Inéz
Ines Reingold-Tali, known by her stage names Inéz, Inèz or Inez, is an Estonian [1][2] new media artist, musician, composer [3] and writer [4] on sound art,[5] noise,[6] electronic music, glitch and digital culture.[7][8] She lives and works in Finland.[9][10] Since mid-1990's she has belonged to a new generation of composers in Finland interested in experimental interdisciplinary art projects and electronic music. Her repertoire includes electroacoustic chamber music, experimental, electronic and film music. She has been engaged in commissioned projects in the fields of electroacoustic, contemporary chamber music and experimental music, in different audiovisual art projects, video art, poetry, performance, theater, short films and radio-art. Her compositions have been broadcast internationally on various radio stations and television channels in many European countries, Australia, Canada and the USA. Her works have been published on solo-albums and international compilations by various labels, incl. K-tel International, FG Music/Naxos, YOCOMA, YAP and Charm of Sound. She has been nominated to participate in various international festivals, exhibitions and conferences, Florence Biennale (Biennale Internazionale dell’arte Contemporânea di Firenze) 2007 [11] in Italy, LACDA International Juried Competition Winners Show (award) at the Los Angeles Center for Digital Art [12] in USA 2007, 30e Festival International des Musiques Syntheses 2000 in France and international conferences on musicology, among others.[13][14]
Ines Reingold-Tali is also a media theoretician with a focus on noise and glitch aesthetics, digital art, postdigitalism, visual music,[15] immersive art experience and intuition in the context of creative art and composition process.[16][17]
Selected discography
Solo albums
- Inez: Déjà vu (CD YAP Records) 2015
- Ines Reingold-Tali: Oceano, [18] computer animation art, (DVD, YOCOMA) 2008
- Ines Reingold-Tali: Suction, audiovisual art, (DVD, YOCOMA) 2007
- Ines Tali-Reingold: Meta-Rendez-vous (CD YAP Records) 2006
- Ines Reingold: Passione d´Amore (CD FG Music- Naxos) 1995 [19]
Compilations
- Energy of Visions 1999 (K-tel International)
- Sounds! 1999 (Charm of Sound)
- X-tato-holic, compilation album Energy Xtravadance 1998 (NRJ Radio & K-tel International).
Visual Projects & Installations, etc.
- Audiovisual installation in Galerie Gora, Montréal QC Canada, 2009 [20]
- Audiovisual installation in the LUШIÉRΞ FESTIVAL, III Rassegna Internazionale di Video Arte&Digital Cultures, international video art selection, curator: Dores Sacquegna, Primo Piano LivinGallery, Lecce, Italy, 12/20/2008 - 12/24/2008,[21][22]
- Audiovisual installation Suction, Caos e limiti della sua rappresentazione, La sesta dimensione e l`infinita possibilità dell’ uomo, Primo Piano LivinGallery, Lecce, Italy,[23] October 2008
- Audiovisual installation and digital paintings, Biennale Internazionale dell’Arte Contemporanea di Firenze, Italy, 2007[24]
- Digital Paintings at LACDA International Juried Art Competition Winners Show, Los Angeles Center For Digital Art, CA, USA, 2007[25][26]
Commissioned works (selected)
- Audiovisual installation Oceano on FogScreen(2011) Science Center Ahhaa (Estonia)
- Video Art and Abstract Animations s.p.e.c.t.r.o-e.n.e.r.g.y[27] (2008), FogScreen Collection (Finland)
- Q.res@Pirator (2000) 30e Festival International des Musiques Synthèse, Institut International de Musique Electroacoustique de Bourges (France)
- Energy of Visions (1999), compilation album, commissioned by K-tel International
- Meta-Rendez-vous (1999), composition for chamber orchestra, electronics, piano, bass singer, female and male voices, 17 min., commissioned by Finnish Broadcasting Company Yleisradio (Finland)
- Film score & music for the film A Sense of Loss[28] (1997), directed by Timo Humaloja
- Music installation Déjà vu (1997), in interaction with metal sculptures by Eero Hiironen, commissioned by SnowCastle of Kemi (Finland)
Sources
Interviews
Biography
- Kuvataiteilijat (Fine Artists of Finland), Kustannus Oy Taide, 2004.
- Catalogue Biennale Internazionale dell’Arte Contemporanea di Firenze, 2007. p. 612.
Reviews
- Il caos e la sua rappresentazione,Italy
- Radford, Laurie 2000. Sounds! CD review. Computer Music Journal, Winter 2000, Vol. 24, No. 4, 64-65.
External links
- Ines Reingold-Tali article
- TMK: Ines Reingold-Tali sound art’ist ja muusikast
- Ines Reingold-Tali: art
- Register of the Artists' Association of Finland: Ines Reingold-Tali: Biography
- III Rassegna Internazionale di Video Arte -Lumière, curated by Dores Sacquegna
- Donne in musica: biographies european women composer
- Index Scriptorum Estoniae
Notes
- ↑ Register of the Artists' Association of Finland
- ↑ [Catalogue Biennale Internazionale dell’Arte Contemporanea di Firenze. p. 612]
- ↑ Donne in musica: Biographies of European women composers
- ↑ Journal Teater.Muusika.Kino 05, 2015
- ↑ Reingold-Tali, Ines 2014. SOUND ART JA MUUSIKA: Mürast, elitaarkunstist ja... Teater. Muusika. Kino, 5, 66-73. ISSN 0207-6535. In Estonian.
- ↑
- ↑ Taide lehti 5-15, 2015
- ↑ Index Scriptorum Estoniae
- ↑ Register of the Artists' Association of Finland
- ↑
- ↑ Florence Biennale 2007
- ↑ Los Angeles Center for Digital Art, Winners Show 2007
- ↑
- ↑ [Catalogue Biennale Internazionale dell’Arte Contemporanea di Firenze. p. 612]
- ↑ Reingold-Tali, Ines 2010. Visuaalmuusika-quo vadis? Koopamaalinguist VJ-kultuurini. Audiovisuaalse kunsti perspektiive (Visual Music – Quo vadis? Perspectives of Audiovisual art). Teater. Muusika. Kino, 8-9, 53-59. ISSN 0207-6535.
- ↑ [Reingold, Ines. Intuition and Music. In Abstracts of VI: Conference on Systematic and Comparative Musicology: Conference on Musical Imagery, University of Oslo, 1999]
- ↑ [Reingold, Ines 1997. Intuitiota metsästämässä. ( Intuition hunting ) In Contemporary Imagery review Valokuva, 3, 22-25. In Finnish]
- ↑ Ines Reingold-Tali: Oceano video art
- ↑
- ↑ [Le Devoir, 11.04.2009]
- ↑
- ↑
- ↑ Caos e limiti della sua rappresentazione, La sesta dimensione e l`infinita possibilità dell’ uomo
- ↑
- ↑
- ↑
- ↑ Video Art t.e.l.e.p.o.r.t by Ines Reingold-Tali
- ↑