Incarceron

Incarceron

First edition 2007
Author Catherine Fisher
Country

United Kingdom

United States
Language English
Genre Young adult, dystopian future, Science fiction
Publisher

Hodder (UK)

Dial Books (US)
Publication date

3 May 2007 (UK)

January 26, 2010 (US)
Media type Hardcover, Paperback, Ebook
Pages 442
ISBN 978-0-340-89360-9 (UK)
9780803733961 (US)
LC Class PZ7.D2587Maz 2009
Followed by Sapphique

Incarceron (2007) is a young-adult fantasy and science fiction novel written by Catherine Fisher that was first released on May 3, 2007.[1] Published by Hodder Children's Books, it is the first in a line of novels centered on Finn and Claudia, two adolescents individually confined by the Warden of Incarceron.[2] A sequel to the book, entitled Sapphique, was published in 2008. Incarceron was first released in the United States in 2010 and appeared on the New York Times children's bestseller list. 20th Century Fox owns the film rights to the novel.[3] The book has been released in paperback and as an audio book, read by Kim Mai Guest.

Inspiration and origins

Catherine Fisher "wanted to write a book about a prison" and conceived Incarceron, an automated world controlled by a personified mechanical power. Incarceron is vast and expands through whole villages, forests, cells and corridors.

Setting

Incarceron is a futuristic prison and an artificial worlda living artificial world run by Incarceron, an artificial intelligence. This tireless, inhuman "overlord" controls all life as it monitors inmates by means of cameras that appear as glowing red lights and dispenses punishment and death on a daily basis without mercy. Escape from Incarceron is a concept which few believe in, except those who insist that Sapphique, the legendary Sapient, has in fact achieved this very act.

Initially, the intent of Incarceron’s creators, the Sapienti, was to incarcerate all the criminals in the world and repair their morals to form a perfect society, controlled with the help of the Prison entity "Incarceron". The prisoners and seventy Sapienti inside were sealed off from the world in order to control all variables in this experiment, with the exception of the prison Warden to oversee the project. However, after years of isolation and the failure of the perfect society, those inside have no way to seek help or escape when the Warden abandons the experiment’s aims.

The Realm

The Sapienti created Incarceron during a time of advanced technology and discovery. However, since then, King Endor released a royal decree that Time would be "stopped" in order for humanity to survive, and now the Realm is trapped in the 17th century. The King justified that they were making a world “free from the anxiety of change.” The Protocol prevents the development of science and evolution, and has since hindered Sapienti, and provided problems against freeing those in Incarceron. Change is not allowed which angers many nobles and they plot against the Queen.

Characters

Cover

The cover is an image of the key, “a small cylindered artifact” with the hologram of the Realm’s royal eagle. Created by Lord Calliston, the "Steel Wolf", who was the first Prisoner to be sent into Incarceron, it can communicate with other keys of the same design, provide a blind spot from Incarceron’s security system, and allow one human to leave Incarceron. Lord Calliston died before he could use it.

Critical reception

The book had received largely positive reviews from book critics. Amanda Craig from The Times praised the novel for its “imaginative scale and gobsmacking finale”, naming the book as “one of the best fantasy novels written for a long time.” In agreement is Independent, calling the plot “a deliciously dark and scary ride,” as well as identifying Fisher as one of the best fantasy writers of today.[4] Fisher’s accomplished skills and depth of feeling was recognised by The Bookseller, who described the novel as “imaginative, rich in texture and vividly realised.”

Junot Diaz from Wall St. Journal labelled the book as a thriller of the highest order and said that “Fisher could give the show '24' a run for its money,” [4] while Mary Quattlebaum from The Washington Post praised “this eerie, elegant fantasy”, highlighting the intricate plot, fictitious universe and likening the relationship of the book and readers to Incarceron and its prisoners.[5]

In agreement was the Booklist, who labelled the book as a “must have,” and Publishers Weekly, certain that the “complex and inventive” book would be a resounding success. The Horn Book praised “Fisher's dystropic future, in which technology and decay coexist in a dazzling kaleidoscope of images and time periods.”[6]

Awards

References

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