Im Kwon-taek
Im Kwon-taek | |
![]() Im Kwon-taek at the 10th Deauville Asian Film Festival at the Centre international de Deauville, 2008. | |
Korean name | |
---|---|
Hangul | ìž„ê¶Œíƒ |
Hanja | 林權澤 |
Revised Romanization | Im Gwontaek |
McCune–Reischauer | Im Kwǒnt'aek |
Im Kwon-taek (born May 2, 1936) is one of South Korea's most renowned film directors. In an active and prolific career, his films have won many domestic and international film festival awards as well as considerable box-office success, and helped bring international attention to the Korean film industry. As of spring 2015, he has directed 102 films.
Early life
Im Kwon-taek was born in Jangseong, Jeollanam-do and grew up in Gwangju. After the Korean War, he moved to Busan in search of work. He then moved to Seoul in 1956, where Jeong Chang-hwa, director of Five Fingers of Death (1972), offered him room and board for work as a production assistant. Jeong recommended him for directing in 1961.
Career
Im's directorial premiere was with the 1962 film, Farewell to the Duman River (Dumanganga jal itgeola).
Before 1980 he was known primarily as a commercial filmmaker who could efficiently direct as many as eight genre pictures a year, helping to fulfill the quota for domestic pictures set by the government . His desire to make more artistically satisfying films began to show itself with his 1978 film Jokbo (Genealogy or The Family Tree), but the turning point of his career came with the 1981 film Mandala. From this point his films have been regarded as art-house cinema, and have been regularly shown at international film festivals, and have won numerous awards.
Im has continued to explore themes from Korea's past while also focusing on the Korean cultural identity in modern times. Among Im's most notable recent films are Sopyonje (1993) and Chunhyang (2000), both of which concentrate on the traditional Korean musical art of pansori. The latter film was also based on a traditional Korean legend. Apart from being a critical success, Sopyonje was also a success at the box office, becoming the first domestic film to draw over a million viewers in Seoul alone. Chihwaseon (2002) was also a critical success, earning him Korea's first Best Director award at the Cannes Film Festival.[1] Im Kwon-taek was awarded an honorary Golden Bear award at the Berlin Film Festival in 2005.
Im Kwon-taek's status, brought on by the critical success of his films, overlapped with a period of the film movement called "New Korean Cinema" or "Korean New Wave". Along with other directors, such as Park Gwang-su and Jang Sun-woo, Im is recognized as one of the founding figures of the movement, which gained international critical recognition and acclaim for Korean Cinema.
