Gretsch

For the Russian writer, see Nikolay Gretsch.
Gretsch
Private
Industry Musical instruments
Founded 1883 (1883), Brooklyn, New York City, New York
Headquarters Ridgeland, South Carolina, United States
Key people
Friedrich Gretsch
Friedrich Gretsch Jr.
Products Drum kits
Banjos
Mandolins
Ukuleles
Guitars
Bass Guitars
Lap steel guitars
Guitar amplifiers
Parent Fender
Divisions Gretsch Drums
Website gretsch.com
External video
Oral History, Fred Gretsch reflects on the family history of the business, beginning with his great-grandmother, Rosa. January 23, 2006, NAMM (National Association of Music Merchants) Oral History Library
External video
Oral History, Dinah Gretsch reflects on the ties between people in the music industry, and how those ties led to them acquiring Bixby from Ted McCarty and to their current arrangements with Fender. Interview date January 23, 2006, NAMM (National Association of Music Merchants) Oral History Library

Gretsch is an American company that manufactures guitars, basses and drums. The company was founded in 1883 by Friedrich Gretsch, a 27-year-old German immigrant, shortly after his arrival to the United States. Friedrich Gretsch manufactured banjos, tambourines, and drums until his death in 1895. In 1916, his son, Friedrich Jr. moved operations to Brooklyn, New York where Gretsch went on to become one of the most prominent manufacturers of American musical instruments.

Most modern-era Gretsch guitars are manufactured in the Far East, though American-made "Custom Shop" models are available. In 2003, Gretsch entered a business agreement with Fender Musical Instruments Corporation (FMIC). Under the terms of that agreement Fred Gretsch III would retain ownership while FMIC would handle most of the development, distribution and sales.[1]

History

Beginnings

A G6122-1962 Chet Atkins Country Gentleman model.

Gretsch was founded in 1883 by Friedrich Gretsch, a young German immigrant. His Brooklyn shop was designed for the manufacture of banjos, tambourines, and drums.[2] In 1895, Gretsch died at the age of 39, and the then successful company was taken over by his son Fred Jr. By 1916, Fred had moved the company into a larger 10-story building in the Williamsburg district, becoming one of the most prominent American musical instrument makers.

1950s, 1960s and 1970s

1955 Chet Atkins 6120.
Bono playing a Gretsch Irish Falcon.

By the mid-1950s, after Fred's son Fred Jr. had taken the reins, the company introduced several distinctive models, including the 6120 "Nashville," and the Duo Jet chambered "solid body", which was played by Bo Diddley. Chuck Berry also played the Duo Jet when he recorded his first major hit, Maybellene and is pictured on his LP After School Session. Two other models were introduced - the Country Club, and the White Falcon.

Guitar production by the Gretsch Company began in the early 1930s, and Gretsch guitars became highly sought after, most notably in the 1950s and 1960s. They lost favor with players during the 1970s and 1980s for various reasons, including a problematic relationship with the Baldwin Piano Company. Gretsch eventually went bankrupt, then was revived in 1989 by Fred W. Gretsch, a great-great-grandson of Friedrich Gretsch. Sometimes referred to as Fred Gretsch III, he remains president of the company to this day.

During this time, Chet Atkins became an endorser of Gretsch. Atkins was one of the pre-eminent guitarists of his day, and his endorsement gave Gretsch greater visibility in competition with Gibson and Fender. Gretsch ultimately sold thousands of guitars with Chet's name on the pickguard, most notably the 6120 Chet Atkins model, one of which was purchased in 1957 by a young guitar player named Duane Eddy. The worldwide success of Eddy's "twangy" instrumental records, television appearances, and extensive touring, helped expose the Gretsch guitar to the teenage rock and roll market. George Harrison, years later, would refer to this model as "the Eddie Cochran/Duane Eddy guitar". Other Chet Atkins models were the Country Gentleman (named after an Atkins instrumental hit) and the Tennessean, a lower cost version of the Country Gentleman.

1964 Chet Atkins Tennessean 6119.

Many rockabilly players had followed in the footsteps of Eddie Cochran, who also wielded a 6120 (though modified with a Gibson P-90 pickup in the neck position) and Gene Vincent's guitarist Cliff Gallup, who played a Duo Jet.

Elvis Presley himself later owned a Gretsch Country Gentleman—(recently manufactured as "Gretsch Country Classic" but now renamed Chet Atkins Country Gentleman), playing it briefly both on stage and in the studio. Gretsch quickly became a legitimate competitor to both Gibson and its main rivals, Fender and Rickenbacker.

