decision. Austen had published Sense and Sensibility on a commission basis, whereby she indemnified the publisher against any losses and received any profits, less costs and the publisher's commission. Unaware that Sense and Sensibility would sell out its edition, making her £140,[19] she passed the copyright to Egerton for a one-off payment, meaning that all the risk (and all the profits) would be his. Jan Fergus has calculated that Egerton subsequently made around £450 from just the first two editions of the book.[22]

Egerton published the first edition of Pride and Prejudice in three hardcover volumes on 27 January 1813.[23] It was advertised in the Morning Chronicle, priced at 18s.[18] Favourable reviews saw this edition sold out, with a second edition published in November that year. A third edition was published in 1817.[21]

Foreign language translations first appeared in 1813 in French; subsequent translations were published in German, Danish, and Swedish.[24] Pride and Prejudice was first published in the United States in August 1832 as Elizabeth Bennet or, Pride and Prejudice.[21] The novel was also included in Richard Bentley's Standard Novel series in 1833. R. W. Chapman's scholarly edition of Pride and Prejudice, first published in 1923, has become the standard edition from which many modern publications of the novel are based.[21]

Reception

Originally

You could not shock her more than she shocks me,
 Beside her Joyce seems innocent as grass.
 It makes me most uncomfortable to see
 An English spinster of the middle class
 Describe the amorous effects of 'brass',
 Reveal so frankly and with such sobriety
 The economic basis of society.

W.H.Auden (1937) on Austen[25]

The novel was well received, with three favourable reviews in the first months following publication.[22] Anne Isabella Milbanke, later to be the wife of Lord Byron, called it "the fashionable novel".[22] Noted critic and reviewer George Henry Lewes declared that he "would rather have written Pride and Prejudice, or Tom Jones, than any of the Waverley Novels".[25]

Charlotte Brontë, however, in a letter to Lewes, wrote that Pride and Prejudice was a disappointment, "a carefully fenced, highly cultivated garden, with neat borders and delicate flowers; but ... no open country, no fresh air, no blue hill, no bonny beck."[25]

Modern popularity

Adaptations

Film, television and theatre

Pride and Prejudice has engendered numerous adaptations. Some of the notable film versions include that of 1940, starring Greer Garson and Laurence Olivier[35] (based in part on Helen Jerome's 1936 stage adaptation) and that of 2005, starring Keira Knightley (an Oscar-nominated performance) and Matthew Macfadyen.[36] Notable television versions include two by the BBC: the popular 1995 version, starring Jennifer Ehle and Colin Firth, and a 1980 version starring Elizabeth Garvie and David Rintoul.

A 1936 stage version was created by Helen Jerome played at the St. James's Theatre in London, starring Celia Johnson and Hugh Williams. First Impressions was a 1959 Broadway musical version starring Polly Bergen, Farley Granger, and Hermione Gingold.[37] In 1995, a musical concept album was written by Bernard J. Taylor, with Claire Moore in the role of Elizabeth Bennet and Peter Karrie in the role of Mr. Darcy.[38] A new stage production, Jane Austen's Pride and Prejudice, The New Musical, was presented in concert on 21 October 2008 in Rochester, New York, with Colin Donnell as Darcy.[39]

Literature

The novel has inspired a number of other works that are not direct adaptations. Books inspired by Pride and Prejudice include the following: Mr. Darcy's Daughters and The Exploits and Adventures of Miss Alethea Darcy by Elizabeth Aston; Darcy's Story (a best seller) and Dialogue with Darcy by Janet Aylmer; Pemberley: Or Pride and Prejudice Continued and An Unequal Marriage: Or Pride and Prejudice Twenty Years Later by Emma Tennant; The Book of Ruth by Helen Baker (author); Jane Austen Ruined My Life and Mr. Darcy Broke My Heart by Beth Pattillo; Precipitation – A Continuation of Miss Jane Austen's Pride and Prejudice by Helen Baker (author); Searching for Pemberley by Mary Simonsen and Mr. Darcy Takes a Wife and its sequel Darcy & Elizabeth: Nights and Days at Pemberly by Linda Berdoll.

In Gwyn Cready's comedic romance novel, Seducing Mr. Darcy, the heroine lands in Pride and Prejudice by way of magic massage, has a fling with Darcy and unknowingly changes the rest of the story.

Abigail Reynolds is the author of 7 Regency-set variations on Pride and Prejudice. Her Pemberley Variations series includes Mr. Darcy's Obsession, To Conquer Mr. Darcy, What Would Mr. Darcy Do and Mr. Fitzwilliam Darcy: The Last Man in the World. Her modern adaptation, The Man Who Loved Pride and Prejudice, is set on Cape Cod.[40]

Helen Fielding's 1996 novel Bridget Jones's Diary is also based on Pride and Prejudice and spawned a feature film of the same name, released in 2001.