In April 2007, Im released his 100th film Beyond the Years, an informal sequel to Sopyonje. In November 2007 the French government announced that it would make Im a knight of the French Legion of Honor.[2]
In 2013, a museum dedictated to Im opened in Busan, on the Dongseo University Centum City Campus.[3]
Personal life
He married the actress Chae Ryeong, who appeared in several of his films.[4] Their two sons Im Dong-joon and Im Dong-jae (the latter uses the stage name Kwon Hyun-sang) are also active in the film industry.[5]
Filmography
Filmography of Im Kwon-taek[6] | ||||||
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Year | Hangul Title | Hanja Title | Romanized Title | English Title | Alternate English Title | |
Films in the 1960s | ||||||
1962 | ë‘만강아 잘 ìžˆê±°ë¼ | Dumanganga jal itgeola | Farewell to the Duman River | |||
ì „ìŸê³¼ ë…¸ì¸ | Jeonjaenggwa noin | Old Man in the Combat Zone | The War and an Old Man | |||
1963 | 남ìžëŠ” ì•ˆíŒ”ë ¤ | Namjaneun anpallyeo | Actors Disguised as Women | |||
ë§ë¶€ì„ | Mangbuseog | A Wife Turned to Stone | ||||
ì‹ ë¬¸ê³ | Shinmungo | The Throne Memorial Drum | ||||
ìš•ë§ì˜ ê²°ì‚° | Yogmangui gyeolsan | The End of Desire | ||||
1964 | ì‹ìžë§¤ ì„ ìƒ | Shibjamae seonsaeng | Father of Ten Daughters | |||
ë‹¨ìž¥ë¡ | Danjang lok | The Prince's Revolt | ||||
단골 ì§€ê°ìƒ | Dangol jikaksaeng | The Latecomer | ||||
ì‹ë…„ì„¸ë„ | Shibnyeon sedo | The Ten-Year Rule | ||||
ì˜í™” 마마 | Yeonghwa mama | Queen Yongwha's Avenger | ||||
1965 | ë¹— ì†ì— 지다 | Bitsoke jida | Death of an Informer | |||
왕과 ìƒë…¸ | Wanggwa sangno | A Bogus Nobleman | ||||
1966 | ì „ìŸê³¼ ì—¬êµì‚¬ | Jeonjaenggwa yeogyosa | Schoolmistress on the Battlefield | |||
ë²•ì°½ì„ ìš¸ë¦° ì˜¥ì´ | Beobchangeul ullin oki | Miss Ok and the Divided Court | ||||
나는 왕ì´ë‹¤ | Naneum wang-ida | I Am a King | ||||
ë‹ë‹ˆë¦¬ | Nilniri | A Triangle in Noble Families | ||||
ì²ì‚¬ì´ˆë¡± | Cheongsa choryong | The Feudal Tenant | ||||
1967 | í’ìš´ì˜ ê²€ê° | Pungunui geomgaek | Swordsmen | |||
ë§í–¥ì²œë¦¬ | Manghyang cheonri | A Wife Retrieved | ||||
1968 | 요화 장í¬ë¹ˆ | Yohwa Jang Huibin | Femme Fatale, Jang Hee-bin | |||
바람 ê°™ì€ ì‚¬ë‚˜ì´ | Baramgateun sanai | A Man Called the Wind | ||||
몽녀 | 夢女 | Mongnyeo | The Waking Woman | |||
ëŒì•„온 왼ì†ìž¡ì´ | Dolaon winsonjabi | Return from the Sea | Return of the Left-Handed Man | |||
Sanai samdae | Three Generations of Men | |||||
1969 | 비나리는 ê³ ëª¨ë ¹ | Binaerineun gomoryeong | Best Friends and Their Wives | Rain on Gomo Bridge | ||
ìƒí•´ 탈출 | Shanghai talchul | Escape from Shanghai | ||||
ì‹ì˜¤ì•¼ | Shiboya | Night of the Full Moon | ||||
뇌검 | Roegeom | Thunder Sword | ||||
í™©ì•¼ì˜ ë…수리 | Hwangyaui doksori | Eagle of the Plains | ||||
ì‹ ì„¸ 좀 ì§€ìžêµ¬ìš” | Shinse jom jijaguyo | Would You Help Me? | ||||
Films in the 1970s | ||||||
1970 | ì›”í•˜ì˜ ê²€ | Wolhaui geom | Swords Under the Moon | |||
ì• ê¾¸ëˆˆ ë°• | Aeggunun Park | One-Eyed Mr. Park | ||||
