JaffeHolden Acoustics

JaffeHolden
Founded 1968
Headquarters Norwalk, Connecticut

JaffeHolden Acoustics, Inc. is an internationally renowned consulting firm which delivers award-winning Architectural Acoustics, Audio and Video Systems, and Information Technologies design services. Its clientele includes performance venues, houses of worship, educational institutions, museums, cruise ships, and legislative buildings.[1]

About Jaffe Holden

History

In 1968, Jaffe Holden Acoustics was founded by acoustician Christopher Jaffe in Norwalk, Connecticut. The company first grew from Jaffe’s discovery that lightweight tunable reflector panels placed in the reverberant stage towers of multi-use theatres increased orchestral liveness, intimacy and warmth. Since these designs allowed acousticians to place overhead ceiling reflectors closer to the musicians, the shells improved on stage hearing to the benefit of orchestral ensemble and sectional balance. Some early challenges for JaffeHolden were designing a shell for the Youth Symphony concerts on the South Lawn of the White House sponsored by Jacqueline Kennedy; renovations of Lewisohn Stadium for the Metropolitan Opera and the Hollywood Bowl for the Los Angeles Philharmonic; and the design for the first touring symphonic stage used by the New York Philharmonic for their innovative series of free parks concerts in 1965.

Early in the company’s history, while working on a grant for the National Endowment for the Arts, Jaffe realized that the elitist image of orchestral performance and the formal seating arrangement of the typical concert hall were actually reducing attendance at these events. Researching older halls such as the Concertgebouw in Amsterdam, JaffeHolden designed the first surround concert hall in the Western hemisphere, Sala Nezahualcoyotl Hall in Mexico City. JaffeHolden also developed the use of electronic reflections to provide needed aural information in specialized circumstances where physical acoustic solutions alone could not meet the required symphonic criteria due to budget constraints, building landmark restrictions and/or operational flexibility. Also known as ERES (Electronic Reflected Energy System),[2] these systems have been successfully implemented in theaters and halls throughout the United States. Jaffe and current CEO Mark Holden’s "Concert Hall Shaper"[3][4] revolutionized multi-use theater design in providing mixed-use theaters with the level of acoustic parameters found in a dedicated concert hall. This was first utilized in the Tokyo International Forum, and subsequently at the Bass Performance Hall in Fort Worth, Texas and the Thelma Gaylord Theater at the Oklahoma City Civic Center.

Recent Business

In 2008, Jaffe Holden Acoustics, Inc. expanded its consulting services to include information technology services. Services include the areas of telecommunications, data, voice and cable infrastructure and network technologies.

Current CEO

In 2005, Mark Holden became chairman of Jaffe Holden Acoustics, Inc. Educated at Duke University with a Bachelor of Science in Electrical Engineering, Mr. Holden has authored numerous papers and columns for major trade publications. He has lectured at Harvard University and the University of Miami. He is a member of the National Council of Acoustical Consultants and was elected Fellow of the Acoustical Society of America in 2004.

Principals

Locations

Jaffe Holden Acoustics Inc. has two main office locations:

Projects

Completed Projects

Notable Projects In Progress

As of 2013:

See also

References

  1. ↑ http://www.jaffeholden.com/about.htm
  2. ↑ Jaffe, Christopher. Variable acoustics for multi-use halls using electronic reflected energy systems. The Journal of the Acoustical Society of America, Volume 69, Issue S1, April 15, 1981, p. S75
  3. ↑ Beranek, Leo. Concert Halls and Opera Houses. pp. 550
  4. ↑ Cooper, Russell. Sound & Communications. Acoustic Compromises. June 2006

External links

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