Gretsch fortunes rose yet again in the early sixties when George Harrison played a Gretsch Country Gentleman[3] on The Ed Sullivan Show. Despite popular belief, he acquired two Country Gentleman guitars; his first was destroyed when it fell out of the trunk of a car on the roadway. He would later switch to a Gretsch Tennessean and his Country Gentleman made its last appearance in the music video of "You're Going to Lose That Girl" in the movie Help! The Ed Sullivan Country Gent was given to Ringo Starr by Harrison's wife, Olivia.[4] Alf Bicknell, chauffeur for The Beatles, strapped the Country Gentleman (George Harrison's second) to the back of the car. The guitar did not fall out of the trunk/boot.[5]

The British Invasion brought further popularity to Gretsch models. In addition to the Beatles, Brian O'Hara of The Fourmost used a Country Gentleman; it has been suggested that George Harrison gave him this guitar after acquiring the Tennessean.

During the 1950s and 1960s, Gretsch also sold several different models of amplifiers badged with the Gretsch name to accompany its guitars. These were actually manufactured by Valco, and have become sought after objects of rarity in the years following Valco's demise.

Gretsch electric twelve-string and The Monkees

According to the audio commentary by Michael Nesmith for the episode "I've Got a Little Song Here" on The Monkees: Season One DVD set, prior to The Monkees, Michael Nesmith liked twelve-string electric guitars. At the time, only Rickenbacker and Vox mass-produced them. Nesmith preferred the bluesy twangy sound of a Gretsch over the distinctive pop sound of a Rickenbacker. According to Nesmith, there was a luthier in Los Angeles who converted six-string electric guitars into twelve-string guitars. Nesmith bought himself a Gretsch Country Gentleman to convert into a twelve-string, and that is the guitar he used in the pilot episode of The Monkees. (Note: Upon close examination of the film footage, the guitar Nesmith identifies as a Country Gentleman is actually a Gretsch Tennessean. When the pilot episode aired, the music scenes had been re-shot. As a result, Mike is holding the original Gretsch as the band is setting up, but is using the famous blonde Gretsch once they start playing.) Once the pilot was sold as a series, and Gretsch made the deal to supply the group with instruments, Nesmith contacted Fred Gretsch, and asked if he could make him a twelve-string electric guitar. Gretsch agreed, and the result is the famous blonde electric twelve-string that Nesmith used during the entire Monkees series, in the recording studio, and in concert. Meanwhile, Fred Gretsch liked the finished instrument so much, he put the electric twelve-string guitar into production. One of the first was given to George Harrison and was later known as the "George Harrison Model". Harrison, preferring his Rickenbacker twelve-string, gave the guitar to a friend.

From 1966 through 1968, Gretsch also produced the Gretsch 6123, which was a Monkees signature electric six-string guitar.[6] However, since the Monkees' target demographic was pre-teenage girls, the guitar (bright red in color, with a dubious "Monkees" logo on the pickguard) was not a sales success, since few of these girls played guitar, and even fewer had the cash to cover the $469 price tag.

Sale, Gretsch family regains interest

Fred Gretsch never found a suitable successor, and in 1967 Gretsch was sold to Baldwin Pianos,[7] becoming a subsidiary of that firm.

During the "Baldwin era", new models were introduced throughout the seventies and old favorites continued to be produced. As solidbody guitars rose to prominence in rock, with the harder styles of the era favoring Fender Stratocasters and Gibson Les Pauls, use of hollowbodies fell in popularity. In 1979, after Fred Jr's death, Chet Atkins withdrew his endorsement in response to quality problems and Gretsch's unwillingness to pursue his vision of a nylon-stringed electric guitar. Factory fires in the early 1970s caused serious problems, and production was finally halted by Baldwin in 1981.

In 1989, another Fred Gretsch, nephew of Fred Jr., and his wife Dinah, acquired their namesake company. The first new model they introduced was the Traveling Wilburys model - an Asian import - which looked much like a Danelectro. While this guitar model did little to bolster Gretsch's reputation for producing classic guitars, it served notice that Gretsch was back.

After numerous failed attempts to acquire facilities or contract production in the United States, Fred Gretsch and long-time Gretsch employee Duke Kramer, who advised Gretsch, turned to Terada of Japan, and production began there. A range of reissues appeared throughout the nineties to mixed reviews. They were of generally high quality, but with notable non-vintage details and features. Occasional US-built "Custom Shop" models were offered at significantly higher prices.