ì´ìЬ ë§žì€ ë°±ì¼í™ | Iseulmajeun baekilhong | Unmarried Mother | ||||
비나리는 ì„ ì°½ê°€ | Binaerineun seonchangga | A Vagabond's Story | ||||
그여ìžë¥¼ ì«“ì•„ë¼ | Geu yeojareul jjochara | A Woman Pursued | ||||
밤차로 온 ì‚¬ë‚˜ì´ | Bamcharo on sanai | Man on the Night Train | ||||
비검 | Bigeom | The Flying Sword | ||||
ì†ëˆˆì¹ì´ 긴 ì—¬ìž | Soknunseobi kin yeoja | A Snapshot and a Murder | ||||
1971 | ì›í•œì˜ ê±°ë¦¬ì— ëˆˆì´ ë‚´ë¦°ë‹¤ | Wonhanui geori nuni naerinda | Snowing on Grudge Street | |||
30ë…„ë§Œì˜ ëŒ€ê²° | 30 nyeonmanui daegyeol | The 30-Year Showdown | ||||
ì›í•œì˜ ë‘ ê¼½ì¶” | Weonhan ui tu kkobchu | Revenge of Two Sons | ||||
나를 ë” ì´ìƒ ê´´ë¡ížˆì§€ ë§ˆë¼ | Nareul deoisang goerobhiji mara | In Search of the Secret Agent | Don't Torture Me Anymore | |||
요검 | Yogeom | Swordswoman | ||||
둘째 어머니 | Duljjae eomeoni | A Stepmother's Heartache | ||||
1972 | ëª…ë™ ì‚¼êµì§€ | Myeongdong samgukji | Gangsters of Myeongdong | Whirl of Betrayals on Myeongdong | ||
ëª…ë™ ìž”í˜¹ì‚¬ | Myeongdong janhoksa | Cruelty on the Streets of Myeongdong | ||||
ëŒì•„온 ìžì™€ ë– ë‚˜ì•¼ í• ìž | Dolaon jawa ddeonaya hal ja | Arrivals and Departures | One Returns and the Other Leaves | |||
삼êµëŒ€í˜‘ | ä¸‰åœ‹å¤§ä¿ | Samguk daehyeob | Seize the Precious Sword | |||
1973 | Janganmyeonggi obaekwa | Five Hostesses for the Resistance | ||||
대추격 | Daechugyeok | Pursuit of the Bandits | The Big Chase | |||
잡초 | Jabcho | The Deserted Widow | Weeds | |||
ì¦ì–¸ | è‰è¨€ | Jeungeon | The Testimony | |||
1974 | ì•„ë‚´ë“¤ì˜ í–‰ì§„ | ì•„ë‚´ë“¤ì˜ è¡Œé€² | Anaedeului haengjin | Wives on Parade | ||
울지 않으리 | Ulji aneuri | I'll Never Cry Again | ||||
ì—°í™” | Yeonhwa | The Hidden Princess | ||||
ì—°í™” 2 | Yeonhwa 2 | The Hidden Princess, Part 2 | ||||
왜 그랬ë˜ê°€ | Wae guraetdeonga | Who and Why? | ||||
1975 | ì–´ì œ 오늘 ê·¸ë¦¬ê³ ë‚´ì¼ | Eoje, oneul, geurigo naeil | Yesterday, Today and Tomorrow | |||
1976 | 왕ì‹ë¦¬ | Wangshibri | A Byegone Romance | Wang Sib Ri, My Hometown | ||
ë§¨ë°œì˜ ëˆˆê¸¸ | Maenbalui nunkil | Overcome by Misfortunes | Barefoot In The Snow | |||
ë‚™ë™ê°•ì€ í르는가 | æ´›æ±æ±Ÿì€ í르는가 | Nakdongkaneun heureuneunga | Commando on the Nakdong River | |||
ì•„ë‚´ | Anae | Wife | The Industrious Wife | |||
1977 | 옥례기 | Okryegi | The Virtuous Woman | The Life of Okrye | ||
임진왜란과 계월향 | 壬辰å€äº‚ê³¼ 桂月香 | Imjinrangwa gyewolhyang | Madame Kye in the Imjin War | |||
1978 | ìƒë¡ìˆ˜ | å¸¸ç¶ æ¨¹ | Sangroksu | The Evergreen Tree | ||
ê°€ê¹ê³ ë„ ë¨¼ 길 | Gaggabgodo meon kil | Near Yet Far Away | ||||
1979 | ë‚´ì¼ ë˜ ë‚´ì¼ | Naeil ddo naeil | Again Tomorrow | |||
족보 | æ—èœ | Jokbo | The Genealogy | The Family Pedigree | ||
ì € íŒŒë„ ìœ„ì— ì—„ë§ˆ ì–¼êµ´ì´ | Jeo padowie eoma eolguli | The Little Adventurer | ||||
깃발없는 기수 | 깃발없는 旗手 | Gitbaleobtneun gisu | The Hidden Hero | No Glory | ||
ì‹ ê¶ | 神弓 | Shingung | The Divine Bow | |||
Films in the 1980s | ||||||
