James Macdonald (director)
James Macdonald is a British theatre and film director who is best known for his work with contemporary writers such as Caryl Churchill.[1] He was associate and deputy director of The Royal Court from 1992-2006. There he staged the premiere of Sarah Kane's Blasted (1995), her highly controversial debut which sparked a Newsnight debate on BBC Television.[2] He also directed the premiere of Kane's Cleansed (1998) and 4.48 Psychosis which opened after her suicide.[3][4]
Born in 1958, Macdonald began working as a director at the Royal Court under Max Stafford-Clark, in his twenties after graduating from Oxford University and L'Ecole Internationale de Theatre Jacques Lecoq. Since leaving the Royal Court in 2007 Macdonald has worked extensively in New York, in most of the major theatres across London and the West End, and directed a 2008 feature film of A Number by Caryl Churchill for HBO/BBC Films.[5]
His productions include Fewer Emergencies by Martin Crimp at the Royal Court (2005),[6] Glengarry Glen Ross in the West End (2007),[7] The world premiere of The Arrest of Ai Weiwei at the Hampstead Theatre (2013) [8][9] and Bakkhai at Almeida Theatre in 2015.[10]
James Macdonald is on the board of Stage Directors UK [11]
Productions
- Escaped Alone by Caryl Churchill, Royal Court Theatre, London (2016) [12][13]
- Cloud 9 , Atlantic Theater Company Linda Gross Theatre, New York, NY (2015) [14]
- Bakkhai, Almeida Theatre, London, (2015) [15]
- The Father, by Florian Zeller, Theatre Royal, Bath Productions (2014) [16][17][18]
- The Wolf From the Door (world premiere), by Rory Mullarky, The Royal Court Theatre, Jerwood Theatre Upstairs, London (2014) [19]
- Love and Information, New York Theatre Workshop, The Royal Court Theatre at Minetta Lane Theatre N.Y. (2014)
- Roots, Donmar Warehouse, London (2013)
- Circle Mirror Transformation, The Royal Court Theatre, Rose Lipman Building, London (2013)
- Love and Information (world premiere), The Royal Court Theatre, London (2012) [20]
- Cock by Mike Bartlett (US premiere), The Duke on 42nd Street, New York (2012)
- And No More Shall We Part, Hampstead Theatre, London (2012)
- King Lear, Joseph Papp The Public Theatre, New York (2011) [21]
- A Delicate Balance, by Edward Albee, Almeida Theatre, London (2011)
- John Gabriel Borkman, The Abbey Theatre, Dublin, and Brooklyn Academy of Music Harvey Theatre NY (2010-2011)
- The Book of Grace (world premiere), by Suzan-Lori Parks, The Public Theatre, New York (2010)
- Cock (world premiere), The Royal Court Theatre, London (2009), winner of Laurence Olivier Award [22][23]
- Judgement Day by Odon von Horvath, Almeida Theatre, London (2009)[24]
- Top Girls, Manhattan Theatre Club at Biltmore Theatre, New York (2008)[25]
- Drunk Enough to Say I Love You?, The Public Theater NY, The Royal Court Theatre (2008)[26]
- Glengarry Glen Ross, Apollo Theatre, London (2008)[27]
- Dying City, by Christopher Shinn, Lincoln Centre Theater NY (2007)[28]
- Exiles, by James Joyce, Royal National Theatre (2006)[29]
- A Number by Caryl Churchill, New York Theatre Workshop, New York (2005)
Awards and Nominations
- Evening Standard Awards, Best play, The Father, Theatre Royal Bath, 2015
- Obie Award USA, winner, Best Director for Love and Information, 2014
- Evening Standard Awards, Longlisted for Best Director, Roots, Donmar Warehouse, 2013
- Evening Standard Awards, Longlisted for Best Director, Love and Information by Caryl Churchill, (Royal Court Downstairs), 2012
References
- ↑ The Independent Interview
- ↑ The Independent News
- ↑ BBC Article
- ↑ Telegraph Review
- ↑ IMDb
- ↑ Guardian Review
- ↑ Variety Review
- ↑ BBC News
- ↑ Guardian Review
- ↑ Huffington Post Review
- ↑ Stage Directors UK
- ↑ NY Times Review
- ↑ Telegraph Review
- ↑ NY Times Review
- ↑ Almeida Theatre
- ↑ BBC Entertainment
- ↑ Guardian Review
- ↑ Theatre Royal Bath
- ↑ Telegraph Review
- ↑ Guardian Review
- ↑ Broadway World
- ↑ Olivier Awards
- ↑ Guardian Review
- ↑ Telegraph Review
- ↑ New York Times Review
- ↑ New York Times Review
- ↑ Guardian Review
- ↑ New York Times review
- ↑ Guardian Review