Resurgence

Johan Frandsen and Brian Setzer on stage at the Helsinki Ice Hall, Finland, July 2011.

In the 1980s, rockabilly revival player Brian Setzer rekindled interest in the brand with his band The Stray Cats. His influence continued through the 1990s with The Brian Setzer Orchestra and its fusion of "hyperbilly" guitar and powerful big band arrangements. In 1990, he became the first player since Chet Atkins to be honored with a signature-model Gretsch, the "Brian Setzer 6120", which is now one of an extensive line of Setzer signature models.

The cover art on Cloud Nine, the eleventh studio album by English musician George Harrison, recorded and released in 1987, features Harrison's first American-made guitar, a 1957 Gretsch 6128 Duo-Jet, that he purchased in Liverpool in 1961. Harrison called it his "old black Gretsch". Harrison gave the guitar to his longtime friend, Klaus Voormann who kept it for 20 years. The guitar had been left in Los Angeles and had been modified, Harrison asked for the return of the guitar, which he restored and used for the cover shoot. Gretsch celebrated the legacy of George Harrison with a G6128T-GH George Harrison Signature Duo Jet guitar, modeled on the instrument that the legendary guitarist often referred to as his "first real decent guitar." Gretsch also made a run of just 60, limited edition replica G6128T-GH, George Harrison Tribute Custom Shop Duo Jet guitars. Featuring reproduction scuffs and scratches, it has been praised by Harrison's son Dhani, who says: "I've never seen a more precise and detailed replica of any guitar in my life."

Gretsch guitars achieved some popularity amongst new wave and alternative rock guitarists in the 1980s. Roddy Frame plays two different Gretsch models in music videos for Aztec Camera's Love and Stray albums: "Somewhere in My Heart"[8] and "The Crying Scene".[9] In a December 2013 concert at Theatre Royal, Drury Lane, London, UK, Frame used an olive-colored Gretsch model.[10] Billy Duffy of The Cult played a Gretsch White Falcon and has a signature model.[11] Matthew Ashman of Adam and the Ants and Bow Wow Wow also played a Gretsch White Falcon.[12] Johnny Marr played a Gretsch 6120 on The Smiths song "Stretch Out and Wait".[13] John Squire of The Stone Roses played a Gretsch Country Gentleman.[14] Martin Gore of Depeche Mode has played various Gretsch guitars.[15] William Reid of Jesus and Mary Chain played a Gretsch Tennessean,[16] as did Robert Smith of The Cure.[17]

Jim Heath, aka Reverend Horton Heat, has been an important Gretsch proponent in the modern era, and also has a signature model.[18] While Gretsch never issued a signature-model for Poison Ivy Rorschach of the band The Cramps, she frequently used a 1958 Chet Atkins 6120 since 1985.[19] Heath was influenced by Ivy's guitar playing.[20]

FMIC era

In late 2002, Gretsch and Fender reached an agreement giving Fender most of the control over marketing, production, and distribution of guitars (although the Gretsch family still owns Gretsch Guitars).[21]

Fender quickly set about improving the line by upgrading substandard electrical components and bringing modern production more closely in line with designs and practices of the classic era. Body and headstock shapes, which on reissues from the 1990s and early 2000s had varied from 1950s-1960s practice, were made more vintage-correct. Hollowbodies were returned to 3-ply construction rather than the 5-plies of the 1990–2002 period. Filtertron double-coil pickups were redesigned by TV Jones to sound more like vintage pickups. Duo Jets were more extensively chambered in accordance with vintage practice. The trestle bracing of the 1959–1961 era was re-introduced on the Setzer line and other selected models.

Gretsch also introduced new models consistent with its heritage but aimed at modern players. These included features like premium pickups manufactured by TV Jones, locking Sperzel tuners, and ML bracing designed by Mike Lewis of FMIC and Masao Terada of the Terada company in Japan, where all Gretsch pro-line guitars are now built.

In January 2007, with the agreement of the Atkins family, Gretsch announced the return of Chet Atkins as an endorser. The Country Classic models became Country Gentlemen once again. The name "Chet Atkins Hollowbody" returned to the 6120 Nashvilles, and the Tennessee Rose became the "Chet Atkins Tennessee Rose". In July 2008, a limited run of Chet Atkins 6120 Stereo guitars was introduced. This model was based upon a famous prototype from 1956, which featured in several landmark Atkins recordings, but was never produced in quantity.

