Glenn Henry (band leader)

This article is about the big band leader. For the IT entrepreneur, see Glenn Henry (IT entrepreneur). For the circus entertainer, see Glen Monroe Henry. For a disambiguation, see Glenn Henry.
Glenn Alby Henry Jr.
Birth name Glenn Alby Henry, Jr.
Born (1915-08-29)August 29, 1915
Terril, Iowa
Died July 29, 1993(1993-07-29) (aged 77)
Santa Barbara, California
Genres Big band
Occupation(s) Band leader
Instruments Clarinet, alto sax, vocals
Years active 1935–1970
Labels Miltone
Associated acts Glen Henry and His Orchestra

Glenn Henry (sometimes billed as Glen Henry; né Glenn Alby Henry, Jr.; 29 August 1915 Terril, Iowa – 29 July 1993 Santa Barbara, California) was an American band leader of a popular West Coast big band bearing his name, "Glenn Henry and His Orchestra."[1]

History

General

Henry's orchestra, a 14 and sometimes 15-piece group, flourished between 1935 and the 1950s, and featured various female solo vocalists and the Quintones. Henry fronted his band as a clarinetist, saxophonist, and vocalist.

Before World War II

Henry's band was initially based out of Pocatello, Idaho – while he was a student at Idaho State University beginning 1934, studying to be an engineer. The band's first major commercial engagement was in 1935 at the Old Faithful Lodge at Yellowstone National Park. The band received high acclaim and returned to Yellowstone for five consecutive seasons.[lower-alpha 1] In 1936, at the Pocatello High School Senior Ball, his orchestra was called "Glenn Henry and His Idahoans." Henry eventually moved to the Los Angeles area. In late 1942, Henry's Orchestra performed throughout the Pacific Coast on a USO tour.

In the fall of 1942, Henry's Orchestra was designated a Coca-Cola Spotlight Band; and, on December 25, 1942 — midway through a 13-week engagement in Seattle — 15 minutes of a live performance by the band, from Fort Lewis, Washington, was broadcast over the Blue Network as part of the longest show in radio history, and most widely aired, featuring what then was deemed the best big bands in the country — 43 bands from 43 locations, coast-to-coast.[2][3][4]

During World War II

RCA presented a touring contract and eventual record contract to Henry in 1942. After embarking up the first few dates, Henry was drafted thus putting a halt to the tour and eventual recording contract. For two-and-one-half-years during World War II, Henry served in the U.S. Army ground forces with the 96th Infantry Division band as band leader.

After World War II

After the war, Henry received an honorable discharge and re-organized his band in Los Angeles. In 1946, Henry's Orchestra regularly broadcast under the tag line, "For Those Who Prefer Music." In the late 1960s, Henry became an independent booking agent for bands,[5] operating under the name "Glenn Henry Entertainment Agency." Henry maintained that avocation until shortly before his death in 1993. Henry's performing career endured after the decline of big bands in the 1950s, leading combos through the 1970s, featuring his wife on vocals, performing mostly local engagements and special events, in and around Santa Barbara.[6] Harry Johnson, his pianist, became the office manager with the Glenn Henry Entertainment Agency.

Bookings on the East Coast for Glenn Henry's Orchestra were rare. However, the Glenn Henry Orchestra made its debut east of the Mississippi in a moonlight performance aboard the S.S. Bear Mountain showboat on June 13, 1949. The boat had been rented by Congress for that night.[7]

In 1959, Henry's quartet — composed of the same personnel that recorded the 1964 album featuring his wife, Shades of Cherie — completed a 33-week engagement at the Windsor Hotel in Bermuda. From about 1958 to 1960, Henry led a quartet at venues such as Harrah's Lake Tahoe and Harrah's Reno.