In March 2009, Quirk Books released Pride and Prejudice and Zombies, which takes Austen's actual, original work and mashes it up with zombie hordes, cannibalism, ninja and ultraviolent mayhem.[41] In March 2010, Quirk Books published a prequel that deals with Elizabeth Bennet's early days as a zombie hunter, Pride and Prejudice and Zombies: Dawn of the Dreadfuls.[42] In 2016, a movie of the aforementioned contemporary literature adaptation was released starring Lily James and Matt Smith.

In 2011, author Mitzi Szereto expanded on the novel in Pride and Prejudice: Hidden Lusts, a historical sex parody that parallels the original plot and writing style of Jane Austen.

Marvel has also published their take on this classic by releasing a short comic series of five issues that stays true to the original storyline. The first issue was published on 1 April 2009 and was written by Nancy Hajeski.[43] It was published as a graphic novel in 2010 with artwork by Hugo Petrus.

Pamela Aidan is the author of a trilogy of books telling the story of Pride and Prejudice from Mr. Darcy's point of view: Fitzwilliam Darcy, Gentleman. The books are An Assembly Such as This,[44] Duty and Desire[45] and These Three Remain.[46]

Detective novel author P.D. James has written a book titled Death Comes to Pemberley, which is a murder mystery set six years after Elizabeth and Darcy's marriage.[47]

Sandra Lerner's sequel to Pride and Prejudice, Second Impressions, develops the story and imagined what might have happened to the original novel's characters. It is written in the style of Austen after extensive research into the period and language and published in 2011 under the pen name of Ava Farmer.[48]

Jo Baker's 2013 novel Longbourn imagines the lives of the servants of Pride and Prejudice.[49]