Billy Zoom, of the Los Angeles punk band X, was honored with a limited-edition Gretsch Custom Shop Jet model in 2008; this guitar is based on Zoom's own vintage Jet, and includes more extensive internal chambering than any other modern Jet, exactly reproducing the construction revealed when Zoom's original guitar was CAT-scanned at a medical facility during development.

At the same time, FMIC has refined and improved the mid-priced Electromatic line by discontinuing the low-end bolt-neck models of the late 1990s and early 2000s, which incorporated generic humbucking pickups and wraparound bridges. The Electromatic Hollowbody line has proven particularly successful, from the 5125–5129 series with its US-made DeArmond 2000 pickups, and the similar 5120 series. The 5120, a single-cutaway model inspired by the 6120, has become the best-selling guitar in Gretsch history, with an active after-market in replacement pickups from TV Jones and other makers for players who feel they provide a more characteristic tone than the stock "Gretschbucker" double-coil pickups. The double-cutaway 5122 model, introduced in 2008, and inspired by the 6122 Country Gentleman, fills out the Korean-built Electromatic Hollow line.

The Electromatic line also includes Pro Jet and Double Jet chambered solidbodies based on Gretsch's venerable Duo Jet line; these are equipped with Gretsch mini-humbuckers unavailable on any other guitar. Final members of the Electromatic line are the Corvette series, thin mahogany solidbodies based on the identically named and same-shaped model of the early sixties – but with the newly designed Mega'Tron double-coil pickups exclusive to the Corvette line. Both G. Love and Patrick Stump of Fall Out Boy have been honored with signature-series Electromatic Corvettes, the G. Love introduced in January 2008 and Stump's "Stump-o-matic" in January 2009.

For a time, following the FMIC takeover, Fender also issued the first Gretsch-badged amplifier since the days of Valco. The Gretsch G5222 Electromatic amp was essentially a redressed version of the Fender Champion 600 reissue with differing upholstery and grill material. The Champion 600 was discontinued in 2010, though the G5222 continued production and still remains available for purchase.

Billie Joe Armstrong of the American Pop Punk band Green Day, Used FMIC era Gretsch Guitars on their most recent releases: Unos, Dos, Trés. {Dave Dalton} of the American {Garage Punk} band {Screaming Bloody Marys} Uses Acoustic White Falcon Guitars on their upcoming release.

Current models

Hollow body electric

Single cutaway body style

Professional collection
Model Name
G6073 Electrotone Bass
G6117T-HT Anniversary
G6118
G6118T-125
G6118T
G6118T-LTV
G6118TJR
Anniversary
125th Anniversary
Anniversary with Bigsby
Anniversary Lacquer/TV Jones
Anniversary Junior
G6118TLHG6118TLH-LTV
G6118T-LTV
Anniversary Left-Handed
130th Anniversary Jr. Left-Handed
125th Anniversary Left-Handed
G6119
G6119-1959
G6119-1962FT
G6119-1962HT
Chet Atkins Tennessee Rose
G6119LH
G6119-1962HTLH
Chet Atkins Tennessee Rose Left-Handed
G6119B
G6119BO
Broadkaster Bass
G6120KS Keith Scott Nashville
G6120RHH Reverend Horton Heat
G6120-6/12 Nashville Double Neck (6 and 12-string)
G6120
G6120AM
G6120BK
G6120BS
G6120TM
G6120DSV
G6120-1959
G6120-1959LTV
Chet Atkins Hollow Body
G6120-1959LH-TV Chet Atkins Hollow Body Left-Handed
G6120DSW
G6120W-1957
G6120-CGP
Chet Atkins Western Style
Chet Atkins Stereo
G6120-125 Chet Atkins 125th Anniversary Limited Edition (limited to 25 pieces)
G6120DSW-R Chet Atkins Relic
G6120SSL
G6120SSLVO
G6120SSU
G6120SSUGR
Brian Setzer Nashville
G6120SSULH Brian Setzer Nashville Left-Handed
G6120SHBK
G6120SHA
G6120SHB
G6120SHT
G6120SHP
G6120SHL
G6120SHBKTV
G6120SHATV
G6120SHBTV
G6120SHTTV
G6120SHPTV
G6120SHLTV
G6120TV
Brian Setzer Hot Rod
G6120
G6120LH
Eddie Cochran Signature Hollow Body
Eddie Cochran Signature Hollow Body Left-Handed
G6122-1958
G6122-1959
G6122-1962
Chet Atkins Country Gentleman
G6122-1959LH
G6122-1962
G6120LH
Chet Atkins Country Gentleman Hollow Body Left-Handed
G6126TCC Chris Cheney Signature Model
G6130 Knotty Pine Roundup
G6136DS
G6136T-LDS
G6136DC
G6136T
G6136T-LTV
G6136CST
White Falcon
G6136TLH White Falcon Left-Handed
G6136DSBK
G6136TBK
Black Falcon
G6136TSL Silver Falcon
G6136I Bono Irish Falcon
G6136-1958 Stephen Stills White Falcon
G6136DL David Lee
G6136WCST Chet Atkins Western Style
G6136SLBP Brian Setzer Black Phoenix
G6139CB Falcon Center-Block
6143, 6144, 6145 Spectra Sonic
G6192
G6192T
G6193
G6193T
G6196
G6196T
G6196TSP-2G
G6196TSP-BY
Country Club
G6196T Country Club Left-Hand
G7593
G7593T
White Falcon I
Billy Duffy Falcon

