Isabelle de Charrière

Isabelle de Charrière

Portrait of Isabelle de Charrière by Maurice-Quentin de La Tour, 1771.
Born (1740-10-20)20 October 1740
Castle Zuylen, Utrecht Netherlands
Died 27 December 1805(1805-12-27) (aged 65)
Le Pontet, Colombier, Neuchâtel, Switzerland
Pen name Belle van Zuylen, Belle de Zuylen, Zélide, Abbé de la Tour
Occupation Novelist, poet, playwright
Nationality Dutch, Swiss
Website

www.charriere.nl

www.belle-van-zuylen.eu

Isabelle de Charrière (20 October 1740 – 27 December 1805), known as Belle van Zuylen in the Netherlands, née Isabella Agneta Elisabeth van Tuyll van Serooskerken, and [Madame] Isabelle de Charrière elsewhere, was a Dutch writer of the Enlightenment who lived the latter half of her life in Switzerland. She is now best known for her letters and novels, although she also wrote pamphlets, music and plays. She took a keen interest in the society and politics of her age, and her work around the time of the French Revolution is regarded as being of particular interest.

Early life

Isabelle van Tuyll van Serooskerken was born in Castle Zuylen near Utrecht in the Netherlands, to Diederik Jacob van Tuyll van Serooskerken (1707–1776), and Helena Jacoba de Vicq (1724–1768). Her parents were described by the British author James Boswell, student Law in Utrecht and one of her suitors, as "one of the most ancient noblemen in the Seven Provinces" and "an Amsterdam lady, with a great deal of money". Isabelle was the eldest of seven children. In winter they lived in their house in the city of Utrecht.

In 1750, Isabelle was sent to Geneva and travelled through Switzerland and France. Having spoken only French for a year, she had to relearn Dutch on returning home to the Netherlands. However, French would remain her preferred language for the rest of her life, which helps to explain why, for a long time, her work was not as well known in her country of birth as it otherwise might have been.

Isabelle enjoyed a much broader education than was usual for girls at that time, thanks to the liberal views of her parents who also let her study subjects like mathematics. By all accounts, she was a gifted student. Always interested in music, in 1785 she began studying with composer Niccolò Zingarelli.[1]

At the age of 14 years she fell in love with the Roman Catholic polish count Peter Donhöff. He was not interested in her. Disappointed she left Utrecht for 18 months.[2]
As she grew older, various suitors appeared on the scene only to be rejected because they promised to visit her, but they didnot, or to withdraw themselves because she was superior. She saw marriage as a way to gain freedom but she also wanted to marry for love.

Invited specially by Anne Pollexfen Drake and also her husband lieutenant general George Eliott to come to London, Curzon Street (Mayfair) Isabelle did come by boat from Hellevoetsluis to Harwich 7 november 1766 accompanied by her brother Ditie, her maid Doortje and her valet Vitel.

Later Life

Eventually, in 1771, she married Charles-Emmanuel de Charrière de Penthaz (1735-1808), the former tutor of her brother Willem René abroad (1763-1766). Since then she was known as Isabelle de Charrière. They settled at Le Pontet in Colombier (near Neuchâtel) in Switzerland with also her father-in-law François (1697-1780) and her two unmarried sisters-in-law Louise (1731-1810) and Henriette (1740-1814). The couple also spent significant amounts of time in Geneva and Paris.

Correspondence

Isabelle de Charrière kept up an extensive correspondence with numerous people, including intellectuals like David-Louis Constant d'Hermenches, James Boswell, Benjamin Constant and her German translator Ludwig Ferdinand Huber.

In 1760, Isabelle met David-Louis Constant d'Hermenches (1722–1785), a married Swiss officer regarded in society as a Don Juan. After much hesitation, Isabelle's need for self-expression overcame her scruples and, after a second meeting two years later, she began an intimate and secret correspondence with him for about 15 years. Constant d'Hermenches was to be one of her most important correspondents.

The Scottish writer James Boswell has met her frequently in Utrecht and in Castle Zuylen in 1763-1764, when he studied law in Utrecht. He became a regular correspondent for several years after leaving the Netherlands, going on Grand Tour. He wrote her that he was not in love with her. She replied: "We agree, because I have no talent for subordination". In 1766 he send a conditional proposal to her father after meeting her brother in Paris. Both fathers didnot agree with a marriage.

In 1786, Mme de Charrière met Constant d'Hermenches' nephew, the writer Benjamin Constant in Paris. He visited her in Colombier for several times. There they wrote a epistolary novel together. An exchange of letters began that would last until the end of her life.
She had also an interesting correspondence with her German translator Ludwig Ferdinand Huber.

Works

Isabelle de Charrière wrote novels, pamphlets, plays and composed music. Her most productive period came only after she had been living in Colombier for a number of years. Themes included her religious doubts, the nobility and the upbringing of women.

Her first novel, Le Noble, was published in 1762. It was a satire against the nobility and although it was published anonymously, her identity was soon discovered and her parents withdrew the work from sale. Then she wrote a portrait of herself for her friends: Portrait de Mll de Z., sous le nom de Zélide, fait par elle-même. 1762.

In 1784 she published two novels, Lettres neuchâteloises and Lettres de Mistriss Henley publiée par son amie. Both were epistolaries, a form she continued to favour. In 1788, she published her first pamphlets about the political situation in the Netherlands, in France and Switzerland.

As an admirer of the philosopher Jean-Jacques Rousseau, she assisted in the posthumous publication of his work, Confessions, in 1789. She also wrote her own pamphlets on Rousseau around this time.

The French Revolution caused a number of nobles to flee to Neuchâtel and Mme de Charrière befriended some of them. But she also published works criticising the attitudes of the aristocratic refugees, most of whom she felt had learned nothing from the Revolution.

She wrote or at least planned words and music for several musical works, but none survive beyond fragments. She sent a libretto of Les Phéniciennes to Mozart, hoping that he would set it, but no reply is known. All of her musical works are included in volume 10 of her Œuvres complètes; these include six minuets for string quartet, nine piano sonatas, and ten airs and romances.[1]

Scientific publications of the original texts

Translations

Correspondence

Miscellany

Notes

  1. 1 2 Marius Flothius. "Belle van Zuylen". In Macy, Laura. Grove Music Online. Oxford Music Online. Oxford University Press. (subscription required)
  2. First letter to Count Dönhoff

Bibliography

External links

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