1980 | ë³µë¶€ì¸ | Bokbuin | The Wealthy Woman | Mrs. Speculator | ||
ì§ì½” | Jagko | Pursuit of Death | ||||
1981 | ë§Œë‹¤ë¼ | Mandala | Mandala | |||
1982 | ì•„ë²¤ê³ ê³µìˆ˜ 군단 | Abenko gongsu gundan | Abenko Green Berets | |||
ìš°ìƒì˜ 눈물 | Woosangui nunmul | High School Tears | Tears of the Idol | |||
ì˜¤ì—¼ëœ ìžì‹ë“¤ | Oyeomdoen jashikdeul | The Polluted One | ||||
안개 ë§ˆì„ | Angae maeul | Village in the Mist | ||||
나비 í’ˆì—서 울었다 | Nabipumeseo uleotda | In the Bosom of a Butterfly | ||||
1983 | ë¶ˆì˜ ë”¸ | Bului dal | Daughter of the Flames | |||
1984 | í르는 ê°•ë¬¼ì„ ì–´ì°Œ 막으랴 | Heureuneun gangmuleul eojji makeorya | The Eternal Flow | You Can't Stop a River | ||
1985 | 길소뜸 | Gilsoddeum | Gilsoddeum | |||
1986 | 티켓 | Ticket | Ticket | |||
ì”¨ë°›ì´ | Sibaji | The Surrogate Woman | ||||
1987 | 아다다 | Adada | Adada | |||
ì—°ì‚°ì¼ê¸° | Yeonsan ilgi | Diary of King Yeonsan | ||||
1989 | ì•„ì œ ì•„ì œ ë°”ë¼ ì•„ì œ | Aje aje bara aje | Come Come Come Upward | |||
Films in the 1990s | ||||||
1990 | ìž¥êµ°ì˜ ì•„ë“¤ | å°‡è»ì˜ 아들 | Janggunui adeul | General's Son | ||
1991 | ìž¥êµ°ì˜ ì•„ë“¤ 2 | å°‡è»ì˜ 아들 2 | Janggunui adeul II | The General's Son II | ||
개벽 | 開闢 | Gaebyeok | Fly High Run Far | |||
1992 | ìž¥êµ°ì˜ ì•„ë“¤ 3 | å°‡è»ì˜ 아들 3 | Janggunui adeul III | The General's Son III | ||
1993 | ì„œíŽ¸ì œ | 西便制 | Seopyeonje | Seopyeonje | ||
1994 | 태백산맥 | 太白山脈 | Taebaek sanmaek | The Taebaek Mountains | ||
1996 | ì¶•ì œ | ç¥ç¥ | Chukje | Festival | ||
1997 | 창 | 娼 | Chang | Downfall | Chang | |
Films since 2000 | ||||||
2000 | ì¶˜í–¥ëŽ | 春香傳 | Chunhyang | Chunhyang | ||
2002 | ì·¨í™”ì„ | 醉畵仙 | Chihwaseon | Painted Fire | ||
2004 | 하류ì¸ìƒ | 下æµäººç”Ÿ | Haryu insaeng | Low Life | ||
2007 | 천년학 | åƒå¹´é¶´ | Cheonnyeonhak | Beyond the Years | ||
2011 | 달빛 길어올리기 | Dalbit Gireoolligi | Hanji | |||
2014 | 화장 | Hwajang | Revivre |
Awards
- Asian Film Awards:
- Lifetime Achievement Award
- Asia Pacific Film Festival
- Special Jury Award Chunhyang (2000)
- Best Director and Best Film Sibaji (1987)
- Berlin International Film Festival
- Golden Bear: Gilsoddeum (nominated) (1986)[7]
- Golden Bear: The Taebaek Mountains (nominated) (1995)[8]
- Honorary Golden Berlin Bear (2005)
- Cannes Film Festival
- Best Director Chihwaseon (2002)[9]
- Grand Bell Awards (Korea), Best Director
- Testimony (Jungon) (1974)
- Jokbo (Genealogy/Family Tree) (1979)
- Mandala (1981)
- Ticket (1986)
- Yeonsan ilgi (Diary of King Yonsan) (1988)
- Hankuk Play and Film Arts Awards (Korea), Best Director
- Wangshibri (A Byegone Romance) (1976)
- Nakdongkaneun heureuneunga (Commando on the Nakdong River) (1976)
- Angae maeul (Village in the Mist) (1983)
- Hawaii International Film Festival
- Best Feature Film Chunhyang (2000)
- Korean Film Critics Awards, Best Director
- Gilsoddeum (Gilsodom) (1986)
- Ticket (1986)
- 16th Moscow International Film Festival[10]