Electromatic collection
Model Name
G5120
G5120BK
G5120SB
G5125
G5126
G5127
G5128
G5129
Electromatic Hollow Body
G5191TMS
G5191MS
G5191BK
Tim Armstrong Electromatic Hollow Body
G5420T Electromatic Hollow Body
G5420LH Electromatic Hollow Body Left-Handed
G5620T-CB
G5622T-CB
G5655T-CB
Electromatic Center-Block

Double cutaway body style

Professional collection
Model Name
G6120DC Chet Atkins Nashville
G6122-1962
G6122II
G6122-12
Chet Atkins Country Gentleman
Chet Atkins Country Gentleman 12 (12-string)
G6136DC White Falcon
G6137TCB
G6137TCB
Panther Center-Block
Panther Center-Block LTD Flagstaff Sunset
G6136LSB White Falcon
White Falcon Long Scale Hollow-Body Bass
G6139T-CBDC Falcon Center-Block

Electromatic collection
Model Name
G5122DC Electromatic Hollow Body
G5422TDC
G5422TDCG
Electromatic Hollow Body
G5422DC-12 Electromatic Hollow Body 12-String
G5135CVT

Solid body electric

Single cutaway body style

Professional collection
Model Name
G6121-1955
G6121-1959
Chet Atkins Solid Body
G6128
G6128T
G6128DS
G6128TDS
G6128TCG
G6128T-DSV
G6128T-1962
Duo Jet
G6128T-GH
G6120DE
George Harrison Signature Duo Jet
Duane Eddy Signature Hollow Body
G6128-TDS-R Duo Jet Relic (limited to 75 pieces)
G6128TLH
G6128TDSLH
Duo Jet Left-Handed
G6128TVP
G6128T-TVP
Power Jet
Power Jet Firebird
G6128B Thunder Jet Bass
G6129
G6129T
G6129T-1957
Silver Jet
G6129AU
G6129TG
G6129TL
G6129T
Sparkle Jet
G6129BZ Billy Zoom Custom Shop Tribute Silver Jet
G6131T
G6131TDS
G6131MY
Jet Firebird
 
Malcolm Young Jet Firebird
G6131TVP
G6131T-TVP
Power Jet Firebird
G6134
G6134T-LTV
White Penguin
G6134LH White Penguin Left-Handed
G6134B Black Penguin
G6138 Bo Diddley (rectangular)
G6199 "Billy-Bo" Jupiter Thunderbird
("futuristic" body shape by Bo Diddley and Billy F. Gibbons)
G6199B "Billy-Bo" Jupiter Thunderbird Bass

Electromatic collection
Model Name
G5210
G5215
Junior Jet
G5220
G5225
Junior Jet II
G5235
G5235T
G5236
G5236T
G5238
G5238T
Pro Jet
G5245T
G5246T
G5248T
Double Jet
5250
5255
5259
Special Jet
5265 Baritone Jet
G5566 Jet Double Neck (lead and baritone)
G5700
G5715
Lap Steel
G5810
G5850
Bo Diddley (rectangular)
Mini Diddley (rectangular)