In 1969, when the Seabees put on a 27-year anniversary celebration attended by over 4000 naval and civilian personnel at the Naval Construction Battalion Center at Port Hueneme, the entertainment was provided by the Glenn Henry Orchestra and popular USO entertainers Joy Wilkerson (née Gladys Joy Wright; 1930–2011) — actress and Playboy Bunny — as well as "Honey Ltd.," a female vocal quartet, and "The Party of Four," another female vocal quartet.[8]

Style

Beginning around the late 1940s, Henry's orchestra had over 300 arrangements.

Impressions in Rhythm

After World War II, Henry's arranger, pianist, and vocalist Bill Dixon arranged recognizable vignettes of hummable classical works and adopted the tag line, "Impressions in Rhythm." Dixon, one of the original members in Henry's new band after World War II, explained that the "Impressions" were melodic classical works set to pleasant dance tempos. The arrangements included Tchaikovsky's Piano Concerto, Debussy's Clair de Lune, Debussy's Afternoon of a Faun, Massenet's Elegie, Rubinstein's Kamennoi Ostrow, Rachmaninoff's Piano Concerto No. 2, Addinsell's Warsaw Concerto, Chopin's Fantaisie Impromptu, and Beethoven's Moonlight Sonata.[9]

General repertoire

Henry's dance orchestra repertoire was diverse and included a full-range of swing arrangements, but performance sets typically leaned toward popular songs and danceable music in a sweet genre, close to Glenn Miller, but sweeter, but not as sweet as Jan Garber or Lawrence Welk. Henry's orchestra had enough original compositions and arrangements that distinguished it with its own sound and style. In other words, his bands throughout the years could not be characterized as mostly a cover band.

Selected band alumni

Vocalists
  • Velma Sherrell, vocalist, was the initial pseudonym for Evelyn Dinsmoor, a nationally publicized beauty queen from Long Beach, California, who joined Henry's Orchestra around December 18, 1942
  • Evelyn Dinsmoor (née Evelyn Louise Dinsmoor; 1923–1995), vocalist who married Glenn Henry on March 31, 1943, in Los Angeles County; she also was a Hollywood starlet, having had an appearance in the 1943 film, Silver Skates; she started with Glenn Henry's band during their fifth of thirteen weeks at the Trianon Ballroom in Seattle, in December 1942.[10]
  • Maxine Elliott was in the band in the 1950; she had a minor role in the film Copacabana
  • Cherie Lynn (née Cherie Lou Christensen; 1932–2007), vocalist, married Glenn Henry in 1951, and remained married to him until his death
  • Chris Henry, featured female vocalist from about May 1946 through 1948 also had a short marriage with Glenn during this time; she had a minor role the 1946 film, Night and Day
  • Melody Four, featured quartet in 1946
  • Glenn Trio, instrumental trio featured in 1946
  • The Quintones, began around 1948, replacing the Melody Four
  • Glen Henry Glee Club
Trumpets
  • Jack Maurice Millman (de) (born 1930)
  • Roy Munson was with Henry's band in 1942
  • Robert Andrew Ontiveros (1950-2011)
  • Ruben McFall (born 1931)
Trombones
Saxophones, woodwinds
  • Joe Maini (1930–1964) was with Henry's band in 1950
  • Bill Hood (né William H. Hood; 1924–1992), tenor saxophonist, was with Henry's band in 1942
  • Lennie Niehaus, alto saxophonist
  • Bill Trujillo (né William Lee Trujillo; born 1930), tenor saxophonist, began his first job as a professional musician with Henry's Orchestra at age 16 (1946)
  • Bob Sennett, bari sax and composer, began working with Henry in 1963
Rhythm section
  • Swede Meredith (né Howard Bradley Meredith; 1924–2003), drummer, vocalist, arranger, and featured percussionist of African-Cuban Rhythms[12]
  • Bill Dixon, featured arranger, pianist in 1946
Original members
  • Glenn Henry, clarinetist, saxophonist, vocalist, leader
  • Ralph Roberts
  • Charley Waring (né Charles Denny Waring; 1918–1998)
  • Werner Arnold Erickson (1917–2005)
  • Bob Grady
1941 Members
  • Glenn Henry
  • T.D. Jones (né Thomas Daniels Jones; 1923–1990) of Malad City, Idaho
  • Bob Watson
  • Art Angelelli
  • Melvin Anderson
  • Keith Albano (né Harold Keith Albano; 1922–2006)
  • Charley Waring (né Charles Denny Waring; 1918–1998)
  • Orville Hansen
  • George Ganz[13]
Manager
  • Donald Richard Larrabee (born 1923), began working for Glenn Henry after the War, while the band was playing at the Aragon Ballroom[14]
Booking
  • Beginning September 1941, MCA managed the booking for the Glenn Henry Orchestra.