- Golden St. George: Come Come Come Upward (1989) (nominated)
- Pusan International Film Festival
- Netpac Award Chunhyang (2000)
- San Francisco International Film Festival
- Akira Kurosawa Award (1998)
- Shanghai International Film Festival
- Golden Goblet - Best Director Seopyeonje (1993)
- Singapore International Film Festival
- 2001 Silver Screen Award - Best Asian Director Chunhyang (2000)
- 2014 Silver Screen Award - Honorary Award
Notes
- ↑ Yang, Sung-jin. "Great filmmaker Im to get French Legion of Honor". www.naver.com. Retrieved 2007-12-04. External link in
|publisher=
(help) - ↑ Lee, Hyo-won (2007-11-28). "France to Award Director Im Kwon-taek". The Korea Times. Archived from the original on February 14, 2012. Retrieved 2007-12-04.
- ↑ http://www.hancinema.net/new-museum-focuses-exclusively-on-im-kwon-taek-54454.html?utm_source=feedburner&utm_medium=email&utm_campaign=Feed%3A+HancinemaWeeklyNews+%28HanCinema+Weekly+News%29&utm_content=Yahoo!+Mail
- ↑ Kim, Jessica (16 July 2010). "Director Lim Kwon-taek and wife walk PiFan red carpet". 10Asia. Retrieved 2013-07-06.
- ↑ "Im Kwon-taek's Son Follows Dad into Showbiz". The Chosun Ilbo. 11 August 2010. Retrieved 2013-07-06.
- ↑ Filmography from "ìž„ê¶Œíƒ (Kwon-Taek Lim / 林權澤)" (in Korean). mydvdlist.co.kr. Retrieved 2007-11-19. External link in
|publisher=
(help); Im Kwon-taek at the Internet Movie Database and James, David E. (editor); Kim Kyung-hyun (editor) (2002). Im Kwon-Taek: The Making of a Korean National Cinema. Detroit: Wayne State University Press. ISBN 0-8143-2869-5. Cite uses deprecated parameter|coauthors=
(help) - ↑ "Berlinale: 1986 Programme". berlinale.de. Retrieved 2011-01-16.
- ↑ "Berlinale: 1995 Programme". berlinale.de. Retrieved 2011-12-31.
- ↑ "Festival de Cannes: Chi-hwa-seon". festival-cannes.com. Retrieved 2009-10-24.
- ↑ "16th Moscow International Film Festival (1989)". MIFF. Retrieved 2013-02-24.
See also
External links and references
![]() |
Wikimedia Commons has media related to Im Kwon-taek. |
- Beech, Hannah (June 3, 2002). "The Unbearable Sadness of Being Korean". Time. Retrieved 2007-11-17.
- Page about the Korean New Wave at asianinfo.org
- Biography and interview at cinekorea.com
- Crow, Jonathan. "Im Kwon-Taek: Biography". Allmovie. Retrieved 2007-11-03.
- Im Kwon-taek at the Internet Movie Database
- Interview: Reflection In A Mirror at asianfilms.org
- James, David E. (editor); Kim Kyung-hyun (editor) (2002). Im Kwon-Taek: The Making of a Korean National Cinema. Detroit: Wayne State University Press. ISBN 0-8143-2869-5. Cite uses deprecated parameter
|coauthors=
(help) - Lee, Young-il (1988). The History of Korean Cinema. Motion Picture Promotion Corporation. ISBN 89-88095-12-X., p. 342-343.
- (Korean) Naver Cast - Im Kwon-taek
- (Korean) Doosan Encyclopedia - Im Kwon-taek
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