See also

References

  1. ↑ "Monstersandcritics.com". Monstersandcritics.com. 7 May 2009. Retrieved 27 January 2012.
  2. ↑ Janet M. Todd (2005), Books.Google.com, Jane Austen in Context, Cambridge University Press p. 127
  3. ↑ Tim Worstall (31 August 2014). "Using Mr. Darcy's Income To Disprove Thomas Piketty". Forbes.
  4. ↑ Austen, Jane (1996). Pride and Prejudice, Penguin Classics, note 2 to Chapter 3
  5. ↑ Austen, Jane, and Carol Howard. Pride and Prejudice. New York: Barnes & Noble Classics Collection, 2003.
  6. ↑ Quindlen, Anna (1995). "Introduction". Pride and Prejudice. New York: Modern Library. p. viii. ISBN 0-679-60168-6.
  7. ↑ Fox, Robert C. (September 1962). "Elizabeth Bennet: Prejudice or Vanity?". Nineteenth-Century Fiction (University of California Press) 17 (2): 185–187. JSTOR 2932520.
  8. 1 2 Dexter, Gary (10 August 2008). "The Telegraph, How Pride And Prejudice got its name". The Daily Telegraph. Retrieved 27 April 2015.
  9. ↑ Fanny Burney (1782). Cecilia: Or, Memoirs of an Heiress. T. Payne and son and T. Cadell. pp. 379–380.
  10. 1 2 3 Pinion, F B (1973). A Jane Austen. Companion. Macmillan. ISBN 0-333-12489-8.
  11. ↑ Austen, Jane. Pride and Prejudice, Ch 61.
  12. ↑ Quindlen, Anna (1995). "Introduction". Pride and Prejudice. New York: Modern Library. p. vii. ISBN 0-679-60168-6.
  13. ↑ Austen, Jane. Pride and Prejudice, Ch 1.
  14. ↑ Chung, Ching-Yi (July 2013). "Gender and class oppression in Jane Austen's Pride and Prejudice". IRWLE 9 (2).
  15. 1 2 Miles, Robert (2003). Jane Austen. Writers and Their Work. Tavistock: Northcote House in association with the British Council. ISBN 0-7463-0876-0.
  16. ↑ Baker, Amy. "Caught In The Act Of Greatness: Jane Austen's Characterization Of Elizabeth And Darcy By Sentence Structure In PRIDE AND PREJUDICE." Explicator 72.3 (2014): 169-178. Academic Search Complete. Web. 16 Feb. 2016.
  17. ↑ "History of Goodnestone". Goodnestone Park Gardens. Retrieved 26 August 2010.
  18. 1 2 3 Le Faye, Deidre (2002). Jane Austen: The World of Her Novels. New York: Harry N. Abrams. ISBN 0-8109-3285-7.
  19. 1 2 3 Rogers, Pat (ed.) (2006). The Cambridge Edition of the Works of Jane Austen: Pride and Prejudice. Cambridge University Press. ISBN 978-0-521-82514-6.
  20. ↑ This theory is defended by "Character and Caricature in Jane Austen" by DW Harding in Critical Essays on Jane Austen (BC Southam Edition, London 1968) and Brian Southam in Southam, B.C. (2001). Jane Austen's literary manuscripts : a study of the novelist's development through the surviving papers (New ed.). London: the Athlone press / Continuum. pp. 58–59. ISBN 9780826490704.
  21. 1 2 3 4 Stafford, Fiona (2004). "Notes on the Text". Pride and Prejudice. Oxford World's Classics (ed. James Kinley). Oxford: Oxford University Press. ISBN 0-19-280238-0.
  22. 1 2 3 Fergus, Jan (1997). "The professional woman writer". In E Copeland and J McMaster. The Cambridge Companion to Jane Austen. Cambridge University Press. ISBN 0-521-49867-8.
  23. ↑ "Anniversaries of 2013". Daily Telegraph. 28 December 2012.
  24. ↑ Valérie Cossy and Diego Saglia. "Translations". Jane Austen in Context. Ed. Janet Todd. Cambridge: Cambridge University Press, 2005. ISBN 0-521-82644-6
  25. 1 2 3 Southam, B. C. (ed) (1995). Jane Austen: The Critical Heritage 1. New York: Routledge. ISBN 978-0-415-13456-9.
  26. ↑ "BBC – The Big Read – Top 100 Books". May 2003. Retrieved 12 May 2008.
  27. ↑ "Aussie readers vote Pride and Prejudice best book". thewest.com.au.
  28. ↑ "200th Anniversary Of 'Pride And Prejudice': A HuffPost Books Austenganza". The Huffington Post.
  29. ↑ Schuessler, Jennifer (January 28, 2013). "Austen Fans to Celebrate 200 Years of 'Pride and Prejudice'". New York Times. Retrieved February 7, 2015.
  30. ↑ "Video: Jane Austen celebrated on 200th anniversary of Pride and Prejudice publication - Telegraph". Telegraph.co.uk. 28 January 2013.
  31. ↑ ABC News. "'Pride and Prejudice' 200th Anniversary". ABC News.
  32. ↑ "Queensbridge Publishing: Pride and Prejudice 200th Anniversary Edition by Jane Austen". queensbridgepublishing.com.
  33. ↑ "TED Talks to celebrate the 200th anniversary of Pride and Prejudice - TED Blog". TED Blog.
  34. ↑ Rothman, Lily. "Happy 200th Birthday, Pride & Prejudice…and Happy Sundance, Too: The writer/director of the Sundance hit 'Austenland' talks to TIME about why we still love Mr. Darcy centuries years later". Time. Retrieved February 7, 2015.
  35. ↑ Pride and Prejudice (1940) at the Internet Movie Database
  36. ↑ Pride and Prejudice (2005) at the Internet Movie Database
  37. ↑ "''First Impressions'' the Broadway Musical". Janeaustensworld.wordpress.com. 6 November 2008. Retrieved 27 January 2012.
  38. ↑ "''Pride and Prejudice'' (1995)". Bernardjtaylor.com. Retrieved 27 January 2012.
  39. ↑ "PRIDE AND PREJUDICE, the Musical". prideandprejudicemusical.com.
  40. ↑ "Abigail Reynolds Author Page". Amazon.com. Retrieved 27 July 2012.
  41. ↑ Grossman, Lev (April 2009). "Pride and Prejudice, Now with Zombies". TIME Magazine. Retrieved 26 April 2009.
  42. ↑ "Quirkclassics.com". Quirkclassics.com. Retrieved 27 January 2012.
  43. ↑ "Marvel.com". Marvel.com. Retrieved 27 January 2012.
  44. ↑ Aidan, Pamela. An Assembly Such as This. ISBN 978-0-7432-9134-7.
  45. ↑ Aidan, Pamela. Duty and Desire. ISBN 978-0-9728529-1-3.
  46. ↑ Aidan, Pamela. These Three Remain. ISBN 978-0-7432-9137-8.
  47. ↑ Hislop, Victoria. "Death Comes to Pemberley: Amazon.co.uk: Baroness P. D. James: 9780571283576: Books". Amazon.co.uk. Retrieved 27 January 2012.
  48. ↑ Farmer, Ava (2011). Second Impressions. Chawton, Hampshire, England: Chawton House Press. ISBN 1613647506.
  49. ↑ Baker, Jo (8 October 2013). Longbourn. Alfred A. Knopf. ISBN 978-0385351232.

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