In 1952, eight members of the band, including vocalist Cherie Lynn, attended three Long Beach high schools at the same time and played together at all the proms and balls.

Random dates

Selected discography

Glen Henry Orchestra
Miltone Records, 78 rpm[15][16][17]
5253 A: "So In Love," by Cole Porter, Maxine Elliott, vocalist
5253 B: "Three Little Words," by Kalmar and Ruby

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5255 A: "Bongo Minor," arranged by Bill Dixon, Swede Meredith (né Howard Bradley Meredith; 1924–2003), percussion soloist
5255 B: "Why Can't You Behave?" by Cole Porter, Maxine Elliott, vocalist

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5258 A: "Why Can't You Behave?" by Cole Porter, Maxine Elliott, vocalist
5258 B: "Yes, I'm In Love," by Harvey Brooks — Joe Alexander and Glenn Henry Orchestra, Joe Alexander, vocalist

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5265 A: "Envy," sung by Roy Cordell (né Roy Leadbetter Cordell; 1925–1994) with Studio Orchestra (Glenn Henry is not credited on this track)
5265 B: "Snow Shoes," by Johnson, Meredith, and Henry
Other labels
A: "Envy," performed by Roy Cordell and Studio Orchestra (Glenn Henry is not credited on this track)
B: "Bongo Minor," arranged by Bill Dixon, Swede Meredith (né Howard Bradley Meredith; 1924–2003), percussion soloist

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  • Shades of Cherie, Cherie Lynn with the Glenn Henry Quartet (LP Album)
Recorded in 1964 in Hollywood, California
Produced by Glenn Henry
Personnel: Cherie Lynn (née Cherie Lou Christensen, Glenn Henry's wife; 1932–2007), vocalist on 1–7; Glenn Henry, clarinet and alto sax; Harry Johnson (né Harold Johnson), piano; Jim Marquard (né James William Marquard; 1929–2008), bass and trombone on 12; Harry Smallenburg (né Harry Russell Smallenburg; born 1942), drums
Original LP released by Breeze Records[lower-alpha 2]
LP re-released in Japan in 1995 Breeze / Norma NLP 5514, Japan (mono)
Re-released as a CD on March 23, 2011, AMJ Jazz Collection, manufactured by Absorb Music Japan, Inc. (Absorb ABCJ-627), distributed by King Records Co., Ltd.[lower-alpha 3]
Side 1
  1. "Day In Day Out," by Bloom & Mercer
  2. "Angel Eyes," by Brent & Dennis
  3. "Happiness is a Thing Called Joe," by Arlen & Harburg
  4. "Early Autumn," by Herman, Burns & Mercer
  5. "Old Devil Moon," by Lane & Harburg
  6. "Baubles, Bangles, & Beads," by Forrest & Wright
  7. "Scarlet Ribbons," by Danzig & Segal
Side 2
  1. "Take Me Out To The Ball Game"
  2. "The Breeze and I," by Lecuona
  3. "Street of Dreams"
  4. "Serenade in Blue," by Gordon & Warren
  5. "Our Love is Here To Stay," by Gershwin
  6. "I Loves You, Porgy," by Gershwin

Family

Henry, born in Iowa, moved with his family to California when he was one. Before Henry had turned four, his family had moved to San Bernardino, California. By the time he was five, his family was living in Pocatello, Idaho. His father, Glenn Alby Henry, Sr. (1890–1950), had been a telegraph operator and, from 1934, worked for Union Pacific and an agent, moving to Victor, then to Blackfoot, Idaho. Glenn, Jr., was married three times:

References

Notes
  1. ↑ Courtesy National Park Service, Yellowstone National Park Archives, "Interview with Glenn Henry Orchestra," by Tom Tankersley (1990); 96-21 (cassette)
    Note: The Glenn Henry Orchestra performed at the Old Faithful Inn from 1935 to 1938. Tankersley (né John Thomas Tankersley; born 1953), at the time of the interview, was a Yellowstone Park Historian and Archivist. He interviewed five of the original members of the band: Glenn Henry, Ralph Roberts, Charley Waring (né Charles Denny Waring; 1918–1998), Werner Arnold Erickson (1917–2005), and Bob Grady. The interview is based on the band's experiences as performers in Yellowstone during the 1930s, and their observations of how the park has changed. The file consists of one tape. The Yellowstone National Park Archives are part of the Heritage & Research Center, located in Gardiner, Montana

  2. ↑ Breeze Records was owned and operated by Glenn Alby Henry Jr.

  3. ↑ According to Glenn Alby Henry III in 2015, the surviving children — direct decedents of the marriage union of Glenn Alby Henry, Jr., and Cherie Lynn (Lou) Henry — neither approve nor endorse the release of the CD Shades of Cherie on the 1995 and/or 2011 Japanese label. Henry contends that the release by the Japanese label is unauthorized in that it was done without express written consent of the surviving children, specifically without the express written consent of the executors of the Henry Family Trust. Moreover, the surviving family receives no proceeds of the sales of this CD. Henry contends that the recording was made for family and friends, only.

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Inline citations
  1. ↑ pg. 3, Montana Standard, May 30, 1951
  2. ↑ "Nation's Top Bands Parade Christmas Day," Dallas Morning News, December 25, 1942, Sec I, pg. 9
  3. 1 2 "Trianon Re-Books Glenn Henry Band," Seattle Daily Times, December 25, 1942, pg. 5
  4. 1 2 "Uncle Sam's Christmas Tree," by Hans Westerberg (of Helsinki), Storyville, No. 90, August–September 1980, pps. 210–212; ISSN 0039-2030
  5. ↑ Music Business and Monkey Business, by Doug McGuire, AuthorHouse (2010), pg. 202; OCLC 664803469
  6. ↑ "Pasadena Entertainers Praised," by Bill Davis, Pasadena Independent, April 24, 1959, pg. 41
  7. ↑ "Windy Trip?" Billboard, June 18, 1949, pg. 21
  8. ↑ "Seabees Observe 27th Anniversary," Press-Courier, Vol. 32, No. 252, March 9, 1969, pg. 1
  9. ↑ "Henry Shatters Honor Records at Paris Inn," San Diego Union, January 23, 1948, pg. 11
  10. ↑ "Glenn Henry Begins 10th Week," Seattle Daily Times February 2, 1943, pg. 11
  11. ↑ There And Back: The Roy Porter Story, by Roy Porter (1923–1998), David Edward Keller (born 1952) (ed.), Bayou Press, Ltd. (1990); OCLC 23080163 and 20422559
  12. ↑ Afton Star Valley Independent (Afton, Wyoming), September 20, 1951, pg. 1
  13. ↑ "25 Years Ago: Glen Henry and His Orchestra," Idaho State Journal, September 11, 1966, pg. 4
  14. ↑ "Donald R. Larrabee", by Earl H. Richert, Congressional Record, January 30, 1968, pps. 1376–1377
  15. ↑ Miltone 5253
  16. ↑ "The Roy Milton and Miltone Record Labels," by Opal Louis Nations (born 1941), Blues & Rhythm 235, December 2008 – January 2009, pps. 4–7; ISSN 1360-8657
  17. ↑ Miltone dating from The American 45 and 78 rpm Record Dating Guide, 1940-1959, by William R. Daniels, Greenwood Press (1985); OCLC 11291086, ISSN 0192-334X
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