Gilad Hochman

Gilad Hochman (Hebrew: גילעד הוכמן; born 26 July 1982 in Herzliya) is an Israeli classical music composer. Gilad Hochman was born to an Odessa native father and a Paris native mother and currently resides in Berlin, Germany.

Education

Hochman began his musical life at the age of 6, studying the piano. He started composing at the age of 9 and at 18 graduated from the Herzeli'ya Music Conservatory, where he studied under composer Ilya Heifets and pianist Mark Shaviner. In 2007 Hochman graduated with honors from the Buchman-Mehta School of Music at Tel Aviv University, studying composition under Gil Shohat and theoretical subjects under some of Israel’s leading senior musicians.

Compositions

Hochman’s music was described as “written with a true artist’s hand”,[1] “the highpoint of an exciting performance”,[2] “sheds new light on customary expressions in music”[3] and as “original, fascinating, unusual and colorful” by the Israeli Prime Minister Award committee in 2007. Hochman was also defined as “one of Israel’s most important composers” in an article concerning “composer Gilad Hochman’s meteoric career",[4] as "a rising star in the classical music world"[5] and as an "already well known classical composer"[6] by the BBC.

Amongst his many achievements, at the age of 24 Hochman became the youngest composer to be awarded the prestigious Israeli Prime Minister Award (2007) for his artistic work. At age 22 he was the youngest to be appointed composer in residence by one of Israel’s most known orchestras, Ra’anana Symphonette. He founded and artistically directed the Arco String Ensemble and the New Sounds concert series of the Israel Composers’ League and in 2007 won a merit certificate from the city of Ra'anana.

Whom My Soul Loveth for solo cello and SSAATB choir
Aachen Chamber Choir; Martin te Laak – conductor, Walter Mengler – cello.

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Hochman's oeuvre includes a wide range of compositions for solo instruments, chamber music, choirs and orchestras which reflects a variety of aesthetic approaches. His music is, on the one hand, a continuation of classical music’s development, yet on the other hand he puts a great emphasis on themes relating to the Jewish tradition and his Israeli origin. His diverse body of works includes Whom My Soul Loveth for solo cello and mixed choir. The piece explores feeling of human yearning and is based upon a single verse from the biblical Solomon's Song of Songs (3:1). In this work Hochman defines, in an original fashion, the place of the individual cello vis-à-vis the choir surrounding it, creating a fascinating dialogue that shifts between a whispered prayer and dramatic, powerfully expressive climaxes. The uniqueness of this work does not derive solely from the unconventional ensemble, but more significantly from Hochman’s sensitive treatment of the melodic phrases, the gradual construction of the dramatic progression and the way in which the distinctive artistic goal is reached in the end. This composition was commissioned by the Chorbiennale of Aachen, Germany in year 2009.

Hochman’s music is often commissioned and performed by leading musicians and music institutes worldwide. It was played, among others, by Oriol Ensemble, the Deutsches Kammerorchester Berlin, Synergy Ensemble, Musica Nova Ensemble, XelmYa Ensemble – Berlin, Ensemble Meitar, Ensemble Sirenot, the Aachener Kammerchor, Studium Chorale, Tel Aviv Soloists Ensemble and the Israel Chamber Orchestra. It was also performed at the Heidelberg Biennale for New Music, Aachen International Chorbiennale, Israel Music Fest, the Israeli Schubertiade, Musica Sacra Festival - Maastricht and in dozens of different concert series and in music academies like Sibelius Academy (Helsinki), UdK (Berlin), Guildhall School of Music (London), Juilliard (New York) and Rubin (Jerusalem).

Notable performances

Notable performances of Hochman's work include two retrospective concerts in Germany, at the (Hochschule für Musik Mainz in November 2009 and at Bochum Art Museum in April 2011, an orchestral debut concert at the Berlin Philharmonie (January 2013), a debut concert at Rachmaninov Hall of the Moscow Tchaikovsky Conservatory in February 2013 and an orchestral debut at London's St James's Church, Piccadilly of his Fantasia Concertante for mandolin and string orchestra (April 2014). In October 2015 Hochman's orchestral piece “Suspended Reality” was played in a concert tour by the Israel Sinfonietta Beer Sheva and the Philharmonie der Nationen under conductor Justus Frantz, starting with its premiere at the German Parliament and continuing with concerts at the Alte Oper Frankfurt, Wuppertal's Stadthalle and Tel Aviv's Opera House, among others.

  1. Binur, O: Ma’ariv newspaper. Press, 2006.
  2. Miller, M: Tempo Magazine. Press, 2006.
  3. Ben-Ze’ev, N: Ha’aretz newspaper. Academic Press, 2008.
  4. Nielsen, C: Deutschland Magazine, 2009.
  5. Mailliet, A: France 24. Press, 2009.
  6. Pommert, K: BBC World Service. Press, 2009.

External links

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