Jan Senbergs

Jan Senbergs
Born 1939
Latvia arrived Australia
Known for Painting, Drawing, Printmaking, Screen Printing
Awards winner of the Dobell Prize in 1995 & Kedumba Drawing Prize in 1991

Jan Senbergs (born in Lativia, 1939) is an Australian artist and printmaker.

Life and work

World War II forced Sensbergs and his family out of Latvia to Germany and eventually to Australia, arriving in Melbourne in 1950. As a young adult Senbergs was educated at Richmond Technical School, where he learnt technical and free drawing, going on to become a silkscreen printer once he left school at 15. The skills he learnt as an apprentice were defining in the beginning of his career in the 1960s and 1970s, when he became, arguably, one of the best silkscreen printmakers in Australia.[1][2] Senbergs moved on from screen printing to the industrial cityscapes and ports of Melbourne, the mined landscapes of Tasmania and the Antarctic wilderness.[3] Spanning his 50 plus year career he has covered figuration, surrealism, expressionism and abstraction in his prints, paintings and drawings.[4] Senbergs has had many career highlights, including receiving the Helena Rubinstein Travelling Scholarship in 1966, representing Australia at the São Paulo Art Biennial in Brazil in 1973 and being commissioned for a large-scale mural for the High Court of Australia, Canberra in 1980. He has had various important roles in his career including member of the Visual Arts Board of the Australia Council from 1984–1987, Trustee of the National Gallery of Victoria from 1984–1989 and in 1989 he was appointed the Visiting Professor – Chair of Australian Studies at Harvard University, Boston, USA.[5]

Exhibitions

Senbergs started exhibiting in the early 1960s in Melbourne,[6] at Argus Gallery, and in Sydney, at Rudy Komon Gallery, and has continued to exhibit regularly across Australia, as well as internationally. He has held over 45 solo shows and participated in nearly 70 group shows throughout his 50 plus year career. Senbergs has had many survey exhibitions, including Imagined Sites – Imagined Realities at the Heide Museum of Modern Art in 1993, Jan Senbergs Drawing at Ballarat Fine Art Gallery in 2006, which went on to tour regional Australia in 2007, and Jan Senbergs: From Screenprinter to Painter at the Art Gallery of New South Wales in 2008. Senbergs has also exhibited considerably overseas, starting early on in his career with Young Australian Painters in 1965 in Tokyo, Japan and continuing with Australian Prints Today at the Smithsonian Institution in Washington DC in 1966 and Australian Prints at the Victoria & Albert Museum, London in 1972. Early in his career Senbergs was included in various Biennials, such as the International Biennale of Graphic Art in Cracow, Poland in 1966, the Bradford Print Biennale, in Bradford, United Kingdom and the International Print Biennale, in Tokyo, Japan both in 1968. Most notably he was chosen to represent Australia at the Sao Paolo Biennale in Brazil in 1973. Most recently he held a solo show at the Australian Print Workshop[7] in Melbourne and featured in the Blue Chip XV: The Collectors’ Exhibition at Niagara Galleries and Mixtape 1980s: Appropriation, Subculture, Critical Style at the National Gallery of Victoria in 2013.[8]

Collections

Senbergs' work is featured in prominent galleries and museums across Australia as well as overseas. He is featured in major state galleries such as National Gallery of Australia, National Gallery of Victoria, Art Gallery of New South Wales,[9] Art Gallery of South Australia and Art Gallery of Western Australia.[10] Internationally, Senbergs is included in the Wadsworth Atheneum, Hartford, Connecticut, the Museum of Fine Arts, Houston, Texas, the Museum of Modern Art, New York, the National Gallery of Art and Washington DC, as well as numerous regional, university, college, corporate and private collections throughout Australia and the USA.[11]

Awards

Senbergs has been the recipient of numerous awards and prizes, including the Dobell Prize from the Art Gallery of New South Wales in 1995[12][13] and the Kedumba Drawing Prize in 1991. He received an Honorary Award in the Doctor of Arts Honoris Causa from the Royal Melbourne Institute of Technology in Melbourne and was the recipient of the Helena Rubenstein Travelling Art Scholarship in 1966.

External links

References

  1. Allen, Christopher (1997). Art in Australia: From Colonization to Postmodernism. London: Thames and Hudson. ISBN 0500203016.
  2. McCaughey, Patrick (2006). Voyage and Landfall: The Art of Jan Senbergs. Melbourne: The Miegunyah Press. ISBN 0522851827.
  3. "Jan Senbergs: From Screenprinter to Painter". Art Gallery of New South Wales. Retrieved 30 August 2013.
  4. McDonald, John (April–June 2008). "Jan Senbergs: Neither Firebrand nor Interior Decorator" (PDF). Art Collector (44): 139–143. Retrieved 30 August 2013.
  5. "Jan Senbergs". The Art Vault. Retrieved 30 August 2013.
  6. Australian Identities in Printmaking : The Australian Print Collection of Wagga Wagga Regional Art Gallery Sasha Grishin published by W.W.R.A.G., 2000, ISBN 1875247157
  7. Place made, Australian print workshop Roger Butler and Anne Virgo, editors, Published by National Gallery of Australia 2004 ISBN 0642541558
  8. McCaughey, Patrick (2006). Voyage and Landfall: The Art of Jan Senbergs. Melbourne: The Miegunyah Press. ISBN 0522851827.
  9. Australian Prints from the Gallery's Collection Hendrik Kolenberg & Anne Ryan Art Gallery of New South Wales, ISBN 0731389123
  10. Australian Printmaking in the 1990s, Sasha Grishin Craftsman House, 1997 ISBN 9057033917
  11. "Design and Art Australia Online (DAAO)".
  12. The Dobell Prize For Drawing 1993–2004 published by Art Gallery of NSW 2005 pg 54 ISBN 0-7347-6376-X
  13. Contemporary Australian Drawing 20 Years of the Dobell Prize for Drawing written by Helen Campbell, Hendrik Kolenberg, Anne Ryan Art Gallery of NSW | ISBN 9781741740868
This article is issued from Wikipedia - version of the Wednesday, May 04, 2016. The text is available under the Creative Commons Attribution/Share Alike but additional terms may apply for the media files.