Double cutaway body style

Professional collection
Model Name
G6128T-1962 Duo Jet
G6128T-DCM Duo Jet
G6129T-1962 Silver Jet

Electromatic collection
Model Name
G5135
G5135GL
G5135PS
G5135CVT-PS
Electromatic Corvette
G. Love
Patrick Vaughn Stump Stumpomatic
Stump-O-Matic Electromatic CVT

Acoustic

Arch top
Model Name
Synchromatic Archtop
G100
G100CE
G100BKCE
Synchromatic Archtop
Synchromatic Archtop Cutaway Acoustic/Electric
Professional collection
G400
G400B
G400C
G400UV
Synchromatic Archtop
Synchromatic Archtop Cutaway
Jimmie Vaughan Synchromatic
G6040MCSS Synchromatic Archtop Cutaway

Flat top
Model Name
Professional collection
G6022
G6022C
G6022E
G6022CWFF
Rancher
Rancher Cutaway
Rancher Acoustic/Electric
Rancher Falcon Cutaway
Flat Top collection
G5010
G5012
G5013
G5015
Rancher Junior
G5020C
G5022C
G5023C
G5025C
Rancher Jumbo
G5030
G5030C
G5032
G5032C
G5033
G5033C
G5035
G5035C
Dreadnought, Dreadnought Cutaway

Drums

Main article: Gretsch Drums

During the 1950s and 1960s, many renowned Jazz drummers, such as Elvin Jones, Tony Williams, Art Blakey, Philly Joe Jones, Max Roach, and even Billy Cobham (during the early 1970s in the early Mahavishnu Orchestra days) utilized Gretsch drums. They were all playing the now classic "round badge" kits.

Replicas

Harmonix Music Systems released a replica Gretsch Duo-Jet Guitar controller alongside the release of "The Beatles: Rock Band".

References

  1. Guitars of the Fred Gretsch Company - Jay Scott
  2. "Gretsch History: Best performances start with Gretsch guitars & drums, on stage since 1883. A music-industry leader since 1883. Learn about our many music industry firsts!". Gretsch.com. Retrieved 2012-12-20.
  3. "Image: nicegent2.jpg, (399 × 475 px)". thecanteen.com. Retrieved 2015-09-28.
  4. John Crowley. "Mark Hudson Interview". thecanteen.com. Retrieved 2015-09-28.
  5. "Beatles Gear" by Andy Babiuk, Resided Edition, Backbeat Books, Second (revised) edition, 2002, p. 174
  6. Tim Baxter/APTgroup (1985-01-24). "Gretsch-GEAR: Gretsch 6123 Monkees". The Gretsch Pages. Retrieved 2012-12-20.
  7. Gjörde, Per (2001). Pearls and Crazy Diamonds. Göteborg, Sweden: Addit Information AB. pp. 35–37.
  8. "Aztec Camera - Somewhere In My Heart" (Video upload). Yelens82 on YouTube. Google Inc. 15 October 2010. Retrieved 2014-04-18.
  9. "Aztec Camera - Crying Scene [OFFICIAL MUSIC VIDEO]" (Video upload). RhinoEntertainment on YouTube. Google Inc. 13 September 2013. Retrieved 2014-04-18.
  10. "Roddy Frame - Release - Theatre Royal, Drury Lane 01/12/2013" (Video upload). Alistair Burns on YouTube. Google Inc. 2 December 2013. Retrieved 2014-04-18.
  11. "Billy Duffy Falcon". web.archive.org. Retrieved 2016-03-10.
  12. "Matthew Ashman". Retrieved 2016-03-10.
  13. "Johnny Marr". Retrieved 2016-03-10.
  14. "Gretsch Electric Guitar Stars". Retrieved 2016-03-10.
  15. "Depeche Mode's Martin Gore". web.archive.org. Retrieved 2016-03-10.
  16. Howe (2014), 75
  17. Bacon (2005), 89
  18. "G6120RHH Reverend Horton Heat by Gretsch® Electric Guitars". web.archive.org. Retrieved 2015-09-28.
  19. "Poison Ivy |". vintageguitar.com. Retrieved 2015-09-28.
  20. "Reverend Horton Heat  - ThePunkSite.com". thepunksite.com. Retrieved 2015-09-28.
  21. Tim Baxter/APTgroup. "Gretsch History". The Gretsch Pages. Retrieved 2012-12-20.
  22. "Gretsch Drums". Retrieved 2012-11-20.

Bibliography

External links

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